Antwerp Waltz: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
Line 2: Line 2:
|f_tune_title=Antwerp Waltz
|f_tune_title=Antwerp Waltz
|f_composer=Joseph Labitzky
|f_composer=Joseph Labitzky
|f_country=United States
|f_genre=Contra
|f_rhythm=Waltz/Valse/Vals
|f_rhythm=Waltz/Valse/Vals
|f_time_signature=3/4
|f_time_signature=3/4

Latest revision as of 04:30, 1 August 2020


Antwerp Waltz  Click on the tune title to see or modify Antwerp Waltz's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Antwerp Waltz
Query the Archive
Query the Archive
 Theme code Index    111 135
 Also known as    
 Composer/Core Source    Biography:Joseph Labitzky
 Region    
 Genre/Style    
 Meter/Rhythm    Waltz/Valse/Vals
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AABBCCDD
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Third Part of the Musician's Companion
 Tune and/or Page number    p. 28
 Year of publication/Date of MS    1844
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



X: 1 T: ANTWERP WALTZ C: Labitsky %R: waltz N: The book doesn't give the composer's name, but it's available from other sources. N: This is version 2, for ABC software that understands diminuendo symbols. N: The diminuendo symbols are placed inconsistently and sloppily; this transcription is a guess. U: Q=!diminuendo(! U: q=!diminuendo)! B: Elias Howe "The Musician's Companion" Part 3 1844 p.28 #2 S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias) S: https://archive.org/stream/firstthirdpartof03howe/#page/66/mode/1up Z: 2016 John Chambers <jc:trillian.mit.edu> N: Rhythm of repeats fixed with initial "pickup" rest, which obviates the need for multiple endings. N: The 2nd strain has only 7 bars. M: 3/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - z2 !f!|\ .F2.F.F.F.F | F2A2c2 | A2c2f2 | (fe)(ge)c2 |.c2.c.c.c.c | c2e2g2 | b2d2e2 | f4 !p!:| |: c2 |\ d2c2B2 | G2G2c2 | d2c2B2 | F2FFF |F2A2c2 | c2d2e2 | f4 :| |: F2 |\ F2A2B2 | (c2f2).c2 | (d2f2).d2 | (c2f2).c2 |QB2(dqcdB) | QA2(cqBcA) | QG2(AqGBG) | QF4qy :| |: c2 |\ (d4c2) | (f4e2) | (g4^f2) | (Qa4g2q) |(bagfed) | (d2c2).c2 | c2d2e2 | f4 :| % - - - - - - - - - - - - - - - - - - - - - - - - -


X:1 T:Antwerp Waltz M:3/4 L:1/8 R:Waltz B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 645) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:F F2 FFFF|F2A2c2|A2c2f2|(fe)(ge)c2|c2 c4|c2e2g2|b2d2e2|1f4z2:|2f4|| |:c2|d2c2B2|G2G2c2|d2c2A2|F2z2z2|F2 FFFF|F2A2c2|F2A2c2|c2d2e2|f4:| |:F2|F2A2B2|(c2f2)c2|(d2f2)d2|(c2f2)c2|B2 (dcdB)|A2 (cBcA)|G2 (AGBG)|F4:| |:c2|(d4c2)|(f4e2)|g4^f2|(a4g2)|(bagfed)|(d2c2).c2|c2d2e2|f4:|]