Bride's Favourite (The): Difference between revisions
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|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AA'BB'CC | |f_structure=AA'BB'CC | ||
|f_book_title= | |f_book_title=How to Play the Irish Uillean Pipes | ||
|f_collector= | |f_collector=Tadhg Crowley | ||
|f_year= | |f_year=1936 | ||
|f_page= | |f_page=p. 24 | ||
|f_theme_code_index= | |f_theme_code_index=1311H 2411H | ||
|f_player=Leo Rowsome | |f_player=Leo Rowsome | ||
|f_album=King of the Pipers | |f_album=King of the Pipers | ||
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''Printed sources:'' Bulmer & Sharpley ('''Music from Ireland'''), 1974, vol. 1, No. 60. Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 198, p. 61. Mallinson ('''Enduring'''), 1995; No. 37, p. 16. Taylor ('''Music for the Sets: Blue Book'''), 1995; p. 10. Tubridy ('''Irish Traditional Music''', vol. 1), 1999; p. 36. | ''Printed sources:'' Bulmer & Sharpley ('''Music from Ireland'''), 1974, vol. 1, No. 60. Crowley ('''How to Play the Irish Uillean Pipes'''), 1936; p. 24. Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 198, p. 61. Mallinson ('''Enduring'''), 1995; No. 37, p. 16. Taylor ('''Music for the Sets: Blue Book'''), 1995; p. 10. Tubridy ('''Irish Traditional Music''', vol. 1), 1999; p. 36. | ||
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|:g2a f2a|gdB GBd|~g3 fed|egf e2f| | |:g2a f2a|gdB GBd|~g3 fed|egf e2f| | ||
~g3 gaf|gdB GBd|AFD cBA|1 BGF GBd:|2 BGF G2D|| | ~g3 gaf|gdB GBd|AFD cBA|1 BGF GBd:|2 BGF G2D|| | ||
|:GBd ~g3|edc BcA|GBd g2g|faf g2a|bgb afa|~g3 fdf|ed^c def|gaf gdB:|| | |:GBd ~g3|edc BcA|GBd g2g|faf g2a| | ||
bgb afa|~g3 fdf|ed^c def|gaf gdB:|| | |||
</pre> | |||
<pre> | |||
X:2 | |||
T:Bride's Favourite, The | |||
M:6/8 | |||
L:1/8 | |||
B:Crowley - How to Play the Irish Uillean Pipes (1936) | |||
K:G | |||
D||(3{c}G{A}G{F}G {B/c/}BAB|GBd gz/d/B|{A/B/}AFD cBA|GBd gz/d/B| | |||
(3{c}G{A}G{F}G {B/c/}BAB|GBd gz/d/B|{A/B/}AFD cBA|{c}BG{F}G {c}G2:|| | |||
B/d/|{g/a/g/f/}g2 a/z/ {f/a/f/e/}f2 a/z/|gz/d/B GBd|{g/a/}gfe {f/g/}fed|e/f/gf {e/f/}e2f| | |||
{g/a/g/f/}g2 a/z/ {f/a/f/e/}f2 a|gz/dB GBd|{A/B/}AFD cBA|{c}BG{F}G {c}G2B/d/| | |||
|{g/a/g/f/}g2 a/z/ {f/a/f/e/}f2 a/z/|gz/d/B GBd|{g/a/}gfe {f/g/}fed|e/f/gf {e/f/}e2f| | |||
{b/a/}gfe def|{g/a/}gfe dcB|{A/B/}AFD cBA|{c}BG{F}G {c}G2|| | |||
D|GBd {g/a/}gfg|edc {B/c/}BAG|{c}GBd efg|f/g/af {g/a/}g2a| | |||
{b/c'/}bgb {a/b/}afa|{g/a/}geg {f/g/}fdf|edc def|g2 {a/g/a/}g {f}gdB:|| | |||
</pre> | </pre> | ||
---- | ---- | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> |
Revision as of 21:24, 29 June 2011
BRIDE'S FAVOURITE. AKA and see "Barness Gap," "King of the Pipers (The)," "O'Brien's." Irish, Jig. G Major. Standard tuning (fiddle). AA'BB'CC. This three-part jig is sometimes credited to the great Co. Mayo/New York fiddler John McGrath (1900-1955), although this cannot be verified. The titles of this tune and "Tansey's Favourite (2)" were reversed on the Steeleye Span album "Below the Salt."
Sources for notated versions: sessions from the Regent Hotel, Leeds, England [Bulmer & Sharpley]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker].
Printed sources: Bulmer & Sharpley (Music from Ireland), 1974, vol. 1, No. 60. Crowley (How to Play the Irish Uillean Pipes), 1936; p. 24. Harker (300 Tunes from Mike Rafferty), 2005; No. 198, p. 61. Mallinson (Enduring), 1995; No. 37, p. 16. Taylor (Music for the Sets: Blue Book), 1995; p. 10. Tubridy (Irish Traditional Music, vol. 1), 1999; p. 36.
Recorded source: See also listings at: Jane Keefer's Folk Music Index: An Index to Recorded Sources [1], Alan Ng's Irishtune.info [2].
X:1 T:Bride's Favourite, The R:jig L:1/8 M:6/8 K:G D|~G3 BAB|GBd gdB|AFD cBA|GBd gdB|~G3 ~B3| GBd gdB|AFD cBA|1 BGF G2:|2 BGF GBd|| |:g2a f2a|gdB GBd|~g3 fed|egf e2f| ~g3 gaf|gdB GBd|AFD cBA|1 BGF GBd:|2 BGF G2D|| |:GBd ~g3|edc BcA|GBd g2g|faf g2a| bgb afa|~g3 fdf|ed^c def|gaf gdB:||
X:2 T:Bride's Favourite, The M:6/8 L:1/8 B:Crowley - How to Play the Irish Uillean Pipes (1936) K:G D||(3{c}G{A}G{F}G {B/c/}BAB|GBd gz/d/B|{A/B/}AFD cBA|GBd gz/d/B| (3{c}G{A}G{F}G {B/c/}BAB|GBd gz/d/B|{A/B/}AFD cBA|{c}BG{F}G {c}G2:|| B/d/|{g/a/g/f/}g2 a/z/ {f/a/f/e/}f2 a/z/|gz/d/B GBd|{g/a/}gfe {f/g/}fed|e/f/gf {e/f/}e2f| {g/a/g/f/}g2 a/z/ {f/a/f/e/}f2 a|gz/dB GBd|{A/B/}AFD cBA|{c}BG{F}G {c}G2B/d/| |{g/a/g/f/}g2 a/z/ {f/a/f/e/}f2 a/z/|gz/d/B GBd|{g/a/}gfe {f/g/}fed|e/f/gf {e/f/}e2f| {b/a/}gfe def|{g/a/}gfe dcB|{A/B/}AFD cBA|{c}BG{F}G {c}G2|| D|GBd {g/a/}gfg|edc {B/c/}BAG|{c}GBd efg|f/g/af {g/a/}g2a| {b/c'/}bgb {a/b/}afa|{g/a/}geg {f/g/}fdf|edc def|g2 {a/g/a/}g {f}gdB:||
© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraver Valerio M. Pelliccioni