Annotation:Battle of the Nile (The): Difference between revisions

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A song with the title "Battle of the Nile" was published in 1803, and was referred to in a theatrical playbill around that time in Quebec City, where it was "sung in the character of a Hibernian Tar"<ref>Will Maccaulay, note the to Allen Ash manuscript (Ontario) transcription [http://www.ontariotraditionalmusic.ca/item/32#&gid=1&pid=1 ]</ref>. The tune (perhaps the same as the song) appears in numerous publications and musicians manuscripts on both sides of the Atlantic, dating to the beginning of the 19th century. Printed publications in which it appears include J. Ball's '''Gentleman's Amusement Book 3''' (London, c. 1815, reprinted in 1830), Paff's '''Gentleman's Amusement No. 1''' (New York, 1812), Oliver Shaws' '''For the Gentlemen''' (Dedham, Mass., 1807), and Edward Riley's '''Flute Melodies, vol. 2''' (New York, 1817). The march also appears in the manuscript collections of Dexter Dean (Dedham, Mass., 1800) and Daniel Henry Huntington (Onondaga, N.Y., 1817).  
A song with the title "Battle of the Nile" was published in 1803, and was referred to in a theatrical playbill around that time in Quebec City, where it was "sung in the character of a Hibernian Tar"<ref>Will Maccaulay, note the to Allen Ash manuscript (Ontario) transcription [http://www.ontariotraditionalmusic.ca/item/32#&gid=1&pid=1 ]</ref>. The tune (perhaps the same as the song) appears in numerous publications and musicians manuscripts on both sides of the Atlantic, dating to the beginning of the 19th century. Printed publications in which it appears include J. Ball's '''Gentleman's Amusement Book 3''' (London, c. 1815, reprinted in 1830), Paff's '''Gentleman's Amusement No. 1''' (New York, 1812), Oliver Shaws' '''For the Gentlemen''' (Dedham, Mass., 1807), and Edward Riley's '''Flute Melodies, vol. 2''' (New York, 1817). The march also appears in the manuscript collections of Dexter Dean (Dedham, Mass., 1800), fiddler Allen Ash (1800-1889, Baltimore, Ontario) and Daniel Henry Huntington (Onondaga, N.Y., 1817).  
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Revision as of 18:10, 2 October 2020



X:1 T:Battle of the Nile M:C L:1/8 Q:”Moderato” B:William Cahusac – The German Flute Preceptor (c. 1814, p. 16) Z:AK/Fiddler’s Companion K:G D2|G3G A3A|B>AB>c d3B|c2 B>c A2 F>G|AGFE D>EFD|G3G A3A| B>ABc d2 ed|cBAG BAGF|G4 z2 BB|d2BB d3d|edcB c2A2| c2 AA c3c|d>cB>A B>AG D/D/|GGGG A2 AA|B>AB>c d2 DD|GGGG A2 AA| B>AB>c d3B|dBdd edcB|A2 cB A2 DD|G3G A3A|B>AB>c d3G| c2 B>c A2 FG|A>GF>E D>EF>D|G3G A3A|B>AB>c d2 e>d|c>BA>G B>AG>F|G3z2||



A page from the John Buttery music manuscript collection (early 19th century) showing Buttery's Sketches along with the music for the tune (top of page, 1st part of tune not showing).
BATTLE OF THE NILE, THE. English, Air and March (whole time). D Major. Standard tuning (fiddle). AAB. The melody, a march and a song air, commemorates Admiral Nelson's 1798 victory over the French fleet under Admiral François-Paul Brueys, anchored in one of the mouths of the Nile river. The battle was fought largely at night, unusual for the time, and resulted in an overwhelming victory for the British. Nelson was made Baron of the Nile as a consequence.



A song with the title "Battle of the Nile" was published in 1803, and was referred to in a theatrical playbill around that time in Quebec City, where it was "sung in the character of a Hibernian Tar"[1]. The tune (perhaps the same as the song) appears in numerous publications and musicians manuscripts on both sides of the Atlantic, dating to the beginning of the 19th century. Printed publications in which it appears include J. Ball's Gentleman's Amusement Book 3 (London, c. 1815, reprinted in 1830), Paff's Gentleman's Amusement No. 1 (New York, 1812), Oliver Shaws' For the Gentlemen (Dedham, Mass., 1807), and Edward Riley's Flute Melodies, vol. 2 (New York, 1817). The march also appears in the manuscript collections of Dexter Dean (Dedham, Mass., 1800), fiddler Allen Ash (1800-1889, Baltimore, Ontario) and Daniel Henry Huntington (Onondaga, N.Y., 1817).

It also was entered into the music manuscript collections of Joshua Gibbons (1778-1871, Lincolnshire), Rev. R. Harrison (1815, Cumbria), John Buttery (early 19th century, Lincolnshire), and Patrick McGahan (1817, Ireland). Buttery, a fifer with the 34th Regiment is likely to have been present at the battle. His manuscript contains sketches of the Egyptian coastline and several ships from the British and French fleets.


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Additional notes

Source for notated version: - the 1823-26 music mss of papermaker and musician Joshua Gibbons (1778-1871, of Tealby, near Market Rasen, Lincolnshire Wolds) [Sumner].

Printed sources : - Sumner (Lincolnshire Collections, vol. 1: The Joshua Gibbons Manuscript), 1997; p. 84.

Recorded sources: -



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  1. Will Maccaulay, note the to Allen Ash manuscript (Ontario) transcription [1]