Annotation:Shandon Bells: Difference between revisions

Revision as of 22:15, 14 April 2019

X:1 T:Shandon Bells M:6/8 L:1/8 B:O'Neill's Music of Ireland. 1850 Melodies, 1903, p. 152, No. 814 Z:François-Emmanuel de Wasseige N:1st repeat mark added ; there is no repeat in part B K:D B|:A>FD DFA|d>ed cBA|B>GE EFA|B2A Bcd| A>FD DFA|d>ed cBA|Bcd ecA|1 d3 dcB:|2 d3 d2|| g|f2(d d)ed|faa afd|c>AA e>AA|cBc efg| f2(d d)ed|faa afd|Bcd ecA|d3 d2|]

SHANDON BELLS (Cloig an tSeandúin). AKA and see "Punch for Ladies (1),” “Ronayne's Jig." Irish (originally), Canadian, American; Double Jig (6/8 time). USA, New England. Canada; Ottawa Valley, Ontario, Prince Edward Island. D Major. Standard tuning (fiddle). AA'B (O'Neill/1850 & 1001): AABB (Miller & Perron, Perlman): AA'BB (O'Neill/Krassen & 1915): AA’BB’ (Begin). The tune is named for a bell tower in the city of Cork. According to Francis O’Neill (in Irish Folk Music, p. 87), “No double jig ever introduced in Chicago met with such immediate popularity among musicians and dancers as Shandon Bells.” A family of slip jigs, probably Scottish in origin, echoes the same melodic and harmonic material but is probably not cognate; see “Sailor Lassie (The) for more.

Additional notes

Sources for notated versions: - Chicago fiddler Edward Cronin, originally from Limerick Junction, County Tipperary, who “learned it in his youth…but it was entirely unknown, it seems, except in that locality” [O’Neill]; Allan MacDonald (b. c. 1950, Bangor, North-East Kings County, Prince Edward Island) [Perlman]; Dawson Girdwood (Perth, Ottawa) [Bégin].

Printed sources : - Bégin (Fiddle Music in the Ottawa Valley: Dawson Girdwood), 1985; No. 2, p. 16. Feldman & O’Doherty (The Northern Fiddler), 1976; 101 (appears as untitled jig). Miller & Perron (New England Fiddler’s Repertoire), 1983; No. 28. O’Brien (Jerry O’Brien’s Accordion Instructor), 1949. O'Neill (O’Neill’s Irish Music), 1915; No. 156, p. 88. O'Neill (Krassen), 1976; p. 27. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 814, p. 152. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 1, p. 17. Perlman (The Fiddle Music of Prince Edward Island), 1996; p. 125. Sannella, Balance and Swing (CDSS).

Recorded sources: -Fretless 200a, Yankee Ingenuity "Kitchen Junket" (1977). Green Linnet GLCD 1128, Brendan Mulvihill & Donna Long - “The Morning Dew” (1993). Rounder CD 7014, Anastasia DesRoches – “Fiddlers of Western Prince Edward Island” (1997). Smithsonian Folkways SFW CD 40126, Lamprey River Band – “Choose Your Partners!: Contra Dance & Square Dance Music of New Hampshire” (1999).

See also listing at:
Alan Ng's Irishtune.info [1]
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2]
Alan Snyder's Cape Breton Fiddle Recordings Index [3]

Back to Shandon Bells

@@ Line 10: / Line 10: @@
 <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
 <br>
-'''SHANDON BELLS''' (Cloig an tSeandúin). AKA and see "[[Punch for Ladies (1)]],” “[[Ronayne's Jig]]." Irish (originally), Canadian, American; Double Jig (6/8 time). USA, New England. Canada; Ottawa Valley, Ontario, Prince Edward Island. D Major. Standard tuning (fiddle). AA'B (O'Neill/1850 & 1001): AABB (Miller & Perron, Perlman): AA'BB (O'Neill/Krassen & 1915): AA’BB’ (Begin). The tune is named for a bell tower in the city of Cork. According to Francis O’Neill (in Irish Folk Music, pg. 87), “No double jig ever introduced in Chicago met with such immediate popularity among musicians and dancers as Shandon Bells.” A family of slip jigs, probably Scottish in origin, echoes the same melodic and harmonic material but is probably not cognate; see “[[Sailor Lassie (The)]] for more.
+'''SHANDON BELLS''' (Cloig an tSeandúin). AKA and see "[[Punch for Ladies (1)]],” “[[Ronayne's Jig]]." Irish (originally), Canadian, American; Double Jig (6/8 time). USA, New England. Canada; Ottawa Valley, Ontario, Prince Edward Island. D Major. Standard tuning (fiddle). AA'B (O'Neill/1850 & 1001): AABB (Miller & Perron, Perlman): AA'BB (O'Neill/Krassen & 1915): AA’BB’ (Begin). The tune is named for a bell tower in the city of Cork. According to Francis O’Neill (in '''Irish Folk Music''', p. 87), “No double jig ever introduced in Chicago met with such immediate popularity among musicians and dancers as Shandon Bells.” A family of slip jigs, probably Scottish in origin, echoes the same melodic and harmonic material but is probably not cognate; see “[[Sailor Lassie (The)]] for more.
 <br>
 </div>
@@ Line 17: / Line 17: @@
 <p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
 <p><font face="Century Gothic" size="2">
 <font color=red>''Sources for notated versions''</font>: - Chicago fiddler Edward Cronin, originally from Limerick Junction, County Tipperary, who “learned it in his youth…but it was entirely unknown, it seems, except in that locality” [O’Neill]; Allan MacDonald (b. c. 1950, Bangor, North-East Kings County, Prince Edward Island) [Perlman]; Dawson Girdwood (Perth, Ottawa) [Bégin]. <br>
 <br>
@@ Line 34: / Line 35: @@
 See also listing at:<br>
 Alan Ng's Irishtune.info [https://www.irishtune.info/tune/1756/]<br>
-Jane Keefer's Folk Music Index: An Index to Recorded Sources [ ]<br>
+Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/s06.htm#Shabe2]<br>
-Alan Snyder's Cape Breton Fiddle Recordings Index [ ]<br>
+Alan Snyder's Cape Breton Fiddle Recordings Index [https://www.cbfiddle.com/rx/tune/t483.html]<br>
 </font></p>
 <br>