Annotation:Smith's Hornpipe (3): Difference between revisions
No edit summary |
No edit summary |
||
Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''SMITH'S HORNPIPE [3]. '''American, Hornpipe (2/4 time). B Flat Major. Standard tuning (fiddle). AABB. As with several tunes from the Boston-published '''Ryan's Mammoth Collection''' (1883), the hornpipe found its way into the repertory of northwest Missouri | |f_annotation='''SMITH'S HORNPIPE [3]. '''American, Hornpipe (2/4 time). B Flat Major. Standard tuning (fiddle). AABB. As with several tunes from the Boston-published '''Ryan's Mammoth Collection''' (1883), the hornpipe found its way into the repertory of influential 20th century northwest Missouri-style fiddlers Bob Walters, Cyril Stinnet, and Casey Jones other regional fiddlers, probably via musically literate fiddlers who had a copy. It is still part of the core repertoire today. | ||
|f_printed_sources=<span>Cole (</span>'''1000 Fiddle Tunes'''<span>), 1940; p. 92. </span>'''Ryan’s Mammoth Collection'''<span>, 1883; p. 126.</span> | |f_printed_sources=<span>Cole (</span>'''1000 Fiddle Tunes'''<span>), 1940; p. 92. </span>'''Ryan’s Mammoth Collection'''<span>, 1883; p. 126.</span> | ||
}} | }} |
Revision as of 05:00, 2 February 2020
X: 10442 T: SMITH'S HORNPIPE [3] C: %R: hornpipe, reel B: Elias Howe "The Musician's Companion" Part 1 1842 p.44 #2 S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias) Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ B2gf edcB | ABcd AFGA | (BA)(cB) (dc)(ed) | (fg)(ec) BAGF | B2(gf) (edcB) | ABcB AGFE | DBEB FBGB | AfcA B2 :| |: F2 |\ D2.F.F BFdB | E2.G.G cAec | (dB)(gf) edcB | Af=ef ecAF | D2.F.F BFdB | E2.G.G (cA)(ec) | (df)(Bd) cgec | AFGA B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - -
SMITH'S HORNPIPE [3]. American, Hornpipe (2/4 time). B Flat Major. Standard tuning (fiddle). AABB. As with several tunes from the Boston-published Ryan's Mammoth Collection (1883), the hornpipe found its way into the repertory of influential 20th century northwest Missouri-style fiddlers Bob Walters, Cyril Stinnet, and Casey Jones other regional fiddlers, probably via musically literate fiddlers who had a copy. It is still part of the core repertoire today.