Annotation:Trip to Martinico (A): Difference between revisions

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|f_annotation='''TRIP TO MARTINICO, A.'''  English, Country Dance Tune (cut time). A Major. Standard tuning (fiddle). AA’BB’. Martinico = Martinique. The melody is unique to London publisher Charles and Samuel Thompson’s 1765 country dance collection. It should perhaps be considered a companion tune to another referning the West Indies in the Thompson’s volume, “[[Trip to Guadaloup (A)]].” 
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|f_printed_sources=Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 2'''), 1765; No. 133.
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Latest revision as of 17:53, 14 May 2021



X:1 T:Trip to Martinico M:C| L:1/8 B:Thompson’s Compleat Collection of 200 Favourite Country Dances, vol. 2 (London, 1765) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc’s:AK/Fiddler’s Companion K:A A2A2|A2 GA BABc|B4 cAec|1 A2A2A2 GF|E4:|2 A2 BA GEFG|A4|| |:e2e2|e2 dc fefg|e4 agae|1 agfe dcBA|E4:|2 agfe dcBc|A4|| |:{B}A2 GF|E2E2 FEFG|E4 ABcd|1 cdef e2e2|e4:|2 cdef edcB|A4||



TRIP TO MARTINICO, A. English, Country Dance Tune (cut time). A Major. Standard tuning (fiddle). AA’BB’. Martinico = Martinique. The melody is unique to London publisher Charles and Samuel Thompson’s 1765 country dance collection. It should perhaps be considered a companion tune to another referning the West Indies in the Thompson’s volume, “Trip to Guadaloup (A).”


Additional notes



Printed sources : - Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2), 1765; No. 133.






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