Cock a Bendie (2): Difference between revisions

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B/<B/a g>f|a/g/f/e/ d>f|e/f/g/e/ f/g/a/f/|g/f/e/d/ e/g/f/a/||
B/<B/a g>f|a/g/f/e/ d>f|e/f/g/e/ f/g/a/f/|g/f/e/d/ e/g/f/a/||
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B|Oc>BA>G A<c E2|G>AG>E G2 (GA/B/)|c>BA>G A<c E2|
B|Oc>BA>G A<c E2|G>AG>E G2 (GA/B/)|c>BA>G A<c E2|D<DE>G (A2A):|
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Revision as of 23:17, 25 July 2021


Cock a Bendie (2)  Click on the tune title to see or modify Cock a Bendie (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cock a Bendie (2)
Query the Archive
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 Theme code Index    1122 1161H
 Also known as    Cockabendie, Cawdor Fair, Hawthorne Tree of Cawdor
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Country Dance, March/Marche, Strathspey
 Key/Tonic of    A
 Accidental    NONE
 Mode    Aeolian (minor)
 Time signature    4/4
 History    
 Structure    AABB
 Editor/Compiler    David Young
 Book/Manuscript title    Book:Bodleian Manuscript
 Tune and/or Page number    p. 32
 Year of publication/Date of MS    1740
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



Cock a Bendie (2): Annotations

X:0 T: No Score C: The Traditional Tune Archive M: K: x


X:1 T:Cockabendie M:2/4 L:1/8 R:Pipe March B:William Ross -- Ross's Collection of Pipe Music (1869, No. 106, p. 99) Z:AK/Fiddler's Companion K:Emin f|g>f e>d|(3efg B>c|d>e e/d/c/B/|d2 de/f/| g>f e>d|(3efg B>a|AA/A/ Bd|e2e:| g|dg g2|dg g>f|ea a>g|a2 g<a| B/f|a/g/f/e/ d>f|e/f/g/e/ f/g/a/f/| g2 ge| dg g2|d>g g>f|e>a a>g|a2 g<a| B/f|a/g/f/e/ d>f|e/f/g/e/ f/g/a/f/|g/f/e/d/ e/g/f/a/||


X:1 T:Cock o’ Bendy M:C L:1/8 R:Strathspey B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 4) Z:AK/Fiddler’s Companion K:Amin B|Oc>BA>G A<c E2|G>AG>E G2 (GA/B/)|c>BA>G A<c E2|D<DE>G (A2A):|

z|G<c c2 G<c ~c2|A

c d2 (d>e)|c>de<a (g>e)(d>e)|(c>A){c}(B>G) A2A2| G<c c2 C<c ~c2|A
c d2 (d>f)|e>d(c>B) (c>B)A>G|(3ABc (3Bcd (3cBA (3GABO||"Last"A<cB>d c2c2||

Cock a Bendie (2): Annotations

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