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John Glen, "The Glen Collection of Scottish Dance Music, Book 2" (1895, p. x, "Biographical Sketches"):
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'''NATHANIEL GOW'''.  Nathaniel Gow, the fourth (not as often stated the youngest) son of Niel Gow and Margaret Wiseman, was born at Inver, 28th of May, 1763, not, as erroneously given, 1766. He followed his father's profession and was a violinist, likes a composer of Scottish Music of deserved repute.  He is said to have received his first lessons in violin playing from his father, who taught him on a small instrument called a Kit, which was extensively used in former days by dancing masters, when giving lessons at their pupils' residences: which instrument is said to have been the same his father made use of when he began to learn the violin, and is still retained in the family.  In a biographical notice by Joseph M'Gregor, accountant in Edinburgh, it is said that Nathaniel Gow was sent at an early age to Edinburgh for tuition under Robert Mackinsosh, otherwise known as "Red Rob," which fact cannot be disputed, because Mackintosh was residents in Edinburgh in the year 1766; but that he continued to be taught by that individual until he went to London, and that he afterwards received instruction from Alexander M'Glashan, who was the leader of the fashionable assemblies, and a highly respected person as well as an excellent musician (to whom was applied the sobriquet of "King M'Glashan," from his majestic and stately appearance, and his showy style of dress), can easily be shown to be an entire misstatement of facts. Robert Mackintosh did not remove from Edinburgh before 1803, by which time Nathaniel Gow was forty years of age; besides, M'Glashan died in 1797, six tears before Red Rob's removal to London.  The same writer informs us that Nathaniel Gow's first professional appearance was as a violoncello player, in the band that M'Glashan conducted, and subsequent to the death of the latter, Nathaniel Gow's brother, William, became M'Glashan's successor, and held the appointment till his death in 1791.  The fact of Nathaniel's first professional appearance may be perfectly correct, bu the latter statement is without foundation. M'Glashan probably retired from the leadership only, as it is an ascertained fact that William Gow predeceased him by six years.<br>
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At what date Nathaniel Gow came to Edinburgh cannot now be ascertained, but in August 1782, when in his twentieth year, he received his commission as Herald Trumpeter, a post that he continued to hold during the remainder of his life, by officiating personally and by deputy, the remuneration in his time averaging about 80, thought the Crown salary was, and still is 16,16s. 4d. per annum. In 1786, he apparently became a householder, as appears from the entry in Peter Williamson's Diretory for 1786-88--"Nathaniel Gow, Musician, Bailie Fyfe's Close."  In the latter year he seems to have removed, as the address given on the title page of his father's Second Collection, published in 1788, is "within the head of Halkerston's Wynd." The Third Collection title page shews he has returned to Bailie Fyfe's Close, 1792.  In 1795, he gave a Concert in connection with the Volunteer Corps, in which he held the appointment of Bandmaster, and probably repeated another the following year.  From 1797 onwards, he was in the habit of giving an Annual Ball. The first two announcements for this and the following , however, state, "in place of a Concert," and whether afterwards he ever gave a concert, the editor has been unable to discover.  It is most likely that his fame was principally due to his performance of dance music.  In 1802, Messrs Corri and Urbani, two celebrated musicians residing in Edinburgh, who had been in the habit of giving concerts conjunctly, which were carried on harmoniously for some years, quarreled about their arrangements.  The local members of their orchestra sided with the one or the other, and a newspaper war was the result. During the quarrel this advertisement appeared on the 18th of November: "The following musicians state that Urbani took upon himself to speak for the musicians in general, to which they did not assent. (Signed by ) G. Schetky, Richd. Barnard, John Barnard, G. Muschat, J. Thomson, Robt. Ross, Nath. Gow, John Clarkson jun., William Naiper, Alex. Napier, Charles Stewart, Francis Gardner, C.F. Harmann, and the rest of Lord Dalkeith's Band--Edinburgh, 17th November 1802." <br>
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Urbani, in replying to the advertisement, says: "With the exception of Mr. Schetky, however, the appellation (principal musicians) would certainly be improperly applied to the persons who subscribe the advertisement, however, respectable they may be as individuals, and useful in the subordinate parts of the orchestra." <br>
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Nathaniel Gow is treated consequently as a subordinate by Urbani, wand whether or not deservedly so, the readers are left to draw their own conclusions. Nathaniel Gow had many patrons, including the Duke of Athole, who had great influence, and apparently led the fashionable world, and also the Nobility and Gentleen of the Caledonian Hunt about the end of last and beginning of this century, to whom he probably owed much of his success. <br>
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To Nathaniel Gow's name there have been no fabulous stories attached, such as are associated with the name of this father.  An incident may be noticed in his private life that is not generally known, and is not stated in any former biographical notice. In 1812 he was sudden in the Court of Session by Mary Hogg, for breach of promise of marriage, and was found liable in seven hundred pounds damages, besides full expenses of process.  He afterwards married the lady, who was his second wife.  The following announcement appeared in an Edinburgh newpaper, on 1st September 1814: "At Edinburgh, on the 30th ult., by the Reverend Dr. Simpson, Mr. Nathaniel Gow, Queen Street, to Mary, youngest daughter of Mr. Willaim Hogg, Prestonpans." <br>
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Revision as of 14:34, 20 September 2019


