Annotation:Tennessee Mountain Fox Chase: Difference between revisions

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X:1 T:Tennessee Mountain Fox Chase N:From the playing of fiddler J.D. "Dudley" Vance (1880-1962), N:with Vance's Tennessee Breakdowners (1927) M:C| L:1/8 R:Reel Q:"Fast" N:Occassionally Vance adds beats to cadence, esp. in the first strain. D:https://www.slippery-hill.com/content/tennessee-mountain-fox-chase Z:Andrew Kuntz K:C ed|cdcA GcAc|cded cded|cdcG Aceg|1age[de]- [c2e2]:|2aged c2|| |:ea|g2ea g2ea|g2 eg agea|g2 ea g2 eg|aged c2 :| |:eg|a2 g2- gagd|J[e6e6] e2|a2 g2-gage|d2 [c2e2]-[ce]deg| a2 g2- gagd|([ee]-[de]-[e2e2])- [ee]dcA|d2[e2e2]- [ee]dcA|c4- c2:|]

TENNESSEE MOUNTAIN FOX CHASE. AKA - "Washington County Fox Chase." American, Reel (cut time). USA, Tennessee. C Major. Standard tuning (fiddle). AABB (Silberberg): AABBCC' (Phillips): AA'BB'CC' (Reiner (Anick). Hunting motifs have lent themselves to descriptive musical pieces in several genres of traditional music on both sides of the Atlantic (c.f. the various “Fox Chase” tunes). “Tennessee Mountain Fox Chase” was recorded in 1927 by fiddler Dudley Vance (1880-1962) and his group the Tennessee Breakdowners. Vance, a regionally popular fiddler from Bluff City, Washington County, in the north-eastern corner of Tennessee (near the North Carolina border), traveled 150 miles to a recording session in Winston-Salem, North Carolina, where the Breakdowners recorded six sides for OKeh Records (although only two were released). The recordings, including the several test pressings that were not issued, were preserved by the Vance family. The unreleased sides included the “Tennessee Mountain Fox Chase," which the family later shared with revival record labels such as County and Rural Rhythm. The melody has since become, “a darling number of the old time revival,” according to Kerry Blech, who opines that it was “a brilliant tune, exceedingly well-played” ^[1]. The reel is labelled “Washington County Fox Chase” in the “Roots N' Blues - The Retrospective (1925-50)” collection, a title that Vance himself sometimes employed.

Vance took first prize in Mountain City, Tennessee, fiddlers’ convention held in May, 1925, beating Charlie Bowman and Uncle Am Stuart, who came in second and third, respectively. The contest has been made famous by a much-reproduced photograph of some of the contestants, including the elderly Uncle Am. Vance himself is in the back row, a short man and nearly obscured. It was two years later that Vance, along with his brother Sam and banjo player Will McNamara recorded for OKeh, and it was to be their only commercial recording venture. In later years Vance operated a music park and resort in East Tennessee.

Several years later, around 1930-32, Vance’s likeness, posed while playing the fiddle, was drawn by Appalachian artist Thomas Hart Benton (1889-1975) in a pencil, ink and sepia wash picture. A young Ralph Blizzard was influenced by Vance (along with Charlie Bowman and John Dykes) who lived not far from him.

Additional notes
Source for notated version : - Dudley Vance (Bluff City, Washington County, Tennessee) [Reiner & Anick]; Kirk Sutphin with the Hollow Rock String Band [Phillips]; Greg Canote (Seattle) [Silberberg].

Printed sources : - Phillips (Traditional American Fiddle Tunes, vol. 2), 1995; p. 140. Reiner & Anick (Anthology of Fiddle Styles), 1989; p. 104. Silberberg (Tunes I Learned at Tractor Tavern), 2002; p. 157.

Recorded sources : - County 525, Fiddlin' Dud Vance and his Tennessee Breakdowners - "A Fiddlers' Convention in Mountain City, Tennessee." County Records CD3511, Fiddlin' Dud Vance and his Tennessee Breakdowners – “Rural String Bands of Tennessee” (reissue recording). Yodel-ay-hee Records #108327, Critton Hollow Stringband - "Poor Boy" (1979). Wildgoose Records, Rattle on the Stovepipe – “8 More Miles” (2005).

See also listing at :
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↑ Kerry Blech, Old Time Herald, vol. 6, no. 2, review of County 3511.

[1] Kerry Blech, Old Time Herald, vol. 6, no. 2, review of County 3511.

