Annotation:Lough Sheeling (2): Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
---------- | |||
{{TuneAnnotation | |||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Lough_Sheeling_(2) > | |||
|f_annotation='''LOUGH SHEELING [2]''' (Loc Saileann). AKA and see "[[Adieu My Loved Harp]]," "[[Come rest in this bosom]]," "[[Bridget O'Malley]]." Irish, Slow Air (3/4 time). E Minor. Standard tuning (fiddle). One part (Holden): AB (Clinton, Haverty, O'Neill). This air is an old harp melody used by Thomas Moore for his song "[[Come Rest in this Bosom]]." Francis O'Neill, writing in '''Irish Folk Music: A Fascinating Hobby''' (1910, p. 132), remarks that the air is a variant of "[[O Arranmore Loved Arranmore]]," and P.W. Joyce prints a variant as the air of the song "[[Molly Bawn (1)]]." | |||
---- | |||
---- | |||
'''LOUGH SHEELING [2]''' (Loc Saileann). AKA and see "[[Adieu My Loved Harp]]," "[[Come rest in this bosom]]," "[[Bridget O'Malley]]." Irish, Slow Air (3/4 time). E Minor. Standard tuning (fiddle). One part (Holden): AB (Clinton, Haverty, O'Neill). This air is an old harp melody used by Thomas Moore for his song "[[Come Rest in this Bosom]]." Francis O'Neill, writing in '''Irish Folk Music: A Fascinating Hobby''' (1910, p. 132), remarks that the air is a variant of "[[O Arranmore Loved Arranmore]]," and P.W. Joyce prints a variant as the air of the song "[[Molly Bawn (1)]]." | |||
<br> | <br> | ||
<br> | <br> | ||
Hardiman links the song with "[[Bridget O'Malley]]," which he attributes to O'Carolan, but the association is not yet substantiated. | Hardiman links the song with "[[Bridget O'Malley]]," which he attributes to O'Carolan, but the association is not yet substantiated. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 30, p. 15. William Forde ('''300 National Melodies of the British Isles'''), c. 1841; p. 4, No. 11. P.M. Haverty ('''One Hundred Irish Airs vol. 3'''), 1859; No. 210, p. 101. Smollet Holden ('''Collection of favourite Irish Airs'''), London, c. 1841; p. 9. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 333, p. 58. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
------------- | |||
---- | |||
Revision as of 04:44, 18 September 2020
X:1 T:Lough Sheeling [2] M:3/4 L:1/8 R:Air Q:”Slow” B:Smollet Holden - Collection of favourite Irish Airs (London, c. 1841; p. 9) Z:AK/Fiddler’s Companion K:Emin B^d|e2 ef ge|d2B2 (3GAB|c2c2 BA|B4 B^d| e2 ef ge|d2B2 eG|A3G E^D|E4 BA| G2 GABG|{B}A2G2 GA/B/|c2c2 BA|B4 B^d| e2 ef ge|d2B2 GA/B/|A3G E^D|E4||
LOUGH SHEELING [2] (Loc Saileann). AKA and see "Adieu My Loved Harp," "Come rest in this bosom," "Bridget O'Malley." Irish, Slow Air (3/4 time). E Minor. Standard tuning (fiddle). One part (Holden): AB (Clinton, Haverty, O'Neill). This air is an old harp melody used by Thomas Moore for his song "Come Rest in this Bosom." Francis O'Neill, writing in Irish Folk Music: A Fascinating Hobby (1910, p. 132), remarks that the air is a variant of "O Arranmore Loved Arranmore," and P.W. Joyce prints a variant as the air of the song "Molly Bawn (1)."
Hardiman links the song with "Bridget O'Malley," which he attributes to O'Carolan, but the association is not yet substantiated.
