Father John MacMillan of Barra: Difference between revisions

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X: 1
X: 1
T:Father John MacMillan of Barra
T:Father John MacMillan of Barra
R:March
C:Trad., arr. Hamish Moore
S:Hamish Moore's School of Piping
Z:Transcribed by A. Upton
M:2/4
M:2/4
L:1/16
L:1/16
K:D
Q:1/4=80
{g}A>B|:{gcd}c2{g}B<{d}A {gAGAG}A2{g}c<e|{g}f2e<d {g}e3f|{g}e2{g}c<{d}A {gAGAG}A2{d}f>e|{gcd}c2{g}B<{d}A {gBd}B2{g}A>B|!
R:march
{gcd}c2{g}B<{d}A {gAGAG}A2{g}c<e|{g}f2e/{g}c3{g}e3f|{g}e2{g}c<{d}A {gBd}B2{g}c>B|{g}A4 {gAGAG}A2:|!
K:AMix
{g}c<e|:{g}f2e<{A}e {g}e2{g}f<a|{gfg}f2e<{g}c {g}e3f|{g}e2{g}c<{d}A {gAGAG}A2{d}f>e|{gcd}c2{g}B<{d}A {gcd}B2{g}c<e|!
% lydian/major/mixolydian pentatonic, A-final DG-gap
{g}f2e<{A}e {g}e2{g}f<a|{gfg}f2e<{g}c {g}e3f|{g}e2{g}c<{d}A {gAGAG}A2{d}f>e|{gcd}c2{g}B<{d}A {gBd}B2{g}A>B|!
  A>B|c2B<A A2c<e |f2e<c e3f|e2c<A A2f>e |c2B<A B2
{gcd}c2{g}B<{d}A {g}c<e{g}c<{d}A|{g}f2e<{g}c {g}e3f|{g}e2{g}c<{d}A {gBd}B2{g}c>B|{g}A4 {gAGAG}A2||!
  A>B|c2B<A A2c<e |f2e<c e3f|e2c<A B2c>B |A4     A2:|
{g}A>B|:{g}c<{d}A{g}c<e {gcd}c2{e}f>e|{gcd}c2{e}A>{d}c|{g}f2e<{g}c {g}e3f|a>f{g}e>f {gcd}c2{g}f>e|!
  c<e|f2e<e e2f<a |f2e<c e3f|e2c<A A2f>e |c2B<A B2
{gcd}c2{g}B<{d}A {gBd}B2{g}A>B|{g}c<{d}A{g}c<e {gcd}c2{e}A>{d}c|{g}f2e<{g}c {g}e3f|{g}e2{g}c<{d}A {gBd}B2{g}c>B|!
[1 c<e|f2e<e e2f<a |f2e<c e3f|e2c<A B2c>B |A4    A2:|
{g}A4 {gAGAG}A2:|{g}c<e|:{gfg}f2{g}e>f a>f{g}e>f|{gfg}f2{g}A<{d}c {g}e3f|{gfg}f2{g}e>f {g}e>fa>e|!
[2 A>B|c2B<A c<ec<A|f2e<c e3f|e2c<A B2c>B |A4     A2||
{gcg}c2{g}e>c {gBg}B2{g}c<e|{gfg}f2{g}e>f a>f{g}e>f|{gfg}f2{g}A<{d}c {g}e3f|{g}e2{g}c<{d}A {gBd}B2{g}c>B|!
  A>B|c<Ac<e c2A>c |f2e<c e3f|a>fe<f c2f>e |c2B<A B2
{g}A4 {gAGAG}A2|{gfg}f2{g}e>f a>f{g}e>f|{gfg}f2A<{d}c {g}e3f|{gfg}f2{g}e>f {g}e>fa>e|{gcg}c2{g}e>c {gBg}B2{g}A>B|!
  A>B|c<Ac<e c2A>c |f2e<c e3f|e2c<A B2c>B |A4     A2:|
{gcd}c2{g}B<{d}A {g}c<e{g}c<{d}A|{g}f2e<{g}c {g}e3f|{g}e2{g}c<{d}A {gBd}B2{g}c>B|{g}A4 {gAGAG}A2||!
% major/mixolydian hexatonic, A-final G-gap
  c<e|f2e>f a>fe<f|f2A>c e3f|f2e>f a>fe<f|c2B<A  B2
  c<e|f2e>f a>fe<f|f2e<c e3f|e2c<A B2c>B |A4     A2
  c<e|f2e>f a>fe<f|f2A>c e3f|f2e>f e>fa>e|c>de>c B2
  A>B|c2B<A c<ec<A|f2e<c e3f|e2c<A B2c>B |A4     A2|]


</pre>
</pre>

Revision as of 02:58, 28 April 2011


Father John MacMillan of Barra  Click on the tune title to see or modify Father John MacMillan of Barra's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Father John MacMillan of Barra
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 Theme code Index    3165 5132
 Also known as    
 Composer/Core Source    Biography:Norman MacDonald
 Region    Scotland
 Genre/Style    Pipe, Scottish
 Meter/Rhythm    March/Marche, Schottische/Schottis/Jennkka/Reinlander
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AABB'CCDD'
 Editor/Compiler    Biography:Christine Martin
 Book/Manuscript title    Book:Ceol na Fidhle vol. 1
 Tune and/or Page number    p. 27
 Year of publication/Date of MS    1991
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()    


X: 1
T:Father John MacMillan of Barra
M:2/4
L:1/16
Q:1/4=80
R:march
K:AMix
% lydian/major/mixolydian pentatonic, A-final DG-gap
   A>B|c2B<A  A2c<e |f2e<c e3f|e2c<A  A2f>e |c2B<A  B2
   A>B|c2B<A  A2c<e |f2e<c e3f|e2c<A  B2c>B |A4     A2:|
   c<e|f2e<e  e2f<a |f2e<c e3f|e2c<A  A2f>e |c2B<A  B2
[1 c<e|f2e<e  e2f<a |f2e<c e3f|e2c<A  B2c>B |A4     A2:|
[2 A>B|c2B<A  c<ec<A|f2e<c e3f|e2c<A  B2c>B |A4     A2||
   A>B|c<Ac<e c2A>c |f2e<c e3f|a>fe<f c2f>e |c2B<A  B2
   A>B|c<Ac<e c2A>c |f2e<c e3f|e2c<A  B2c>B |A4     A2:|
% major/mixolydian hexatonic, A-final G-gap
   c<e|f2e>f  a>fe<f|f2A>c e3f|f2e>f  a>fe<f|c2B<A  B2
   c<e|f2e>f  a>fe<f|f2e<c e3f|e2c<A  B2c>B |A4     A2
   c<e|f2e>f  a>fe<f|f2A>c e3f|f2e>f  e>fa>e|c>de>c B2
   A>B|c2B<A  c<ec<A|f2e<c e3f|e2c<A  B2c>B |A4     A2|]

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