Annotation:Charlie Mulvihill's Reel (2): Difference between revisions
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|f_annotation='''CHARLIE MULVIHILL'S [2]'''. Irish, Reel (whole time). D Major. Standard tuning (fiddle). AAB. Fr. John Quinn finds the tune a key of 'D' setting of "[[ | |f_annotation='''CHARLIE MULVIHILL'S [2]'''. Irish, Reel (whole time). D Major. Standard tuning (fiddle). AAB. Fr. John Quinn finds the tune a key of 'D' setting of "[[Garrett Barry's Reel]]," "itself a variant of "[[Miss McLeod's Reel (1)]]/[[Mrs. MacLeod of Raasay]]," and he points out that "O'Neill's "[[Grey Plover (The)]]" is another variation on this theme, and probably was Garret Barry's model." These tunes are distanced from one another, but similar in melodic contour and workings of the same melodic material. | ||
|f_source_for_notated_version=accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border) [Moylan]. | |f_source_for_notated_version=accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border) [Moylan]. | ||
|f_printed_sources=Moylan ('''Johnny O'Leary of Sliabh Luachra'''), 1994; No. 204, pp. 117-118. | |f_printed_sources=Moylan ('''Johnny O'Leary of Sliabh Luachra'''), 1994; No. 204, pp. 117-118. |
Latest revision as of 04:26, 25 November 2020
X:q T:Charlie Mulvihill's Reel [2] M:C L:1/8 B:Terry Moylan - Johnny O'Leary of Sliabh Luchra (1994, No. 204) K:D D2- DF AF F2|dAFA BFAF|D2- DF ABAF|G2 FD EDB,D| D2 FD ADFA|dBAF DEFA|BGGF GABc|dBAF E2- EB:| dcdf eedB|A2z F/G/A DEFA|dz df edB|AdfA ed AB/c| dcdf eedB|A2 F/G/A DEFA|BGGF GABc|dBAF E4| d2-df e/f/e dB|AFFF DEFA|dz df e2 dB|AdfA ed A/B/c| dcdf e/f/e dB|A2 F/G/A DEFA|BGGF GABc|dBAF EGFE||
CHARLIE MULVIHILL'S [2]. Irish, Reel (whole time). D Major. Standard tuning (fiddle). AAB. Fr. John Quinn finds the tune a key of 'D' setting of "Garrett Barry's Reel," "itself a variant of "Miss McLeod's Reel (1)/Mrs. MacLeod of Raasay," and he points out that "O'Neill's "Grey Plover (The)" is another variation on this theme, and probably was Garret Barry's model." These tunes are distanced from one another, but similar in melodic contour and workings of the same melodic material.