Annotation:Tommy Don't Go: Difference between revisions
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|f_annotation='''TOMMY DON’T GO.''' American, Waltz. USA; Texas, Oklahoma. D Major. Standard tuning (fiddle). One part or AABB. From the playing of Texas panhandle fiddler and rancher Frankie McWhorter, who at one time was a member of Texas swing fiddler Bob Wills' band. There is some speculation that "Tommy Don't Go" may have derived from a Civil War-era melody called “The Fourth of July Waltz” (Missouri fiddler Art Galbraith's "[[Fourth of July Waltz]]" is a different melody). The simple tune was often one of the first pieces learned by southwest fiddlers. Kenny Hall remembered it as one of his first tunes. Oklahoma fiddler Mack Cummings said that his mother played the tune on the fiddle, but his father would get angry with her for playing the instrument and would make her stop. Mack never learned the reason for this family prohibition, but got emotional when playing the tune brought it to memory. | |f_annotation='''TOMMY DON’T GO.''' American, Waltz. USA; Texas, Oklahoma. D Major. Standard tuning (fiddle). One part or AABB. From the playing of Texas panhandle fiddler and rancher Frankie McWhorter, who at one time was a member of Texas swing fiddler Bob Wills' band. There is some speculation that "Tommy Don't Go" may have derived from a Civil War-era melody called “The Fourth of July Waltz” (Missouri fiddler Art Galbraith's "[[Fourth of July Waltz]]" is a different melody). The simple tune was often one of the first pieces learned by southwest fiddlers. Mandolinist and singer Kenny Hall remembered it as one of his first tunes. Oklahoma fiddler Mack Cummings said that his mother played the tune on the fiddle, but his father would get angry with her for playing the instrument and would make her stop. Mack never learned the reason for this family prohibition, but got emotional when playing the tune brought it to memory. | ||
|f_printed_sources=Kenny Hall & Vykki Gray ('''Kenny Hall's Music Book'''), 1999; p. 121. Frankie McWhorter ('''Fiddler Magazine's Favorites'''), 1999; pp. 74-75. | |f_printed_sources=Kenny Hall & Vykki Gray ('''Kenny Hall's Music Book'''), 1999; p. 121. Frankie McWhorter ('''Fiddler Magazine's Favorites'''), 1999; pp. 74-75. | ||
|f_recorded_sources=Fiel Publications Recording Series FPRS 0005, "The Ranch Dance Fiddle--Frankie McWhorter" (1997). | |f_recorded_sources=Fiel Publications Recording Series FPRS 0005, "The Ranch Dance Fiddle--Frankie McWhorter" (1997). | ||
|f_see_also_listing=Hear Oklahoma fiddler Mack Cummings' 1976 field recording by Jim Renner at Slippery Hill [https://www.slippery-hill.com/content/tommy-dont-go-0] | |f_see_also_listing=Hear Oklahoma fiddler Mack Cummings' 1976 field recording by Jim Renner at Slippery Hill [https://www.slippery-hill.com/content/tommy-dont-go-0] | ||
}} | }} | ||
Latest revision as of 04:49, 15 January 2021
X:1 T:Tommy don't go N:From the playing of Oklahoma fiddler Mack Cummings, N:recorded in the field in 1976 by Jim Renner. M:3/4 L:1/8 R:Waltz D:https://www.slippery-hill.com/content/tommy-dont-go-0 Z:Transcribed by Andrew Kuntz K:G d2|:G2B2d2|G4B2 |G2B2d2 |+slide+[A4A4][A2A2] |f4fg| f2e2d2|A2c2B2|G4B2:||:[G2B2]|b3d b[db]|[d2b2]a2 g-f| e2a2a2|+slide+[e4e4][e2e2]|f4 fg|f2e2d2|A2c2B2|G4:| P:Substitution "*"{B}c4B2|G4||
TOMMY DON’T GO. American, Waltz. USA; Texas, Oklahoma. D Major. Standard tuning (fiddle). One part or AABB. From the playing of Texas panhandle fiddler and rancher Frankie McWhorter, who at one time was a member of Texas swing fiddler Bob Wills' band. There is some speculation that "Tommy Don't Go" may have derived from a Civil War-era melody called “The Fourth of July Waltz” (Missouri fiddler Art Galbraith's "Fourth of July Waltz" is a different melody). The simple tune was often one of the first pieces learned by southwest fiddlers. Mandolinist and singer Kenny Hall remembered it as one of his first tunes. Oklahoma fiddler Mack Cummings said that his mother played the tune on the fiddle, but his father would get angry with her for playing the instrument and would make her stop. Mack never learned the reason for this family prohibition, but got emotional when playing the tune brought it to memory.
