Annotation:Marquis of Huntly's Highland Fling (1) (The): Difference between revisions
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The tune, the title of which was the first use of the term 'Highland fling', appears in his '''First Collection of New Scotch Music &c.''' of 1793, dedicated to the Prince of Wales. It also appears in Issac Cooper of Banff's (b. 1755-d. 1804, 1806, 1810 or 1811, although sometimes the year of his death is given as late as 1820) '''Collection of Strathspeys, Reels and Irish Jigs for the Piano-Forte & Violin to which are added Scots, Irish & Welch Airs Composed and Selected by I. Cooper at Banff''' (London, Edinburgh, c. 1806). Christine Martin (2002) says the Highland Fling is the oldest Highland dance, and is said to have been based on the rutting of stags (and as such, is related to fertility dances). The Gows published it in '''Repository, Part Second''', usually dated 1802, although the Purdie edition contains the note that it was composed by "the late Mr. Geo. Jenkins," | The tune, the title of which was the first use of the term 'Highland fling', appears in his '''First Collection of New Scotch Music &c.''' of 1793, dedicated to the Prince of Wales. It also appears in Issac Cooper of Banff's (b. 1755-d. 1804, 1806, 1810 or 1811, although sometimes the year of his death is given as late as 1820) '''Collection of Strathspeys, Reels and Irish Jigs for the Piano-Forte & Violin to which are added Scots, Irish & Welch Airs Composed and Selected by I. Cooper at Banff''' (London, Edinburgh, c. 1806). Christine Martin (2002) says the Highland Fling is the oldest Highland dance, and is said to have been based on the rutting of stags (and as such, is related to fertility dances). The Gows published it in '''Repository, Part Second''', usually dated 1802, although the Purdie edition (i.e. the third edition, from the 1820's) contains the note that it was composed by "the late Mr. Geo. Jenkins," a reference to Jenkins Sr., and Jenkins Jr. was still alive. Jenkins Sr. composed a few good reels and strathspeys, but John Glen (1895) was of the opinion that "a number of his tunes do not possess the true Scottish character." | ||
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Revision as of 02:19, 11 August 2020
X:1 T:Marquiss [sic] of Huntly's fling [1] M:C| L:1/8 R:Country Dance B:Preston's 24 Country Dances for the Year 1796 Z:AK/Fiddler's Companion K:D A|d<df>d g>ef>d|B<Be>B c>AA>c|d<df>d g<ef>d|B>e d/c/B/A/ d2D:| |:B|A>D F/E/D A>Bd>f|g>ef>d e>dB>d|A>D F/E/D A>B d>b|a>fe>f d2:|]
MARQUIS OF HUNTLEY'S HIGHLAND FLING [1], THE. See "Flax in Bloom (The)," "Maids of Erin (The)." Scottish, Strathspey or Fling. D Major. Standard tuning (fiddle). AB (Surenne, White): AABB (Alburger, Balmoral, Emmerson, Gow, Johnson/Cooper, Kennedy, Martin, Skye): AABB' (Athole): AABBCCDD (Martin). Composed by George Jenkins Sr. who was a friend or at least a correspondent of the Gows (perhaps, like them, from Perthshire, although his country of origin is obscure). He is recorded to have been a teacher of "Scotch Dancing" in London about the year 1794, and was sometimes employed by the Duchess of Gordon. He died in 1798[1]. One of his sons, the youngest surviving child, was also named George, and was, like his father a dancer and dancing master; they were probably Scottish, although the younger Jenkins seems to have spent most of his time in England. The Kentish Gazette of May 8, 1792, recorded that at the Duchess of Gordon's Ball: "the two young Jenkins's, habited in the garb of their country, were called on for a Scots dance, which they executed with universal applause; this was followed....with a much admired Scots measure by the elder Jenkins"[2]. The younger Jenkins is also mentioned in association with the Duchess of Gordon, who seems to have been a patron to the son, as she was to the father. At some point the younger Jenkins was connected to the British rulers, and is mentioned as a "Teacher to the Royal Family" and "Teacher of Dancing to her Royal Highness the Princess of Wales"[3]. George the younger became even more closely associated with the Gows through his marriage in 1820 to Mary Gow, the third daughter of fiddler-composer, music publisher and bandleader biography:Nathaniel Gow (1763-1831). One of the Jenkins's also published music and dance collections, such as New Scotch Music, consisting of Slow Airs, Strathspeys, Quick Reels, Country Dances (1797), perhaps the work of the father, and George Jr.'s The Art of Dancing (London, 1822). The composition of "Marquis of Huntly's Highland Fling" is credited to the senior Jenkins, based on the note with the tune in Nathaniel's Complete Repository, Part 2, 3rd edition, published in the 1820's that states the tune was "by the late Mr. George Jenkins."
The tune, the title of which was the first use of the term 'Highland fling', appears in his First Collection of New Scotch Music &c. of 1793, dedicated to the Prince of Wales. It also appears in Issac Cooper of Banff's (b. 1755-d. 1804, 1806, 1810 or 1811, although sometimes the year of his death is given as late as 1820) Collection of Strathspeys, Reels and Irish Jigs for the Piano-Forte & Violin to which are added Scots, Irish & Welch Airs Composed and Selected by I. Cooper at Banff (London, Edinburgh, c. 1806). Christine Martin (2002) says the Highland Fling is the oldest Highland dance, and is said to have been based on the rutting of stags (and as such, is related to fertility dances). The Gows published it in Repository, Part Second, usually dated 1802, although the Purdie edition (i.e. the third edition, from the 1820's) contains the note that it was composed by "the late Mr. Geo. Jenkins," a reference to Jenkins Sr., and Jenkins Jr. was still alive. Jenkins Sr. composed a few good reels and strathspeys, but John Glen (1895) was of the opinion that "a number of his tunes do not possess the true Scottish character."
Canon biography:James Goodman's "Maids of Erin (The)" is a version of "Marquis of Huntley's Highland Fling [1]" with the parts reversed. The second part of the tune appears as the first part of the Irish "Denis Murphy's Slide (1)", as it does in the reel "Flax in Bloom (The)."
