Annotation:Victory (1): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Victory_(1) > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Victory_(1) > | ||
|f_annotation='''VICTORY [1] (BREAKDOWN).''' Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Messer): AA'BB' (Begin). Composed by Maritime radio and TV fiddler Don Messer [http://en.wikipedia.org/wiki/Don_Messer] (1909-1973), whose recording was issued near the end of World War II when the tide had turned and victory was looking possible. Douglastown, Gaspé, Québec, fiddler Erskine Morris, apparently confused by the melodic similarity in parts with "[[Liverpool Hornpipe]]", referred to Messer's reel by the latter title. | |f_annotation='''VICTORY [1] (BREAKDOWN).''' Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Messer): AA'BB' (Begin). Composed by Maritime radio and TV fiddler Don Messer [http://en.wikipedia.org/wiki/Don_Messer] (1909-1973), whose recording was issued near the end of World War II when the tide had turned and victory was looking possible. Douglastown, Gaspé, Québec, fiddler Erskine Morris, apparently confused by the melodic similarity in parts with "[[Liverpool Hornpipe (1)]]", referred to Messer's reel by the latter title. | ||
[[File:messer.jpg|250px|thumb|left|Don Messer]] | [[File:messer.jpg|250px|thumb|left|Don Messer]] | ||
|f_source_for_notated_version=French-Canadian button accordion player Philippe Bruneau (Québec) [Bégin]. | |f_source_for_notated_version=French-Canadian button accordion player Philippe Bruneau (Québec) [Bégin]. |
Latest revision as of 20:35, 17 November 2020
VICTORY [1] (BREAKDOWN). Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Messer): AA'BB' (Begin). Composed by Maritime radio and TV fiddler Don Messer [1] (1909-1973), whose recording was issued near the end of World War II when the tide had turned and victory was looking possible. Douglastown, Gaspé, Québec, fiddler Erskine Morris, apparently confused by the melodic similarity in parts with "Liverpool Hornpipe (1)", referred to Messer's reel by the latter title.
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