Sultan Polka: Difference between revisions
No edit summary |
No edit summary |
||
| Line 32: | Line 32: | ||
|:D2|GG cd e3e|ff AA f2 ef|gg d2 ee c2|1 dd AB cBAG:|2 d2 Ad cBAG|| | |:D2|GG cd e3e|ff AA f2 ef|gg d2 ee c2|1 dd AB cBAG:|2 d2 Ad cBAG|| | ||
<section end=abc /> | <section end=abc /> | ||
<section begin=X4 /> | |||
X: 1 | |||
R:Polka | |||
C:CD 1, track21 | |||
B:Scan Tester,"I Never Played To Many Posh Dances" | |||
Z:Chris Partington, 2011 <www.cpartington.plus.com> | |||
T:Sultan Polka,aka | |||
M:4/4 | |||
L:1/8 | |||
Q:1/4=96 | |||
C:Bill Gorringe,fiddle | |||
W:Original key Cmaj, transposed to Dmaj. | |||
W:Bill seems to have his fiddle tuned down a whole tone, judging by the occasional ringing open string, | |||
W:so choose your key with this in mind | |||
K:Dmaj | |||
{e/2}f2 f2 {f}ed d2|cdef ag g2|{f/2}g2g2 {g}fee2|dcBc edd2:| | |||
A2d>e f3(f/2g/2|a)ae>g f3(f/2g/2|a)ae>g ff d2|ceBc dcBA| | |||
A2d>e f3(f/2g/2|a)ae>g f3(f/2g/2|a)ae>g ff d2|ceBc d2d2|] | |||
<section end=X4 /> | |||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
<section begin=X1 /> | <section begin=X1 /> | ||
Revision as of 15:40, 28 May 2020
X:1 T:Sultan Polka, The M:C L:1/8 R:Polka B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 172, p. 54) B:http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=53&z=91.7404%2C1746.3436%2C2876.4366%2C1197.8184 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:G B2B2 AA G2|FGAB dc c2|cc B2 AB/A/ G2|GFEF AG G2:| |:D2|GG cd e3e|ff AA f2 ef|gg d2 ee c2|1 dd AB cBAG:|2 d2 Ad cBAG||
X: 1 R:Polka C:CD 1, track21 B:Scan Tester,"I Never Played To Many Posh Dances" Z:Chris Partington, 2011 <www.cpartington.plus.com> T:Sultan Polka,aka M:4/4 L:1/8 Q:1/4=96 C:Bill Gorringe,fiddle W:Original key Cmaj, transposed to Dmaj. W:Bill seems to have his fiddle tuned down a whole tone, judging by the occasional ringing open string, W:so choose your key with this in mind K:Dmaj {e/2}f2 f2 {f}ed d2|cdef ag g2|{f/2}g2g2 {g}fee2|dcBc edd2:| A2d>e f3(f/2g/2|a)ae>g f3(f/2g/2|a)ae>g ff d2|ceBc dcBA| A2d>e f3(f/2g/2|a)ae>g f3(f/2g/2|a)ae>g ff d2|ceBc d2d2|]