Past Ten O'Clock: Difference between revisions

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P:Watchmen's vocal:
P:Watchmen's vocal:
c2 A>B c2 F>F|(B<d) A>B {A}G2!fermata!F2||
c2 A>B c2 F>F|(B<d) A>B {A}G2!fermata!F2||
w:Past ten    O'  Clock and a fine cloudy evening.
w:Past ten    O'  Clock and a fine     cloudy evening.
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Revision as of 06:34, 31 August 2020


Past Ten O'Clock  Click on the tune title to see or modify Past Ten O'Clock's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Past Ten O'Clock
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 Theme code Index    5351 4321
 Also known as    
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    ABC
 Editor/Compiler    James Davie
 Book/Manuscript title    Book:Mrs. Gordon of Cairness Waltz
 Tune and/or Page number    p. 2
 Year of publication/Date of MS    c. 1822
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



X:1 T:Past Ten O'Clock M:C L:1/8 R:Air N:"Composed on hearing one of the watchmen of Long Acre Singing." B:James Davie - "Mrs. Gordon of Cairness Waltz" (4 page folio with 8 tunes, c. 1822) N:Davie (1783-1857) was a music seller and violinist who had a shop in Aberdeen. He was N:also a church choir master at St. Andrew's. Z:AK/Fiddler's Companion K:F Sc2 A3B c2 F>F|(B<d) A>B {A}G2 F>c|B>c A>B G>A F>G|E2 C>C CD/E/ F/G/A/B/| c2 A>B c2 F>F|(B<d) A>B {A}G2 F>C|D>E.F^.F .G.A.B.d|[A,2F2][G,2E2][A,2F2]!fine!!fermata!|| c2 c>c A2 B>c|d2 B>d d2c2|d2 d>c B>AB>c|d>DB>G F2E2| c2 c>c A2 Bc|d2 B>d d2 c>f|d>ef>g a>ba>g|fe df/e/ (g/f/).e.d|| K:Dmin A2 A>A F2 D>D|E2 A>G (F2{GF}D2)|d2 d>d B2 G>G|^F>AD>c c2B2| A2 A>G F2 ED|EAAG T(FE)FD|(3EFG (3GAB D2{F}E2|D2 D>D D>E F/G/A/B/S|| P:Watchmen's vocal: c2 A>B c2 F>F|(B<d) A>B {A}G2!fermata!F2|| w:Past ten O' Clock and a fine cloudy evening.