Annotation:Taste da Green: Difference between revisions
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|f_source_for_notated_version=Arthur Peterson (Shetland) [Anderson & Georgeson]. | |f_source_for_notated_version=Arthur Peterson (Shetland) [Anderson & Georgeson]. | ||
|f_printed_sources=Anderson & Georgeson ('''Da Mirrie Dancers'''), 1970; p. 23. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 221. | |f_printed_sources=Anderson & Georgeson ('''Da Mirrie Dancers'''), 1970; p. 23. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 221. | ||
|f_recorded_sources=Folktrax FTX 068, Peter Scollay -"Da Mirrie Boys" (various artists, recorded in | |f_recorded_sources=Folktrax FTX 068, Peter Scollay -"Da Mirrie Boys" (1978. various artists, recorded in 1951-52 by Pat Shaw). Leader 2052, Da Forty Fiddlers - "Shetland Fiddlers" (1973).<span>Thule Records SNI214, Tom Anderson &Marjory Smith - "Shetland Fiddle Music" (n.d.). Topic Records12TS281, Tom Anderson, Aly Bain - "The Silver Bow: The Fiddle Music of Scotland" (1976).</span> | ||
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Revision as of 02:53, 16 July 2021
X:1 T:Taste da Green T:Aald Wife o Niddister, Da N:Transcribed from the playing of Peter Scollay, Burravoe, Shetland, N:recorded in the field in 1954 by Iain Maclean M:C| L:1/8 R:Reel D:https://www.tobarandualchais.co.uk/track/89467?l=en Z:Andrew Kuntz K:D |:AFAB de{g}f2|e-fdF E2E2|AFAB defg|fdec d2d2:| |:dfa2 fd{fg}f2|dfaf (e/f/e) e2| df a2 fdfa |fdec d2d2:|
X:1
T:Taste da Green
M:C
L:1/8
R:Reel
B:Anderson & Georgeson – Da Mirrie Dancers (1970, p. 23)
K:D
B|A2 (AB) defd|(3fff (eF) E2 EF|AFAB defd|cAdF D2D:|
|:f2a2 fd a2|(fd)gf e2e2|dfaf df a2|(fd)ef d2d:|]
TASTE DA GREEN. AKA and see "Aald Wife O Niddister (Da)." Shetland, Shetland Reel. D Major. Standard tuning (fiddle). AABB. This reel celebrates the coming of spring, when sheep could again graze off the new grass of the meadows. A variant of the tune was also found on Yell, Shetland, though with the parts reversed. The tune was collected by folklorist, musician and choreographer Pat Shaw from the playing of fiddler Peter Scollay in Shetland, in a field recording from the early 1950's. The tune is described (on the Folktrax issue of Shaw's recordings) as "a triple time reel."