[1]

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 {{TuneAnnotation
-|f_annotation='''TENNESSEE MOUNTAIN FOX CHASE.''' American, Reel (cut time). USA, Tennessee. C Major. Standard tuning (fiddle). AABB (Silberberg): AABBCC' (Phillips): AA'BB'CC' (Reiner (Anick). Hunting motifs have lent themselves to descriptive musical pieces in several genres of traditional music on both sides of the Atlantic (c.f. the various “Fox Chase” tunes). “Tennessee Mountain Fox Chase” was recorded in 1927 by fiddler Dudley Vance (1880-1962) and his group the Tennessee Breakdowners. Vance, a regionally popular fiddler from Bluff City, in the north-eastern corner of Tennessee (near the North Carolina border), traveled 150 miles to a recording session in Winston-Salem, North Carolina, where the Breakdowners recorded six sides for OKeh Records (although only two were released). The recordings, including the test pressings that were not issued, were preserved by the Vance family, including the “Tennessee Mountain Fox Chase.” The melody has since become, “a darling number of the old time revival,” according to Kerry Blech, who opines that it was “a brilliant tune, exceedingly well-played” <ref>Kerry Blech, '''Old Time Herald''', vol. 6, no. 2, review of County 3511.</ref>.
+|f_annotation='''TENNESSEE MOUNTAIN FOX CHASE.''' AKA - "Washington County Fox Chase." American, Reel (cut time). USA, Tennessee. C Major. Standard tuning (fiddle). AABB (Silberberg): AABBCC' (Phillips): AA'BB'CC' (Reiner (Anick). Hunting motifs have lent themselves to descriptive musical pieces in several genres of traditional music on both sides of the Atlantic (c.f. the various “Fox Chase” tunes). “Tennessee Mountain Fox Chase” was recorded in 1927 by fiddler Dudley Vance (1880-1962) and his group the Tennessee Breakdowners. Vance, a regionally popular fiddler from Bluff City, Washington County, in the north-eastern corner of Tennessee (near the North Carolina border), traveled 150 miles to a recording session in Winston-Salem, North Carolina, where the Breakdowners recorded six sides for OKeh Records (although only two were released). The recordings, including the several test pressings that were not issued, were preserved by the Vance family.  The unreleased sides included  the “Tennessee Mountain Fox Chase," which the family later shared with revival record labels such as County and Rural Rhythm.  The melody has since become, “a darling number of the old time revival,” according to Kerry Blech, who opines that it was “a brilliant tune, exceedingly well-played” <ref>Kerry Blech, '''Old Time Herald''', vol. 6, no. 2, review of County 3511.</ref>. The reel is labelled “Washington County Fox Chase” in the “Roots N' Blues - The Retrospective (1925-50)” collection, a title that Vance himself sometimes employed.
 <br>
 <br>
-Vance took first prize in Mountain City, Tennessee, fiddlers’ convention held in May, 1925, beating Charlie Bowman and Uncle Am Stuart, who came in second and third, respectively. The contest has been made famous by a much-reproduced photograph of some of the contestants, including the elderly Uncle Am. Several years later, around 1930-32, Vance’s likeness, posed while playing the fiddle, was drawn by Appalachian artist Thomas Hart Benton (1889-1975) in a pencil, ink and sepia wash picture. A young Ralph Blizzard was influenced by Vance (along with Charlie Bowman and John Dykes) who lived not far from him.
+Vance took first prize in Mountain City, Tennessee, fiddlers’ convention held in May, 1925, beating Charlie Bowman and Uncle Am Stuart, who came in second and third, respectively. The contest has been made famous by a much-reproduced photograph of some of the contestants, including the elderly Uncle Am. Vance himself is in the back row, a short man and nearly obscured. It was two years later that Vance, along with his brother Sam and banjo player Will McNamara recorded for OKeh, and it was to be their only commercial recording venture.  In later years Vance operated a music park and resort in East Tennessee.
 <br>
 <br>
-The tune is labelled “Washington County Fox Chase” in the “Roots N' Blues - The Retrospective (1925-50)” collection.
+Several years later, around 1930-32, Vance’s likeness, posed while playing the fiddle, was drawn by Appalachian artist Thomas Hart Benton (1889-1975) in a pencil, ink and sepia wash picture. A young Ralph Blizzard was influenced by Vance (along with Charlie Bowman and John Dykes) who lived not far from him.
 |f_source_for_notated_version=Dudley Vance (Bluff City, Washington County, Tennessee) [Reiner & Anick]; Kirk Sutphin with the Hollow Rock String Band [Phillips]; Greg Canote (Seattle) [Silberberg].
 |f_printed_sources=Phillips ('''Traditional American Fiddle Tunes, vol. 2'''), 1995; p. 140. Reiner & Anick ('''Anthology of Fiddle Styles'''), 1989; p. 104. Silberberg ('''Tunes I Learned at Tractor Tavern'''), 2002; p. 157.