Annotation:Bonnie Ann (1): Difference between revisions
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'''BONNIE ANN(IE) [1]''' (Áine Bhóidheach). Irish, Reel. D Major. Standard tuning (fiddle). AABB. The title appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997). It is a well-known session tune in Irish traditional music. Seán Keane says this tune, together with "[[Jinnie Bang the Weaver]]" are known as "[[Longford Reels (The)]]." Keane's recording was influential, and the tune is sometimes called "Seán Keane's Reel, according to Sliabh Notes box player Dónal Murphy. | '''BONNIE ANN(IE) [1]''' (Áine Bhóidheach). Irish, Reel. D Major. Standard tuning (fiddle). AABB. The title appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997). It is a well-known session tune in Irish traditional music. Seán Keane says this tune, together with "[[Jinnie Bang the Weaver]]" are known as "[[Longford Reels (The)]]." Keane's recording was influential, and the tune is sometimes called "Seán Keane's Reel, according to Sliabh Notes box player Dónal Murphy. | ||
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''Source for notated version'': fiddler Seán Keane (Ireland) [Breathnach]; set dance music recorded at Na Píobairí Uilleann in the late 1980's [Taylor]. | <p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - fiddler Seán Keane (Ireland) [Breathnach]; set dance music recorded at Na Píobairí Uilleann in the late 1980's [Taylor]. | |||
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''Printed sources'': Breathnach ('''CRÉ III'''), 1985; No. 150, p. 70. Taylor ('''Music for the Sets: Blue Book'''), 1995; p. 5. Treoir, 1x, 1. | <font color=red>''Printed sources''</font> : - Breathnach ('''CRÉ III'''), 1985; No. 150, p. 70. Taylor ('''Music for the Sets: Blue Book'''), 1995; p. 5. Treoir, 1x, 1. | ||
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''Recorded sources'': <font color=teal>Claddagh Records CC17, Seán Keane - "Gusty's Frolics" (1975. Learned from two uncles on Keane's mother's side, James Hanley and Peter Farrell). Ossian OSS CD 130, Sliabh Notes - "Along Blackwater's Banks" (2002).</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Claddagh Records CC17, Seán Keane - "Gusty's Frolics" (1975. Learned from two uncles on Keane's mother's side, James Hanley and Peter Farrell). Ossian OSS CD 130, Sliabh Notes - "Along Blackwater's Banks" (2002). | ||
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Revision as of 18:16, 26 January 2019
X: 1 T:Bonnie Anne [1] R:reel D:The Magic Square: Traditional Irish Music from Boston Z:transcribed by Dave Marshall M:C| K:D |: f2ed cAAB | cAdB cAA2 | f2ed cAAB | cAGE EDD2 | f2ed cAAB | cAdB cAGE | D2 (3EFG Acdc | ABGE EDD2 :| |: A~d3 defg | a2fa gfec | dAFA defd | ~=c3G EFGB | A~d3 defg | a2fa g2fg | afge dfed |1 cAGE DEFG :|2 cAGE EDD2 ||
BONNIE ANN(IE) [1] (Áine Bhóidheach). Irish, Reel. D Major. Standard tuning (fiddle). AABB. The title appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997). It is a well-known session tune in Irish traditional music. Seán Keane says this tune, together with "Jinnie Bang the Weaver" are known as "Longford Reels (The)." Keane's recording was influential, and the tune is sometimes called "Seán Keane's Reel, according to Sliabh Notes box player Dónal Murphy.