Cold Frosty Morning (2): Difference between revisions

Revision as of 03:11, 24 June 2011

Cold Frosty Morning (2) Click on the tune title to see or modify Cold Frosty Morning (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cold Frosty Morning (2) Query the Archive
Theme code Index	5L11 111
Also known as	Chami Ma Chattle, Cold Frostie Morning, I Am Asleep and Don't Waken Me (2), Past One O'clock
Composer/Core Source
Region	Scotland
Genre/Style	Scottish
Meter/Rhythm	Air/Lament/Listening Piece, Waltz/Valse/Vals
Key/Tonic of	F
Accidental	1 flat
Mode	Ionian (Major)
Time signature	3/4
History
Structure	AAB
Editor/Compiler	Biography:Niel & Nathaniel Gow
Book/Manuscript title	Book:Complete Repository Part 2
Tune and/or Page number	p. 4
Year of publication/Date of MS	1802
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

COLD FROSTY MORNING [2], A. AKA and see "I Am Asleep and Don't Waken Me (2)," "Past One O'clock." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s Apollo’s Banquet, 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera Flora (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's Caledonian Pocket Companion, vol. 4 (1760, p. 16) and Francis Peacock's Fifty Scotch Airs (Aberdeen, 1762). An American musician, Andrew Wilson, included it in his 1782 commonplace book entitled "Brose and Butter" [Library of Congress].

Printed sources: Carlin (The Gow Collection), 1986; No. 588. Gow (Complete Repository), Part 2, 1802; p. 4.

X:1
T:A Cold Frosty Morning [2]
M:3/4
L:1/8
R:Air
S:Gow - 2nd Repository  (1802)
Z:AK/Fiddler's Companion
K:F
C2|C>D F2F2|~F4 F2|(GA)(BA)(GF)|{E}D4 C2|
~C>D F2~F2|AB c2f2|{A}G3 FGA|F4:|
cd|~_e3 gfe|{e}d4c2|c2d2 fg|(f2d2) c>d|
(_ed)(eg)(fe)|d4 (d=e/f/)|c>dcA (GA)|
(F2D2) C2|(_ed)egfe|(dc)(Ac)(df)|~c>d cAGA|(
F2D2)C2|C>D F2~F2|A>Bc2f2|F2 FGA|F4||

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-'''COLD FROSTY MORNING [2], A'''. AKA and see "I am asleep and don't waken me [2]," "Past one o'clock." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s '''Apollo’s Banquet''', 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera Flora (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's '''Caledonian Pocket Companion''', vol. 4 (1760, p. 16) and Francis Peacock's '''Fifty Scotch Airs''' (Aberdeen, 1762). An American musician, Andrew Wilson, included it in his 1782 commonplace book entitled "Brose and Butter" [Library of Congress].
+'''COLD FROSTY MORNING [2], A'''. AKA and see "[[I Am Asleep and Don't Waken Me (2)]]," "[[Past One O'clock]]." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s '''Apollo’s Banquet''', 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera '''Flora''' (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's '''Caledonian Pocket Companion''', vol. 4 (1760, p. 16) and Francis Peacock's '''Fifty Scotch Airs''' (Aberdeen, 1762). An American musician, Andrew Wilson, included it in his 1782 commonplace book entitled "Brose and Butter" [Library of Congress].
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