Annotation:Pompey ran Away: Difference between revisions
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'''POMPEY RAN AWAY.''' American, Jig (3/4 or 6/4 time). G Major. Standard tuning (fiddle). AABB. The tune, perhaps the earliest extent attributed to African-Americans, appears in Glasgow publisher James Aird’s '''Selection of Scotch, English, Irish and Foreign Airs, vol. 1'''), 1782, No. 163, p. 57), labelled a “Negroe Jig”. American songwriter Dan Decateur Emmett's biographer, Hans Nathan, described it as "one of the earliest blends of European and primitive melodies," and conjectures that it is a collaboration between a British visitor who transcribed it from a transplanted African source. How authentic the melody is to African or African-American tradition is unknown. | '''POMPEY RAN AWAY.''' American, Jig (3/4 or 6/4 time). G Major. Standard tuning (fiddle). AABB. The tune, perhaps the earliest extent attributed to African-Americans, appears in Glasgow publisher James Aird’s '''Selection of Scotch, English, Irish and Foreign Airs, vol. 1'''), 1782, No. 163, p. 57), labelled a “Negroe Jig”. American songwriter Dan Decateur Emmett's biographer, Hans Nathan, described it as "one of the earliest blends of European and primitive melodies," and conjectures that it is a collaboration between a British visitor who transcribed it from a transplanted African source. How authentic the melody is to African or African-American tradition is unknown. | ||
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''Source for notated version'' | <p><font face="sans-serif" size="3"> '''Additional notes''' </font></p> | ||
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''Printed sources'': Johnson ('''A Further Collection of Dances, Marches, Minuetts and Duetts of the Latter 18th Century'''), 1998; p. 15. | <font color=red>''Printed sources''</font> : - Johnson ('''A Further Collection of Dances, Marches, Minuetts and Duetts of the Latter 18th Century'''), 1998; p. 15. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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See also listing at:<Br> | See also listing at:<Br> | ||
See/hear Timothy Twiss play the tune on fretless banjo on youtube.com [https://www.youtube.com/watch?v=Pg0emZFmeU8]<br> | See/hear Timothy Twiss play the tune on fretless banjo on youtube.com [https://www.youtube.com/watch?v=Pg0emZFmeU8]<br> | ||
See also the ethnomusicological aricle, "From Akonting to Banjo: A Story of Musical Colonialism and Cultural Appropriation" [https://amadouandmariammakeba.wordpress.com/2014/03/09/47/]<br> | See also the ethnomusicological aricle, "From Akonting to Banjo: A Story of Musical Colonialism and Cultural Appropriation" [https://amadouandmariammakeba.wordpress.com/2014/03/09/47/]<br> | ||
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Revision as of 02:14, 2 August 2019
X:1 T:Pompey ran away M:3/4 L:1/8 R:”Negroe jig” B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 163, p. 57) Z:AK/Fiddler’s Companion K:G B2 BA G2|EGFD G2|B2 BA G2|EGFD G2:|| dBcA G2|EAAF G2|dBcA G2|EGFD G2| EAAF G2|EGFD G2|EAAF G2|EGFD G2||
POMPEY RAN AWAY. American, Jig (3/4 or 6/4 time). G Major. Standard tuning (fiddle). AABB. The tune, perhaps the earliest extent attributed to African-Americans, appears in Glasgow publisher James Aird’s Selection of Scotch, English, Irish and Foreign Airs, vol. 1), 1782, No. 163, p. 57), labelled a “Negroe Jig”. American songwriter Dan Decateur Emmett's biographer, Hans Nathan, described it as "one of the earliest blends of European and primitive melodies," and conjectures that it is a collaboration between a British visitor who transcribed it from a transplanted African source. How authentic the melody is to African or African-American tradition is unknown.