Nathaniel Gow


     
 Given name:     Nathaniel
 Middle name:     
 Family name:     Gow
 Place of birth:     Inver, Perthshire
 Place of death:     Edinburgh
 Year of birth:     1763
 Year of death:     1831
 Profile:     Collector, Composer, Editor, Engraver, Musician, Publisher
 Source of information:     https://books.google.com/books?id=dbdNAQAAMAAJ&pg=PA212&lpg=PA212&dq=%22nathaniel+gow%22+glen&source=bl&ots=-dkRqZ8S6A&sig=ACfU3U3bsD4DsxkEpE57VIvmlqyuNTRN5Q&hl=en&sa=X&ved=2ahUKEwiIkbafy97kAhWqneAKHVQjCP04ChDoATAGegQIBhAB#v=onepage&q=%22nathaniel%20gow%22%20glen&f=false
     

Biographical notes


John Glen, "The Glen Collection of Scottish Dance Music, Book 2" (1895, p. x, "Biographical Sketches"):

NATHANIEL GOW. Nathaniel Gow, the fourth (not as often stated the youngest) son of Niel Gow and Margaret Wiseman, was born at Inver, 28th of May, 1763, not, as erroneously given, 1766. He followed his father's profession and was a violinist, likes a composer of Scottish Music of deserved repute. He is said to have received his first lessons in violin playing from his father, who taught him on a small instrument called a Kit, which was extensively used in former days by dancing masters, when giving lessons at their pupils' residences: which instrument is said to have been the same his father made use of when he began to learn the violin, and is still retained in the family. In a biographical notice by Joseph M'Gregor, accountant in Edinburgh, it is said that Nathaniel Gow was sent at an early age to Edinburgh for tuition under Robert Mackinsosh, otherwise known as "Red Rob," which fact cannot be disputed, because Mackintosh was residents in Edinburgh in the year 1766; but that he continued to be taught by that individual until he went to London, and that he afterwards received instruction from Alexander M'Glashan, who was the leader of the fashionable assemblies, and a highly respected person as well as an excellent musician (to whom was applied the sobriquet of "King M'Glashan," from his majestic and stately appearance, and his showy style of dress), can easily be shown to be an entire misstatement of facts. Robert Mackintosh did not remove from Edinburgh before 1803, by which time Nathaniel Gow was forty years of age; besides, M'Glashan died in 1797, six tears before Red Rob's removal to London. The same writer informs us that Nathaniel Gow's first professional appearance was as a violoncello player, in the band that M'Glashan conducted, and subsequent to the death of the latter, Nathaniel Gow's brother, William, became M'Glashan's successor, and held the appointment till his death in 1791. The fact of Nathaniel's first professional appearance may be perfectly correct, bu the latter statement is without foundation. M'Glashan probably retired from the leadership only, as it is an ascertained fact that William Gow predeceased him by six years.

At what date Nathaniel Gow came to Edinburgh cannot now be ascertained, but in August 1782, when in his twentieth year, he received his commission as Herald Trumpeter, a post that he continued to hold during the remainder of his life, by officiating personally and by deputy, the remuneration in his time averaging about 80, thought the Crown salary was, and still is 16,16s. 4d. per annum. In 1786, he apparently became a householder, as appears from the entry in Peter Williamson's Diretory for 1786-88--"Nathaniel Gow, Musician, Bailie Fyfe's Close." In the latter year he seems to have removed, as the address given on the title page of his father's Second Collection, published in 1788, is "within the head of Halkerston's Wynd." The Third Collection title page shews he has returned to Bailie Fyfe's Close, 1792. In 1795, he gave a Concert in connection with the Volunteer Corps, in which he held the appointment of Bandmaster, and probably repeated another the following year. From 1797 onwards, he was in the habit of giving an Annual Ball. The first two announcements for this and the following , however, state, "in place of a Concert," and whether afterwards he ever gave a concert, the editor has been unable to discover. It is most likely that his fame was principally due to his performance of dance music. In 1802, Messrs Corri and Urbani, two celebrated musicians residing in Edinburgh, who had been in the habit of giving concerts conjunctly, which were carried on harmoniously for some years, quarreled about their arrangements. The local members of their orchestra sided with the one or the other, and a newspaper war was the result. During the quarrel this advertisement appeared on the 18th of November: "The following musicians state that Urbani took upon himself to speak for the musicians in general, to which they did not assent. (Signed by ) G. Schetky, Richd. Barnard, John Barnard, G. Muschat, J. Thomson, Robt. Ross, Nath. Gow, John Clarkson jun., William Naiper, Alex. Napier, Charles Stewart, Francis Gardner, C.F. Harmann, and the rest of Lord Dalkeith's Band--Edinburgh, 17th November 1802."

Urbani, in replying to the advertisement, says: "With the exception of Mr. Schetky, however, the appellation (principal musicians) would certainly be improperly applied to the persons who subscribe the advertisement, however, respectable they may be as individuals, and useful in the subordinate parts of the orchestra."

Nathaniel Gow is treated consequently as a subordinate by Urbani, wand whether or not deservedly so, the readers are left to draw their own conclusions. Nathaniel Gow had many patrons, including the Duke of Athole, who had great influence, and apparently led the fashionable world, and also the Nobility and Gentleen of the Caledonian Hunt about the end of last and beginning of this century, to whom he probably owed much of his success.

To Nathaniel Gow's name there have been no fabulous stories attached, such as are associated with the name of this father. An incident may be noticed in his private life that is not generally known, and is not stated in any former biographical notice. In 1812 he was sudden in the Court of Session by Mary Hogg, for breach of promise of marriage, and was found liable in seven hundred pounds damages, besides full expenses of process. He afterwards married the lady, who was his second wife. The following announcement appeared in an Edinburgh newpaper, on 1st September 1814: "At Edinburgh, on the 30th ult., by the Reverend Dr. Simpson, Mr. Nathaniel Gow, Queen Street, to Mary, youngest daughter of Mr. Willaim Hogg, Prestonpans."