Annotation:Appin House (2): Difference between revisions
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Although in four parts like version #1 and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning in the 19th century. | Although in four parts like version #1 and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning on the violin in the 19th century. | ||
Printed sources: Gow ('''Complete Repository'''), Part 4, 1817; pg. 33. McGlashan ('''Collection of Strathspey Reels'''), c. 1780/81; pg. 21. Stewart-Robertson ('''The Athole Collection'''), 1884; pg. 2. | Printed sources: Gow ('''Complete Repository'''), Part 4, 1817; pg. 33. McGlashan ('''Collection of Strathspey Reels'''), c. 1780/81; pg. 21. Stewart-Robertson ('''The Athole Collection'''), 1884; pg. 2. | ||
Revision as of 04:46, 15 March 2010
Although in four parts like version #1 and having some rhythmic and sparse melodic similarities, it does appear to be a different tune. The melody, which first appears in McGlashan's Collection, was commonly played in scordatura tuning on the violin in the 19th century.
Printed sources: Gow (Complete Repository), Part 4, 1817; pg. 33. McGlashan (Collection of Strathspey Reels), c. 1780/81; pg. 21. Stewart-Robertson (The Athole Collection), 1884; pg. 2.