Annotation:Sir Phillip McHugh: Difference between revisions
(Created page with "__NOABC__ <div class="noprint"> <p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> </div> ---- {{#lst:{{PAGENAME}}|abc}} ---- <div style="page-break...") |
No edit summary |
||
Line 10: | Line 10: | ||
<div style="text-align:justify;"> | <div style="text-align:justify;"> | ||
{{break}} | {{break}} | ||
'''SIR PHILLIP McHUGH [1]''' (An Saoi Pilib Mic-Aeda). AKA – “Phillip McCue,” "Sir Phillip MacQue." AKA and see “[[Funny Mistake (The)]]. | '''SIR PHILLIP McHUGH [1]''' (An Saoi Pilib Mic-Aeda). AKA – “Phillip McCue,” "Sir Phillip MacQue." AKA and see “[[Funny Mistake (The)]],” "[[Pilib an Cheó]]." Irish, English; Slip Jig (9/8 time). G Major (O'Neill): D Major (Callaghan, Kennedy, Sing Out). Standard tuning (fiddle). AABB. The tune is not the similarly titled “Philip McCue” published by O’Farrell,” although it is the “Philip McCue” that appears in Wilson’s '''Companion to the Ball Room''' (1816). It is labelled “Irish” in the Wilson volume. The slip jig appears in the 1798 music manuscript collection of Joshua Jackson (Harrogate, North Yorkshire), as an untitled piece. | ||
{{break|2}} | {{break|2}} | ||
</div> | </div> |
Revision as of 03:20, 2 November 2019
X:1 T:Sir Phillip Mc Que T:Sir Phillip McHugh M:9/8 L:1/8 R:Country Dance B:Preston's Twenty-Four Country Dances for the Year 1800 Z:AK/Fiddler's Companion K:D d2f faf g2e|f2d ged c2A|d2f faf g2e|f2d gec d2:| |:efe ecA cBA|efe ecA B3|efe ecA cBA|faf gec d3:|]
SIR PHILLIP McHUGH [1] (An Saoi Pilib Mic-Aeda). AKA – “Phillip McCue,” "Sir Phillip MacQue." AKA and see “Funny Mistake (The),” "Pilib an Cheó." Irish, English; Slip Jig (9/8 time). G Major (O'Neill): D Major (Callaghan, Kennedy, Sing Out). Standard tuning (fiddle). AABB. The tune is not the similarly titled “Philip McCue” published by O’Farrell,” although it is the “Philip McCue” that appears in Wilson’s Companion to the Ball Room (1816). It is labelled “Irish” in the Wilson volume. The slip jig appears in the 1798 music manuscript collection of Joshua Jackson (Harrogate, North Yorkshire), as an untitled piece.