Kiss the Lass Ye Like Best (2): Difference between revisions
No edit summary |
No edit summary |
||
Line 48: | Line 48: | ||
|: (f/g/) | a>baf beef | abaf defd | (e/f/g) (f/g/a) eEEF | A/A/A T(f>e) dDD :| | |: (f/g/) | a>baf beef | abaf defd | (e/f/g) (f/g/a) eEEF | A/A/A T(f>e) dDD :| | ||
<section end=abc /> | <section end=abc /> | ||
<section begin= | <section begin=X2 /> | ||
X:1 | |||
T:Kiss the Lass you like best [2] | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 18) | |||
N:Dedicated to the Dutchess [sic] of Manchester | |||
N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and | |||
N:composer active in Edinburgh at the end of the 18th century. Originally from | |||
N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade | |||
N:of his life. | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
d|A2 (FA) BEEd|A2 (FA) defd|(e/f/g) (f/g/a) e(EEF)|A(gfe) dDD:| | |||
|:f|abaf b(eef)|abaf defd|(e/f/g) (f/g/a) e(EEF)|A(gTfe) dDD:|] | |||
<section end=X2 /> | |||
<section begin=X3 /> | |||
X:1 | X:1 | ||
T:Kiss the Lass ye like the best [2] | T:Kiss the Lass ye like the best [2] | ||
Line 64: | Line 81: | ||
f|Ta>baf be-ef|Ta>baf defd|(e/f/g) (f/g/a) {f}eEEF|A/A/A T(f>e) dDDf| | f|Ta>baf be-ef|Ta>baf defd|(e/f/g) (f/g/a) {f}eEEF|A/A/A T(f>e) dDDf| | ||
Ta>baf be-ef|Ta>baf defd|egfa {f}eEEF|A/A/A T(f>e d)DD|| | Ta>baf be-ef|Ta>baf defd|egfa {f}eEEF|A/A/A T(f>e d)DD|| | ||
<section end= | <section end=X3 /> | ||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
<section begin=X1 /> | <section begin=X1 /> |
Revision as of 15:24, 9 December 2020
X:1 T:Kiss the Lass ye like best [2] M:C| L:1/8 R:Reel S:Bremner - Scots Reels (1757) Z:AK/Fiddler's Companion K:D d | A/A/A TFA BEEd | A/A/A TFA Ddfd | (e/f/g) (f/g/a) eEEF | A/A/A T(B>B) ADD :| |: (f/g/) | a>baf beef | abaf defd | (e/f/g) (f/g/a) eEEF | A/A/A T(f>e) dDD :|
X:1
T:Kiss the Lass you like best [2]
M:C
L:1/8
R:Reel
B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 18)
N:Dedicated to the Dutchess [sic] of Manchester
N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and
N:composer active in Edinburgh at the end of the 18th century. Originally from
N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade
N:of his life.
Z:AK/Fiddler’s Companion
K:D
d|A2 (FA) BEEd|A2 (FA) defd|(e/f/g) (f/g/a) e(EEF)|A(gfe) dDD:|
|:f|abaf b(eef)|abaf defd|(e/f/g) (f/g/a) e(EEF)|A(gTfe) dDD:|]
X:1
T:Kiss the Lass ye like the best [2]
N:William Christie (1778-1849)
N:Christie was a dancing master, fiddler
N:and composer from Cuminestown, Aberdeenshire.
M:C|
L:1/8
R:Reel
B:Christie - Collection of Strathspeys, Reels, Hornpipes,
B:Waltzes &c. (Edinburgh, 1820, p. 33)
Z:AK/Fiddler’s Companion
K:D
d|A/A/A (.F.A) BEEd|A/A/A (.F.A) Ddfd|(e/f/g) (f/g/a) {F}eE-TE>.F|A/A/A T(f>e) dDD:|
f|Ta>baf be-ef|Ta>baf defd|(e/f/g) (f/g/a) {f}eEEF|A/A/A T(f>e) dDDf|
Ta>baf be-ef|Ta>baf defd|egfa {f}eEEF|A/A/A T(f>e d)DD||