Annotation:Didelots Dance in Virginia: Difference between revisions
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|f_annotation=[[File:Didelot3.jpg|thumb|left|550px|'Modern grace, - or - the operatical finale to the ballet of Alonzo e Caro', 1796. Charles Didelot with Rose Didelot and Madame Parisot.]]'''DIDELOT'S DANCE IN VIRGINIA.''' English, Dance Tune (3/4 time). G Major. Standard tuning (fiddle). AB. The tune presumably was from James Cobb's (1756-1818) comic opera and afterpiece, '''Paul and Virginia''' (1800), adapted from Bernardin de Saint Pierre's '''Paul et Virginie''' (1788, 1789). with music by Joseph Mazzinghi. It was performed at the Theatre Royal Covent Garden beginning in May, 1800, with Rose Didelot--Madam Didelot--in one of the principle roles. Didelot was the wife of choreographer Charles Louis Didelot and was active in the theater from 1796 to 1806. She was a | |f_annotation=[[File:Didelot3.jpg|thumb|left|550px|'Modern grace, - or - the operatical finale to the ballet of Alonzo e Caro', 1796. Charles Didelot with Rose Didelot and Madame Parisot.]]'''DIDELOT'S DANCE IN VIRGINIA.''' English, Dance Tune (3/4 time). G Major. Standard tuning (fiddle). AB. The tune presumably was from James Cobb's (1756-1818) comic opera and afterpiece, '''Paul and Virginia''' (1800), adapted from Bernardin de Saint Pierre's '''Paul et Virginie''' (1788, 1789). with music by Joseph Mazzinghi. It was performed at the Theatre Royal Covent Garden beginning in May, 1800, with Rose Didelot--Madam Didelot--in one of the principle roles. Didelot was the wife of Parisian choreographer Charles Louis Didelot and was active in the theater from 1796 to 1806, but died in that latter year while giving birth to their son, Carl Didelot. She was a rival of Mme Parisot. The three caused a scandal with their scanty costumes in a performance of '''Alonzo e Caro''' at the Opera in 1796.</span>. See also "[[Madam Didelot's Fancy]]," also named for her. | ||
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Revision as of 04:41, 9 August 2020
X:21 T:Didelots Dance In Virginia. WI.021 M:3/4 L:1/8 Q:1/4=90 B:Wm Irwin, 1838 MS, AGG's Transcription R:.Misc. O:England A:Lake District Z:vmp.Chris Partington.2005 K:G .B(B/A/) .G(G/A/) BG|cA A2cA|\ BG .G(A/B/) (F/G/A/B/)|.A(A/G/) .F(F/E/) (D/F/G/A/)| .B(B/A/) .G(G/A/) BG|cA A2cA|\ Bd .F(F/G/) .A(A/B/)|.G(G/F/) GB Gz|| dd/^c/ dd/^c/ dg|dc/B/ c2 (A/B/c/A/)|\ .B(B/c/) .B(B/c/) (e/d/c/B/)|.A(A/B/) .A(A/B/) .A(A/B/) | dd/^c/ dd/^c/ dg|dc/B/ c2 (A/B/c/A/)|\ A(A/B/) A(A/B/) A2|" supposed".G(G/F/) GB Gz|] W:Last bar missing from MS
DIDELOT'S DANCE IN VIRGINIA. English, Dance Tune (3/4 time). G Major. Standard tuning (fiddle). AB. The tune presumably was from James Cobb's (1756-1818) comic opera and afterpiece, Paul and Virginia (1800), adapted from Bernardin de Saint Pierre's Paul et Virginie (1788, 1789). with music by Joseph Mazzinghi. It was performed at the Theatre Royal Covent Garden beginning in May, 1800, with Rose Didelot--Madam Didelot--in one of the principle roles. Didelot was the wife of Parisian choreographer Charles Louis Didelot and was active in the theater from 1796 to 1806, but died in that latter year while giving birth to their son, Carl Didelot. She was a rival of Mme Parisot. The three caused a scandal with their scanty costumes in a performance of Alonzo e Caro at the Opera in 1796.. See also "Madam Didelot's Fancy," also named for her.