Annotation:St. Louis Tickle: Difference between revisions
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|f_annotation=[[File:Theron C. Bennett by Witzel.jpg{{!}}450px{{!}}thumb{{!}}right{{!}} Portrait of American composer & pianist Theron C. Bennett (1879–1937) by American photographer Albert Witzel (1870–1929).]] | |f_annotation=[[File:Theron C. Bennett by Witzel.jpg{{!}}450px{{!}}thumb{{!}}right{{!}} Portrait of American composer & pianist Theron C. Bennett (1879–1937) by American photographer Albert Witzel (1870–1929).]] | ||
'''ST. LOUIS TICKLE. ''' AKA - "Saint Louis Tickle." American, Ragtime (cut time). C Major. Standard tuning (fiddle). "St. Louis Tickle" was composed in celebration of the [[Wikipedia:Louisiana Purchase Exposition]], informally known as the St. Louis World's Fair, a grand international event held from April to December, 1904. It was composed two years after he graduated college by pianist, ragtime composer and music publisher Theron C. Bennett, who used the pseudonym Barney & Seymour for the composition. Although born in Missouri, Bennett had removed to Los Angeles by the 1920's, where he formed a jazz band composed of USC students. "St. Louis Tickle" was very popular with pianists and was recorded frequently from the early 20th century; it received a new audience through the arrangement for guitar and popularization by blues and folk performer Dave Van Ronk. The second strain of "St. Louis Tickle" is said to have been derived from Funky Butt, "whose vulgar lyrics delighted street urchins and young men about town alike." See also the stylistically similar “[[Georgia Stomp]].” | '''ST. LOUIS TICKLE. ''' AKA - "Saint Louis Tickle." American, Ragtime (cut time). C Major. Standard tuning (fiddle). "St. Louis Tickle" was composed in celebration of the [[Wikipedia:Louisiana Purchase Exposition]], informally known as the St. Louis World's Fair, a grand international event held from April to December, 1904. It was composed two years after he graduated college by pianist, ragtime composer and music publisher Theron C. Bennett, who used the pseudonym Barney & Seymour for the composition. Although born in Missouri, Bennett had removed to Los Angeles by the 1920's, where he formed a jazz band composed of USC students. "St. Louis Tickle" was very popular with pianists and was recorded frequently from the early 20th century; it received a new audience through the arrangement for guitar and popularization by blues and folk performer Dave Van Ronk. The second strain of "St. Louis Tickle" is said to have been derived from Funky Butt <ref>The Funky Butt, Squat, Fish Tail and Mooche were blues dances performed with hip movements. Marshall and Jean Stearns, '''Jazz Dance: The Story of American Vernacular Dance''', 1994, p. 23, print the quote: "Well, you know the women sometimes pulled their dresses to show their pretty petticoats--fine linen with crocheted edges--and that's what happened in the Funky Butt...When (Big) Sue arrived at my father's tonk, people would yell...'Do the Funky Butt, Baby!' As soon as she got high and happy, that's what she'd do, pulling up her skirts and grinding her rear end like an alligator crawling up a bank." </ref>, "whose vulgar lyrics delighted street urchins and young men about town alike." See also the stylistically similar “[[Georgia Stomp]].” | ||
|f_recorded_sources=<span>OKeh Records 45464 {78 RPM}, The Humphries Brothers (1930). Victor 16092-B (78 RPM), The Ossman-Dudley Trio (1906).</span> | |f_recorded_sources=<span>OKeh Records 45464 {78 RPM}, The Humphries Brothers (1930). Victor 16092-B (78 RPM), The Ossman-Dudley Trio (1906).</span> | ||
|f_see_also_listing=Hear the Humphries Brothers 1930 recording at Slippery Hill [https://www.slippery-hill.com/recording/saint-louis-tickle] | |f_see_also_listing=Hear the Humphries Brothers 1930 recording at Slippery Hill [https://www.slippery-hill.com/recording/saint-louis-tickle] | ||
}} | }} | ||
Revision as of 17:59, 17 July 2020
X:1 T:St Louis Tickle N:From the playing of the Humphries Brothers (Texas) C:Theron C. Bennett (1904), written under the pseudonym C:Barney & Seymour. N:The tune celebrated the St. Louis Exposition. "Immensely popular with N:contemporary pianists St. Louis Tickle has become an evergreen standard N:recorded right up to the present day. Its popularity rests not only its bright N:infectious strains but perhaps also on the notoriety of the B-strain said to N:have been derived from Funky Butt, whose vulgar lyrics delighted street N:urchins and young men about town alike." M:C| L:1/8 D:OKeh 45464 (78 RPM), The Humphries Brothers (1930) D:Victor 16092-B (78 RPM), The Ossman-Dudley Trio (1906) D: D:https://www.slippery-hill.com/recording/saint-louis-tickle Z:Transcribed by Andrew Kuntz K:C e^ded eded|ea-ae g2AB|cBcB cBcB|cefc e2 (3ABc| dcde- ed e2|^f2de- ee-f2|1g2 ba g2f2:|2 g6|| ef|g2g2^f2f2|=ff- f(g/f/) e3((3A/B/c/|d)cAd- dcAc|edec - c2((3A/B/c/)| dcAd- dcA2|G2Ac- cde2|1,3d2e^f- fed2|[B6g6]:|2,4 d2AB- BAG2|[E6c6]|| |:(3dcA|B2B2B2B2|BB2B- BBBA|c2c2c2c2|cc-cc- cccA| B2B2B2B2|BB2B- BBBA|c2c2c2c2|cc-cc- cccB| AGAB cBcd|edeg- gfed|A2AB- BAG2|[E6c6]:|
ST. LOUIS TICKLE. AKA - "Saint Louis Tickle." American, Ragtime (cut time). C Major. Standard tuning (fiddle). "St. Louis Tickle" was composed in celebration of the Wikipedia:Louisiana Purchase Exposition, informally known as the St. Louis World's Fair, a grand international event held from April to December, 1904. It was composed two years after he graduated college by pianist, ragtime composer and music publisher Theron C. Bennett, who used the pseudonym Barney & Seymour for the composition. Although born in Missouri, Bennett had removed to Los Angeles by the 1920's, where he formed a jazz band composed of USC students. "St. Louis Tickle" was very popular with pianists and was recorded frequently from the early 20th century; it received a new audience through the arrangement for guitar and popularization by blues and folk performer Dave Van Ronk. The second strain of "St. Louis Tickle" is said to have been derived from Funky Butt [1], "whose vulgar lyrics delighted street urchins and young men about town alike." See also the stylistically similar “Georgia Stomp.”
- ↑ The Funky Butt, Squat, Fish Tail and Mooche were blues dances performed with hip movements. Marshall and Jean Stearns, Jazz Dance: The Story of American Vernacular Dance, 1994, p. 23, print the quote: "Well, you know the women sometimes pulled their dresses to show their pretty petticoats--fine linen with crocheted edges--and that's what happened in the Funky Butt...When (Big) Sue arrived at my father's tonk, people would yell...'Do the Funky Butt, Baby!' As soon as she got high and happy, that's what she'd do, pulling up her skirts and grinding her rear end like an alligator crawling up a bank."