Annotation:Miss Parker's Reel (1): Difference between revisions
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'''MISS PARKER'S REEL [1].''' Scottish, Reel. A Major. Standard tuning (fiddle). AABBCCDD. A composition by Charles Stewart, an Edinburgh musician and later a dancing master. John Glen (1895) remarks: "There are some grounds for suspecting that Stewart, in 1811 or 1812, had either been bereft of his reason, or had become an imbecile, as his name dropt out of the public announcements about that time. This suspicion is strengthened by the appearance of two appeals made by his wife on behalf of his family." One of these appeals read: | '''MISS PARKER'S REEL [1].''' Scottish, Reel. A Major. Standard tuning (fiddle). AABBCCDD. A composition by Charles Stewart, an Edinburgh musician and later a dancing master. John Glen (1895) remarks: "There are some grounds for suspecting that Stewart, in 1811 or 1812, had either been bereft of his reason, or had become an imbecile, as his name dropt out of the public announcements about that time. This suspicion is strengthened by the appearance of two appeals made by his wife on behalf of his family." One of these appeals read: | ||
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"Mrs. Parker" appears to have been Nannette's stepmother, who also danced at the Royal Circus. Watlen (in Celebrated Circus Tunes, 1798) mentions her in conjunction with "the celebrated Strathspey Minuet as danced by Mr. Lassells and Mrs. Parker at the Royal Circus, London and Edinburgh." In 1806 the Monthly Mirror, reporting on the Royal Circus, wrote: "Since our last and first notice, the stage exhibitions have been improved by the addition of a new dance called the 'Hibernian Reapers, or Harvest Home', in which Mrs. Parker distinguishes herself by a style of dancing full of ease, and productive of the most agreeable effect." | "Mrs. Parker" appears to have been Nannette's stepmother, who also danced at the Royal Circus. Watlen (in Celebrated Circus Tunes, 1798) mentions her in conjunction with "the celebrated Strathspey Minuet as danced by Mr. Lassells and Mrs. Parker at the Royal Circus, London and Edinburgh." In 1806 the Monthly Mirror, reporting on the Royal Circus, wrote: "Since our last and first notice, the stage exhibitions have been improved by the addition of a new dance called the 'Hibernian Reapers, or Harvest Home', in which Mrs. Parker distinguishes herself by a style of dancing full of ease, and productive of the most agreeable effect." | ||
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''Source for notated version'': | <p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - | |||
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''Printed sources'': Abraham Macintosh ('''A Collection of Strathspeys, Reels, Jigs &c.'''), c. 1797; p. 18. | <font color=red>''Printed sources''</font> : - Abraham Macintosh ('''A Collection of Strathspeys, Reels, Jigs &c.'''), c. 1797; p. 18. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Revision as of 18:57, 9 January 2019
X: 1 T: Miss Parker's Reel [1] C: Mr Greenwell R: reel M: C| L: 1/8 Z: 2011 John Chambers <jc:trillian.mit.edu> B: Abraham Mackintosh "A Collection of Strathspeys, Reels, Jigs &c.", Newcastle, after 1797, p.18 F: http://imslp.info/files/imglnks/usimg/a/a8/IMSLP80796-PMLP164326-Abraham_Mackintosh_coll.pdf K: A V: 1 e |\ A/A/A ec fdec | A/A/A ec dBBc | A/A/A ec fdec | efed cAA :| |: e |\ afec fdec | afec dBBg | afec defa | efed cAA :| V: 2 clef=bass middle=d z |\ [a2c'2e'2][a2c'2e'2] [d'2a2][a2c'2e'2] | [a2c'2e'2][a2c'2e'2] [e2g2b2e'2][e2g2b2e'2] |\ [a2c'2e'2][a2c'2e'2] [d'2a2][a2c'2e'2] | cde2 a2A :| |: z |\ a2[a2c'2e'2] [d'2a2][c'2a2] | a2[c'2a2] [e2g2b2e'2][e2g2b2e'2] |\ a2[c'2a2] f2d2 | cde2 a2A :|
MISS PARKER'S REEL [1]. Scottish, Reel. A Major. Standard tuning (fiddle). AABBCCDD. A composition by Charles Stewart, an Edinburgh musician and later a dancing master. John Glen (1895) remarks: "There are some grounds for suspecting that Stewart, in 1811 or 1812, had either been bereft of his reason, or had become an imbecile, as his name dropt out of the public announcements about that time. This suspicion is strengthened by the appearance of two appeals made by his wife on behalf of his family." One of these appeals read:
Benefit ball. On 1st March, Mrs. Charles Stewart (wife of Mr. C. Stewart, late teacher of dancing in Edinburgh) begs leave most respectfully to inform her friends and the public that the pressing necessities of a young and helpless family have again induced her humbly to solicit their countenance and support on the present occasion.
Charles Stewart died in 1818, though his age is not known.
"Mrs. Parker" appears to have been Nannette's stepmother, who also danced at the Royal Circus. Watlen (in Celebrated Circus Tunes, 1798) mentions her in conjunction with "the celebrated Strathspey Minuet as danced by Mr. Lassells and Mrs. Parker at the Royal Circus, London and Edinburgh." In 1806 the Monthly Mirror, reporting on the Royal Circus, wrote: "Since our last and first notice, the stage exhibitions have been improved by the addition of a new dance called the 'Hibernian Reapers, or Harvest Home', in which Mrs. Parker distinguishes herself by a style of dancing full of ease, and productive of the most agreeable effect."