Annotation:Second Star Hornpipe: Difference between revisions
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'''SECOND STAR HORNPIPE, THE.''' Scottish, Hornpipe (cut time). B Flat Major. Standard tuning (fiddle). AABBCCDD. The composition is attributed to G. Tate in Laybourn's '''Köhler’s Violin Repository vol. 2''' (1881-1885). | '''SECOND STAR HORNPIPE, THE.''' Scottish (?), Hornpipe (cut time). B Flat Major. Standard tuning (fiddle). AABBCCDD. The composition is attributed to G. Tate in Laybourn's '''Köhler’s Violin Repository vol. 2''' (1881-1885). Unfortunately, there is no information that has surfaced on this composer, and thus the provenance of the tune is unknown. The earliest printing so far is in Laybourn's '''Köhler’s Violin Repository vol. 2''' (1881-1885), so Tate was at least born prior to 1865. | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Buddy MacMaster - "The Judique Flyer." </font> | ||
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See also listing at:<Br> | See also listing at:<Br> | ||
Alan Snyder’s Cape Breton Fiddle Recording Index [https://www.cbfiddle.com/rx/tune/t153.html]<BR> | Alan Snyder’s Cape Breton Fiddle Recording Index [https://www.cbfiddle.com/rx/tune/t153.html]<BR> | ||
Alan Ng's Irishtune.info [https://www.irishtune.info/tune/6476/]<br> | |||
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Revision as of 05:13, 19 February 2019
X:1 T:Second Star Hornpipe C:G. Tate B:Köhler's Violin Repository, Book 2, 1885, p. 109 Z:François-Emmanuel de Wasseige N:Repeat sign added in the last bar. M:C| L:1/8 K:Bb (D>E)|(F>B)d>c (B>A)G>F|(E>G)c>d (e>d)c>B|(A>c)a>g (f>g)e>f|d>ec>d B>cA>B| (F>B)d>c (B>A)G>F|(E>G)c>d (e>d)c>B|A>(fe>c) A>FE>C|B,2B2 B2:| |:(fga)|b2(DF) Bdfb|g2(EG) Begb|f2(CE) Acef|d2(B,D) FBdf| b2(DF) Bdfb|g2(EG) Begb|(a>g)f=e _e>dc>B|B2b2 B2:|]
SECOND STAR HORNPIPE, THE. Scottish (?), Hornpipe (cut time). B Flat Major. Standard tuning (fiddle). AABBCCDD. The composition is attributed to G. Tate in Laybourn's Köhler’s Violin Repository vol. 2 (1881-1885). Unfortunately, there is no information that has surfaced on this composer, and thus the provenance of the tune is unknown. The earliest printing so far is in Laybourn's Köhler’s Violin Repository vol. 2 (1881-1885), so Tate was at least born prior to 1865.