Antwerp Waltz: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Antwerp Waltz
|f_tune_title=Antwerp Waltz
|f_composer=Joseph Labitzky
|f_country=United States
|f_country=United States
|f_genre=Contra
|f_genre=Contra
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|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABBCCDD
|f_structure=AABBCCDD
|f_book_title=Musician's Omnibus Nos. 6 & 7
|f_book_title=Third Part of the Musician's Companion
|f_collector=Elias Howe
|f_collector=Elias Howe
|f_year=1880-1882
|f_year=1844
|f_page=p. 645
|f_page=p. 28
|f_theme_code_index=111 135
|f_theme_code_index=111 135
|f_score=1
|f_score=1
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----
----
<section begin=abc />
<section begin=abc />
X: 1
T: ANTWERP WALTZ
C: Labitsky
%R: waltz
N: The book doesn't give the composer's name, but it's available from other sources.
N: This is version 2, for ABC software that understands diminuendo symbols.
N: The diminuendo symbols are placed inconsistently and sloppily; this transcription is a guess.
U: Q=!diminuendo(!
U: q=!diminuendo)!
B: Elias Howe "The Musician's Companion" Part 3 1844 p.28 #2
S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias)
S: https://archive.org/stream/firstthirdpartof03howe/#page/66/mode/1up
Z: 2016 John Chambers <jc:trillian.mit.edu>
N: Rhythm of repeats fixed with initial "pickup" rest, which obviates the need for multiple endings.
N: The 2nd strain has only 7 bars.
M: 3/4
L: 1/8
K: F
% - - - - - - - - - - - - - - - - - - - - - - - - -
z2 !f!|\
.F2.F.F.F.F | F2A2c2 | A2c2f2 | (fe)(ge)c2 |.c2.c.c.c.c | c2e2g2 | b2d2e2  | f4 !p!:|
|: c2 |\
d2c2B2 | G2G2c2 | d2c2B2 | F2FFF |F2A2c2 | c2d2e2 | f4 :|
|: F2 |\
F2A2B2 | (c2f2).c2 | (d2f2).d2 | (c2f2).c2 |QB2(dqcdB) | QA2(cqBcA) | QG2(AqGBG) | QF4qy :|
|: c2 |\
(d4c2) | (f4e2) | (g4^f2) | (Qa4g2q) |(bagfed) | (d2c2).c2 | c2d2e2 | f4 :|
% - - - - - - - - - - - - - - - - - - - - - - - - -
<section end=abc />
<section begin=X1 />
X:1
X:1
T:Antwerp Waltz
T:Antwerp Waltz
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|:F2|F2A2B2|(c2f2)c2|(d2f2)d2|(c2f2)c2|B2 (dcdB)|A2 (cBcA)|G2 (AGBG)|F4:|
|:F2|F2A2B2|(c2f2)c2|(d2f2)d2|(c2f2)c2|B2 (dcdB)|A2 (cBcA)|G2 (AGBG)|F4:|
|:c2|(d4c2)|(f4e2)|g4^f2|(a4g2)|(bagfed)|(d2c2).c2|c2d2e2|f4:|]
|:c2|(d4c2)|(f4e2)|g4^f2|(a4g2)|(bagfed)|(d2c2).c2|c2d2e2|f4:|]
<section end=abc />
<section end=X1 />
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<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
<section begin=X1 />
<section begin=X1 />

Revision as of 04:29, 1 August 2020


Antwerp Waltz  Click on the tune title to see or modify Antwerp Waltz's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Antwerp Waltz
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 Theme code Index    111 135
 Also known as    
 Composer/Core Source    Biography:Joseph Labitzky
 Region    United States
 Genre/Style    Contra
 Meter/Rhythm    Waltz/Valse/Vals
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AABBCCDD
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Third Part of the Musician's Companion
 Tune and/or Page number    p. 28
 Year of publication/Date of MS    1844
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



X: 1 T: ANTWERP WALTZ C: Labitsky %R: waltz N: The book doesn't give the composer's name, but it's available from other sources. N: This is version 2, for ABC software that understands diminuendo symbols. N: The diminuendo symbols are placed inconsistently and sloppily; this transcription is a guess. U: Q=!diminuendo(! U: q=!diminuendo)! B: Elias Howe "The Musician's Companion" Part 3 1844 p.28 #2 S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias) S: https://archive.org/stream/firstthirdpartof03howe/#page/66/mode/1up Z: 2016 John Chambers <jc:trillian.mit.edu> N: Rhythm of repeats fixed with initial "pickup" rest, which obviates the need for multiple endings. N: The 2nd strain has only 7 bars. M: 3/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - z2 !f!|\ .F2.F.F.F.F | F2A2c2 | A2c2f2 | (fe)(ge)c2 |.c2.c.c.c.c | c2e2g2 | b2d2e2 | f4 !p!:| |: c2 |\ d2c2B2 | G2G2c2 | d2c2B2 | F2FFF |F2A2c2 | c2d2e2 | f4 :| |: F2 |\ F2A2B2 | (c2f2).c2 | (d2f2).d2 | (c2f2).c2 |QB2(dqcdB) | QA2(cqBcA) | QG2(AqGBG) | QF4qy :| |: c2 |\ (d4c2) | (f4e2) | (g4^f2) | (Qa4g2q) |(bagfed) | (d2c2).c2 | c2d2e2 | f4 :| % - - - - - - - - - - - - - - - - - - - - - - - - -


X:1 T:Antwerp Waltz M:3/4 L:1/8 R:Waltz B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 645) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:F F2 FFFF|F2A2c2|A2c2f2|(fe)(ge)c2|c2 c4|c2e2g2|b2d2e2|1f4z2:|2f4|| |:c2|d2c2B2|G2G2c2|d2c2A2|F2z2z2|F2 FFFF|F2A2c2|F2A2c2|c2d2e2|f4:| |:F2|F2A2B2|(c2f2)c2|(d2f2)d2|(c2f2)c2|B2 (dcdB)|A2 (cBcA)|G2 (AGBG)|F4:| |:c2|(d4c2)|(f4e2)|g4^f2|(a4g2)|(bagfed)|(d2c2).c2|c2d2e2|f4:|]