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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''TOM TRAINOR’S'''.  AKA and see "[[Andy Dejarlis]]," "[[Scotch Style Jig]]."  Irish, Jig (6/8 time). E Major/Mixolydian. AA’BB’. Learned by Karen Tweed from fiddle player Tom Trainor who had no title for it, however, the jig was composed by Métis fiddler [[biography:Andy DeJarlis]] (-1975, Manitoba), who called it "[[Scotch Sytle Jig]]" (as it has "double tonic" tonality in the first strain).  It was picked up from DeJarlis's recording by Cape Breton musicians and is sometimes attributed to one of the musicians on that island.  
|f_annotation='''TOM TRAINOR’S'''.  AKA and see "[[Andy Dejarlis]]," "[[Scotch Style Jig]]."  Irish, Jig (6/8 time). E Major/Mixolydian. AA’BB’. Learned by Karen Tweed from fiddle player Tom Trainor who had no title for it, however, the jig was composed by Métis fiddler [[biography:Andy DeJarlis]] (-1975, Manitoba), who called it "[[Scotch Sytle Jig]]" (as it goes briefly into mixolydian mode in the first strain).  It was picked up from DeJarlis's 1969 recording by Cape Breton musicians and is sometimes attributed to one of the musicians on that island.  
|f_printed_sources=Taylor ('''Traditional Irish Music: Karen Tweed’s Irish Choice'''), 1994; p. 2.
|f_printed_sources=Taylor ('''Traditional Irish Music: Karen Tweed’s Irish Choice'''), 1994; p. 2.
}}
}}

Latest revision as of 18:45, 14 October 2020


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X: 1 T:Tom Trainor's S:Rosa's Session, 30/12/00 Z:Nigel Gatherer M:6/8 L:1/8 F:http://www.gulfweb.net/rlwalker/abc/!ABCCollections/celtic_tunes.abc K:E z|EGB EGB|EGB c2 B|EGB EGB|=DFA B2 A| EGB EGB|EGB c2 a|gfe Bcd|e3 e2:| |:a|g2 g efg|aga c2 e|f3 fge|dcB c2 B| gbg efg|aga c2 e|fgf Bcd|e3 e2:|]



TOM TRAINOR’S. AKA and see "Andy Dejarlis," "Scotch Style Jig." Irish, Jig (6/8 time). E Major/Mixolydian. AA’BB’. Learned by Karen Tweed from fiddle player Tom Trainor who had no title for it, however, the jig was composed by Métis fiddler biography:Andy DeJarlis (-1975, Manitoba), who called it "Scotch Sytle Jig" (as it goes briefly into mixolydian mode in the first strain). It was picked up from DeJarlis's 1969 recording by Cape Breton musicians and is sometimes attributed to one of the musicians on that island.


Additional notes



Printed sources : - Taylor (Traditional Irish Music: Karen Tweed’s Irish Choice), 1994; p. 2.






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