Annotation:Sam and Elzie's: Difference between revisions
mNo edit summary |
mNo edit summary |
||
Line 10: | Line 10: | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
'''SAM AND ELZIE.''' AKA – “Sam and Elsie. | '''SAM AND ELZIE.''' AKA – “Sam and Elsie,” "Wilson's Tune." AKA and see “[[Crooked Road (2)]].” Old-Time, Breakdown. D Major. Standard tuning (fiddle). AB. The tune appears to have Mid-West origins, although popularized on the West Coast by the Canote Brothers and fiddler Vivian Williams. Vivian obtained the tune from the relative of a playing partner, banjoist Harley Bray, his older brother Wilson whose father, Monte Monroe Bray, used to hear it at dances around Oscaloosa, south-central Illinois, in the late 1920's. Sam and Elzie were a father and son fiddle/guitar duo who played for square dances in the region, and there were song words to go with the melody. A version called "[[Crooked Road]]" can be found in the volume '''Dear Old Illinois''' (No. 51), played by Stelle Elam (Brownstown, Illinois, about 30 miles northwest of Oscaloosa.) | ||
<br> | <br> | ||
</div> | </div> |
Revision as of 00:24, 15 August 2020
X:1 T:Sam and Elzie's S:Vivian & Phil Williams (Seattle) M:C| L:1/8 Z:Transcribed by Andrew Kuntz K:D (3dcB|A2F2[F2A2]Ac|dcde fedc|B2G2 [G3B3]A|BAGA BcdB| A2F2[F2A2](3ABc|d2[d2f2][A3a3]a-|af e/f/e d2:| |:e2|[d3f3]g f2d2|[d3g3]a g2e2|[d3f3]g fedf|edcB A2e2| [d3f3]g f2d2|[d3g3]a gefg|a2f2 efe2|d3e d2:|
SAM AND ELZIE. AKA – “Sam and Elsie,” "Wilson's Tune." AKA and see “Crooked Road (2).” Old-Time, Breakdown. D Major. Standard tuning (fiddle). AB. The tune appears to have Mid-West origins, although popularized on the West Coast by the Canote Brothers and fiddler Vivian Williams. Vivian obtained the tune from the relative of a playing partner, banjoist Harley Bray, his older brother Wilson whose father, Monte Monroe Bray, used to hear it at dances around Oscaloosa, south-central Illinois, in the late 1920's. Sam and Elzie were a father and son fiddle/guitar duo who played for square dances in the region, and there were song words to go with the melody. A version called "Crooked Road" can be found in the volume Dear Old Illinois (No. 51), played by Stelle Elam (Brownstown, Illinois, about 30 miles northwest of Oscaloosa.)