Annotation:Felix the Wrestler: Difference between revisions
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'''FELIX THE WRESTLER''' (Feidlime an Gleiceadoir). AKA and see "[[Cat in the Corner (1) (The)]]," "[[Lady Charlotte Murray (1)]]], "[[O'Mahoney's Frolics]]," "[[Puss in the Corner]]." Irish, Double Jig. A Major. Standard tuning (fiddle). AABB'. The earliest printing of the melody is in R.M. Levey's '''Dance Music of Ireland''' (vol. 1, 1872, No. 98, p. 38), as an untitled jig. Highland | '''FELIX THE WRESTLER''' (Feidlime an Gleiceadoir). AKA and see "[[Cat in the Corner (1) (The)]]," "[[Lady Charlotte Murray (1)]]], "[[O'Mahoney's Frolics]]," "[[Puss in the Corner]]." Irish, Double Jig. A Major. Standard tuning (fiddle). AABB'. The earliest printing of the melody is in R.M. Levey's '''Dance Music of Ireland''' (vol. 1, 1872, No. 98, p. 38), as an untitled jig. Scottish Great Highland Bagpiper G.S. McLennan [http://www.pipetunes.ca/composers.asp?pg=Details&composerID=20] (1883-1929) called the tune "Biddy from Sligo" and printed it with variation sets in his '''Highland Bagpipe Music''', published posthumously in the 1950's by his family. McLellan wrote in 1910: | ||
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''I am immensely fond of jig playing and consider it one of the finest methods possible for putting one into form. In fact one'' ''cannot play jigs unless in tip-top form..." | ''I am immensely fond of jig playing and consider it one of the finest methods possible for putting one into form. In fact one'' ''cannot play jigs unless in tip-top form..." | ||
Revision as of 02:06, 1 May 2011
Tune properties and standard notation
FELIX THE WRESTLER (Feidlime an Gleiceadoir). AKA and see "Cat in the Corner (1) (The)," "Lady Charlotte Murray (1)], "O'Mahoney's Frolics," "Puss in the Corner." Irish, Double Jig. A Major. Standard tuning (fiddle). AABB'. The earliest printing of the melody is in R.M. Levey's Dance Music of Ireland (vol. 1, 1872, No. 98, p. 38), as an untitled jig. Scottish Great Highland Bagpiper G.S. McLennan [1] (1883-1929) called the tune "Biddy from Sligo" and printed it with variation sets in his Highland Bagpipe Music, published posthumously in the 1950's by his family. McLellan wrote in 1910:
I am immensely fond of jig playing and consider it one of the finest methods possible for putting one into form. In fact one cannot play jigs unless in tip-top form..."
Source for notated version:
Printed sources: Levey (Dance Music of Ireland, vol. 1), 1872; No. 98, p. 38 (appears as untitled jig). O'Neill (Krassen), 1976; p. 61. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1049, p. 197. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 255, p. 56.
Recorded sources: