Annotation:Ryan's Hornpipe (1): Difference between revisions
No edit summary |
No edit summary |
||
| Line 10: | Line 10: | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
'''RYAN'S HORNPIPE [1].''' Irish, Hornpipe (2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. The tune is one of the very few that uilleann piper O'Farrell claims as a composition in his series of volumes, published in London in the first decade of the 19th century. | '''RYAN'S HORNPIPE [1].''' Irish, Hornpipe (2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. The tune is one of the very few that uilleann piper O'Farrell claims as a composition in his series of volumes, published in London in the first decade of the 19th century. O'Niell's printing (1915) is almost note for note the same as O'Farrell's (save for the ending measure of each part), indicating O'Farrell's volume was his source for the tune. | ||
<br> | <br> | ||
</div> | </div> | ||
Latest revision as of 21:38, 3 October 2019
X:1 T:Ryan's Hornpipe [1] M:2/4 L:1/8 R:Hornpipe B:O'Farrell - Pocket Companion for the Union or B:Irish Pipes, vol. 3 Z:AK/Fiddler’s Companion K:D (3A/B/c/|dc/d/ e/d/c/B/|A/G/F/E/ Dc/d/|ee/f/ ea|f/d/c/A/ B/A/G/F/| dc/d/ e/d/c/B/|A/G/F/E/ F/A/D/F/|a/f/b/g/ f/d/e/c/|dd/c/ d:| |:c/d/|ff/g/ ff/g/|f/e/d/c/ B/c/d/B/|ee/f/ ea|e/d/c/B/ AF/A/| B>c B/A/B/F/|G/A/B/c/ d/e/f/g/|a/f/b/g/ f/d/e/c/|dd/c/ d:|]
RYAN'S HORNPIPE [1]. Irish, Hornpipe (2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. The tune is one of the very few that uilleann piper O'Farrell claims as a composition in his series of volumes, published in London in the first decade of the 19th century. O'Niell's printing (1915) is almost note for note the same as O'Farrell's (save for the ending measure of each part), indicating O'Farrell's volume was his source for the tune.