Fourteen Days in Georgia: Difference between revisions

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X:1
X:1
T:Fourteen Days in Georgia
T:Fourteen Days in Georgia
N:From the playing of fiddler Charlie La Prade &  
N:From the playing of fiddler Charlie LaPrade &  
N:the Blue Ridge Highballers (1926)
N:the Blue Ridge Highballers (1926)
N:LaPrade (1884-1958) was from Schoolfield (near Danville),
N:Virginia.
M:C|
M:C|
L:1/8
L:1/8

Revision as of 19:18, 24 September 2019


Fourteen Days in Georgia  Click on the tune title to see or modify Fourteen Days in Georgia's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Fourteen Days in Georgia
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 Theme code Index    3H3H3H3H 1H633
 Also known as    Sixteen Days in Georgia (1)
 Composer/Core Source    
 Region    United States
 Genre/Style    Old-Time
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    C
 Accidental    NONE
 Mode    Ionian (Major)
 Time signature    2/2
 History    USA(Ozarks/Western Tenn)
 Structure    ABB', AABB, AA'BBCC'BB
 Editor/Compiler    Biography:David Brody
 Book/Manuscript title    Book:Fiddler's Fakebook (The)
 Tune and/or Page number    p. 113
 Year of publication/Date of MS    1983
 Artist    Biography:Blue Ridge Highballers (The)
 Title of recording    Fourteen Days in Georgia
 Record label/Catalogue nr.    Columbia 15081 - D (78 RPM)
 Year recorded    1926
 Media    
"Fourteen Days in Georgia," The Blue Ridge Highballers (1926)
 Score   (1)   


Fourteen Days in Georgia: Annotations

X:1 T:Fourteen Days in Georgia N:From the playing of fiddler Charlie LaPrade & N:the Blue Ridge Highballers (1926) N:LaPrade (1884-1958) was from Schoolfield (near Danville), N:Virginia. M:C| L:1/8 R:Reel N:Play AA'BBCC'BB D:https://www.youtube.com/watch?v=SK9cm-n_PI0 D:Columbia 15081-D (78 RPM), The Blue Ridge Highballers (1926) D:https://www.slippery-hill.com/recording/fourteen-days-georgia D:https://www.slippery-hill.com/recording/fourteen-days-georgia Z:Transcribed by Andrew Kuntz K:C [e4e4] [e3e3][^de]-|[e4e2][e3e3] ed|c2c2 ABAG|E2 [C4E4]c2|[de]-[e3e3] [e3e3][^de]-| [e4e2][e3e3] c|dd3 d3e|d2B2A2G2|[de]-[e3e3][e3e3][^de]-|[e2e2][e2e2]- [e2e2]ed| c2c2 ABAG|E2E4((3efg|a2)a4ef|g2g4 ((3DEF|G2)G2 A2B2|1[E8c8]:|2[E6c6]|| |:SG2-|G2c2 cdcA|G2c2 cdcA|G2B2 BcBA|d2B2 BcBA| G2c2 cdcA|G2c2 cdcA|G2B2 BcBA|G2c2[E2c2]:| |:[e4e4][e2e2][^de]-[ee]-|[e2e2]a2c4|d2A4 c2|[F8d8]| G2B4Bd|g2G2A2B2|[E2c2][Ec]B [E2c2]cd|[e4e4]G2(cd| [e2e2])[e4e4](cd|e2)a2c4|d2A4 c2|[F8d8]| G2B4Bd|g2G2A2B2|[E2c2][Ec]B [E2c2][Ec]B|1[E4c4]G2c2:|2[E6c6]S||


X:1 T:Fourteen Days in Georgia N:From the playing of fiddler Howe Teague (Mo.) M:C| L:1/8 R:Reel D:Grey Eagle 101, Howe Teague - "Now that's a Good Tune" (1989) D:https://www.slippery-hill.com/recording/fourteen-days-georgia-0 Z:Transcribed by Andrew Kuntz K:C [e4e4][e3e3][^de]-|[e4e4]-[c3e3] [^de]-|[ee][^de]ec =dcAB|cAGE DC2| [^de]-[e2e2][e4e4][^de]-|[e4e4][c4e4]|g2 eg- aga2|g4- gag2| [e4e4][e3e3][^de]-|[e4e4]-[c3e3] [^de]-|[ee][^de]ec =dcA2|[E6c6]eg| a2a2c'aef|g^fga gedc| BAGB eBdB|[E3c3][Ec][E4c4]:| |:G,B,-|C2c2 ccGG|A2 cd cAGE|C2c2 cAGE|DDBd BAGE| C2c2 cAGG|ABcd cAGG|cdef gagf| ec2[Ec][E4c4]:|]


Fourteen Days in Georgia: Annotations

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