Annotation:John Egan's Reel (1): Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:John_Egan's_Reel_(1) > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:John_Egan's_Reel_(1) > | ||
|f_annotation='''JOHN EGAN'S (REEL) [1]'''. AKA and see "[[Maid that Left the Country (2)]]." Irish, Reel. D Mixolydian/G Major/A Dorian. Standard tuning (fiddle). AABB. | |f_annotation='''JOHN EGAN'S (REEL) [1]'''. AKA and see "[[Maid that Left the Country (2)]]." Irish, Reel. D Mixolydian/G Major/A Dorian. Standard tuning (fiddle). AABB. Paddy Ryan ('''Treoir''', 2002) attributed the composition to flute player John Egan (1903-1989), originally from Ballintogher, County Sligo, who removed to Dublin and became one of the founders and regulars at Dublin's Church Street Club. He was highly influential in the music of that city in his lifetime. Brendan Breathnach previously published the reel in '''Ceol''' in 1963 (a version that was not republished by Breathanch in his '''Ceol Rince na hÉireann''' series of volumes), also from the playing of John Egan. Breathnach, however, did publish an untitled, slightly different version that he obtained from fiddler John Henry, like Egan, from County Sligo. | ||
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The tonality is a bit 'slippery', beginning in A dorian, then appearing to center around 'G', and resolving at the end of the first strain to 'D'. | The tonality is a bit 'slippery', beginning in A dorian, then appearing to center around 'G', and resolving at the end of the first strain to 'D'. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources='''Treoir''', vol. 34, No. 2, 2002; p. 27. | |f_printed_sources=Breathnach & Small ('''Ceol Rince na hÉireann vol. 5'''), 1999; No. 142. '''Treoir''', vol. 34, No. 2, 2002; p. 27. | ||
|f_recorded_sources=Cló Iar Chonnachta CICD 165, John Wynne & John McEvoy - "Pride of the West" (2007. Learned by John McEvoy from fiddler Sean Potts). | |f_recorded_sources=Cló Iar Chonnachta CICD 165, John Wynne & John McEvoy - "Pride of the West" (2007. Learned by John McEvoy from fiddler Sean Potts). | ||
|f_see_also_listing=Hear a 1978 recording of the tune played by flute player Seamus MacMathuna at the Comhaltas Archive [Seamus MacMathuna]<br> | |f_see_also_listing=Hear a 1978 recording of the tune played by flute player Seamus MacMathuna at the Comhaltas Archive [Seamus MacMathuna]<br> | ||
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Revision as of 01:31, 3 December 2020
X:1 T:John Egan's Reel [1] M:C L:1/8 S:Treoir (2002) N:Transcribed by Paddy Ryan K:D ed |: =cA A2 GEDE | GBAF G3A | B2 AB GEDG | Bdd^c dfed :| |: =cdef g3e | a2 af g2 ed | =cdef g2 fg | afge dfed :| afge d2 |
JOHN EGAN'S (REEL) [1]. AKA and see "Maid that Left the Country (2)." Irish, Reel. D Mixolydian/G Major/A Dorian. Standard tuning (fiddle). AABB. Paddy Ryan (Treoir, 2002) attributed the composition to flute player John Egan (1903-1989), originally from Ballintogher, County Sligo, who removed to Dublin and became one of the founders and regulars at Dublin's Church Street Club. He was highly influential in the music of that city in his lifetime. Brendan Breathnach previously published the reel in Ceol in 1963 (a version that was not republished by Breathanch in his Ceol Rince na hÉireann series of volumes), also from the playing of John Egan. Breathnach, however, did publish an untitled, slightly different version that he obtained from fiddler John Henry, like Egan, from County Sligo.
The tonality is a bit 'slippery', beginning in A dorian, then appearing to center around 'G', and resolving at the end of the first strain to 'D'.
