Annotation:Tekely: Difference between revisions
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|f_annotation= | |f_annotation='''TEKELY.''' AKA - "Tekeli." English, Jig or March (6/8 time). F Major (Kershaw): C Major (Goulding, Howe): G Major (Cahusac). Standard tuning (fiddle). AB (Howe): AABB (Cahusac, Kershaw). '''Tekeli''' (1806) was a operatic work for the theatre by Norwich-born organist and composer [[wikipedia:James Hook]] (1746-1827), very popular in the early 19th century, although not a lasting work. This march or jig began to appear in musicians’ manuscripts and published collections beginning in 1806, from both sides of the Atlantic, spelled variously as “Tekeli,” “Takele,” “Tekely,” “Tekeele,” etc. In America it can be found in the music manuscript collections of Abel Shattuck (begun in 1801), fifer Joseph Hooves (begun in 1800, New Ipswich, Mass.), fiddler George White (begun 1790, Cherry Valley, N.Y.), and pianist Ann Winnington (c. 1810, New York). American published collections of the era that contain the tune are Willig’s '''Collection of Popular Country Dances, vol. 1''' (Philadelphia, 1812), Edward Riley’s '''Flute Melodies''' (New York, 1814), James Hulbert’s '''Complete Fifer’s Museum''' (Greenfield, Mass., 1811), and Henry Moore’s '''Merrimack Collection of Instrumental and Martial Musick, vol. 1''' (Concord, 1833). English manuscripts that contain the melody include that of Joseph Kershaw, a fiddler who lived in Slackcote, Saddleworth, North West England, in the 19th century, whose manuscript dates from around 1820 onwards. English published versions by Ball and Goulding are referenced below. Jamie Knowles remarks that the tune survived as a Merry-go-round tune at Southport Fairground until Victorian days. See “[[Quick Step in Tekeli]]” for another melody from that work. | ||
|f_printed_sources= | |f_printed_sources=Anderson ('''Anderson's Budget of Strathspeys, Reels & Country Dances'''), c. 1820; p. 16. Ball ('''The Gentleman’s Amusement, Book 3'''), 1815; p. 1. William Cahusac ('''The German Flute Preceptor'''), c. 1814; p. 14. Howe ('''Complete Preceptor for the Accordeon'''), 1843; p. 25. Goulding ('''Twenty Four Country Dances for the Year 1808'''), 1808; No. 20. Knowles ('''The Joseph Kershaw Manuscript'''), 1993; No. 20. | ||
}} | }} | ||
Revision as of 04:44, 15 March 2021
X:1 T:Tekeli M:6/8 L:1/8 B:Goulding & Co. – Twenty Four Country Dances for the Year 1808 (London) N:”With proper Tune & Directions to each Dance (as they may be N:performed at Court, Bath, and all Public Assemblys.” Z:Transcribed and edited by Fynn Titford-Mock Z:abcs’s:AK/Fiddler’s Companion K:C G|c2c cBc|A2c G2c|GAB cde|f2d B2G| c2c cBc|A2c G2c|GAB cde|fdB c3:|| c2d [c3e3]|efe d2c|{e}d2c {e}d2c|{e}d2c {e}d2e| c2d [c3e3]|efe d2c|d2c d2e|d3 c2||
TEKELY. AKA - "Tekeli." English, Jig or March (6/8 time). F Major (Kershaw): C Major (Goulding, Howe): G Major (Cahusac). Standard tuning (fiddle). AB (Howe): AABB (Cahusac, Kershaw). Tekeli (1806) was a operatic work for the theatre by Norwich-born organist and composer wikipedia:James Hook (1746-1827), very popular in the early 19th century, although not a lasting work. This march or jig began to appear in musicians’ manuscripts and published collections beginning in 1806, from both sides of the Atlantic, spelled variously as “Tekeli,” “Takele,” “Tekely,” “Tekeele,” etc. In America it can be found in the music manuscript collections of Abel Shattuck (begun in 1801), fifer Joseph Hooves (begun in 1800, New Ipswich, Mass.), fiddler George White (begun 1790, Cherry Valley, N.Y.), and pianist Ann Winnington (c. 1810, New York). American published collections of the era that contain the tune are Willig’s Collection of Popular Country Dances, vol. 1 (Philadelphia, 1812), Edward Riley’s Flute Melodies (New York, 1814), James Hulbert’s Complete Fifer’s Museum (Greenfield, Mass., 1811), and Henry Moore’s Merrimack Collection of Instrumental and Martial Musick, vol. 1 (Concord, 1833). English manuscripts that contain the melody include that of Joseph Kershaw, a fiddler who lived in Slackcote, Saddleworth, North West England, in the 19th century, whose manuscript dates from around 1820 onwards. English published versions by Ball and Goulding are referenced below. Jamie Knowles remarks that the tune survived as a Merry-go-round tune at Southport Fairground until Victorian days. See “Quick Step in Tekeli” for another melody from that work.
