Annotation:Gigue à ma tante Alfreda (La): Difference between revisions
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'''GIGUE À MA TANTE ALFREDA, LA'''. French-Canadian, Reel. D Major. Standard tuning (fiddle). AA'BB. A 'crooked' tune with the first part in cut time and the second in 3/4 time. Guy Bouchard notes that the tune is one that is not very melodic but is very well suited to the Sayguenay region step-dancing style. Recorded by Louis Boudreault. | '''GIGUE À MA TANTE ALFREDA, LA'''. AKA - "Gigue de ma tante Alfréda," "Gigue à Alfreda (La)." French-Canadian, Reel. D Major. Standard tuning (fiddle). AA'BB. A 'crooked' tune with the first part in cut time and the second in 3/4 time. Guy Bouchard notes that the tune is one that is not very melodic but is very well suited to the Sayguenay region step-dancing style. Recorded by Louis Boudreault, composed by him in honor of his Godmother Alfreda. | ||
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Eric Lortie's Identitairs Québécois [http://www.mustrad.udenap.org/tounes/TQ234_gigue_de_ma_tante_alfreda.html]<br> | |||
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Revision as of 03:56, 26 July 2011
Tune properties and standard notation
GIGUE À MA TANTE ALFREDA, LA. AKA - "Gigue de ma tante Alfréda," "Gigue à Alfreda (La)." French-Canadian, Reel. D Major. Standard tuning (fiddle). AA'BB. A 'crooked' tune with the first part in cut time and the second in 3/4 time. Guy Bouchard notes that the tune is one that is not very melodic but is very well suited to the Sayguenay region step-dancing style. Recorded by Louis Boudreault, composed by him in honor of his Godmother Alfreda.
Source for notated version: fiddler Lisa Ornstein [Remon & Bouchard].
Printed sources: Remon & Bouchard (Airs Tordus: 25 Crooked Tunes, vol. 2), 1997; No. 3.
Recorded sources:
See also listing at:
Eric Lortie's Identitairs Québécois [1]