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<section begin=abc />
<section begin=abc />
X: 1
T:Czar of Muscovy. (p).1701.PLFD1.430
M:6/4
L:1/4
Q:3/4=80
B:Playford, Dancing Master,11th Ed.,1701.
O:England;London
Z:Chris Partington <www.cpartington.plus>
K:Fm
AF2f2F|A2BcBA|GE2e2E|G2ABAG|AF2f2F|
A2B(cB)A|e3g2e|gaba2g|af2a2g|
fe=defg|=BG2g2=d|efgc=de|=BG2=d2F|
EGcDc=B|1c3C2D|=EGcB>AG:|2c3C3||
g3c2g|aga=d=ef|=e3c2c|GABcBc|
=A3F2c|fefc=de|=d3B2f|babfga|
g3efg|aABB2A|A3A2g|acagcg|
fcf=ecg|acagcg|fcf=ece|fcfgcg|
acagcg|fcfgcg|acagcB|AcfGf=e|f6:|
<section end=abc />
<section begin=X3 />
X: 1
T: Czar of Muscovy
P: Longways for as many as will
%R: jig
B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709
S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.290-291 "C c 2"
Z: 2013 John Chambers <jc:trillian.mit.edu>
M: 6/4
L: 1/4
%K: Fm
F:http://www.john-chambers.us/~jc/music/book/JohnWalsh/alltunes.abc 2021-07-31 012709 UT
K:_e_B_d_F_G % but this makes little sense.
N: Others have interpreted this tune as in F minor, which makes musical sense.
N: Walsh's accidentals are copied here exactly. Sharps are used to cancel flats, unlike modern notation.
% - - - - - - - - - - - - - - - - - - - - - - - - -
[|\
AF2 f2F | A2B cBA | GE2 e2E | G2A BAG |
AF2 f2F | A2(B cB)A | e3 g2e | gab a2g |
af2 a2g | fe"^#"d efg | B^G2 g2^d |
efg c^de | B^G2 d2F | EGc Dc^B |
(c3 C2D | "_1"^EGc B>AG | c3 C2) "_2"||
g3 c2g | aga d^ef | ^e3 c2c |GAB cBc |
^A3 F2c | fef c^de | d3 B2f |bab fga |
g3 efg | aAB B2A | A3 A2g |aca gcg | fcf ^ecg |
aca gcg | fcf ^ec^e | fcf gcg | aca gc^e |
fcf gcg | aca gcB | Acf Gf^e | f3- f3 |]
% - - - - - - - - - - - - - - - - - - - - - - - - -
%%begintext align
%% The first and second cu. fall back and turn single, all 4. set again and the two men lead through the two
%% women and turn twice, all 4. fall back and set, and turn single; then all 4. fall back again, then the we.
%% do the same; the first man and woman take hands and set to the second man and turn single, set again
%% and all 3. go the Hey once; then take hands again and set to the 2d. woman. and turn single, set again
%% and go the Hey into their own places, and slip down the middle into the second couples places.
%% [DMDfD]
%%endtext
%%sep 1 8 500
<section end=X3 />
<section begin=X6 />
X:1
X:1
T:Czar of Muscovy
T:Czar of Muscovy
Line 42: Line 100:
|:A|d>e d/e/d/e/ fd d(f/e/)|dAAG TFE/F/ DA|dd/d/ dc TB2 zB|ee/e/ ed Tc2 zc|
|:A|d>e d/e/d/e/ fd d(f/e/)|dAAG TFE/F/ DA|dd/d/ dc TB2 zB|ee/e/ ed Tc2 zc|
ff/f/ fd g2 zf|e/d/c/B/ A/G/F/E/ D2 zA|cc/c/ ce AA/A/ AA|d/c/B e/d/c f/e/d g/f/e|a/g/f/g/ Te>d d3:|
ff/f/ fd g2 zf|e/d/c/B/ A/G/F/E/ D2 zA|cc/c/ ce AA/A/ AA|d/c/B e/d/c f/e/d g/f/e|a/g/f/g/ Te>d d3:|
<section end=abc />
<section end=X6 />
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
<section begin=X1 />
<section begin=X1 />

Revision as of 02:29, 31 July 2021


Czar's March  Click on the tune title to see or modify Czar's March's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Czar's March
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 Theme code Index    1H1H55 3315
 Also known as    Czar of Muscovy
 Composer/Core Source    David Young
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/2
 History    
 Structure    AABB
 Editor/Compiler    David Young
 Book/Manuscript title    Book:The MacFarlane Manuscript
 Tune and/or Page number    pp. 284-285
 Year of publication/Date of MS    c. 1740
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   


Czar's March: Annotation

X: 1 T:Czar of Muscovy. (p).1701.PLFD1.430 M:6/4 L:1/4 Q:3/4=80 B:Playford, Dancing Master,11th Ed.,1701. O:England;London Z:Chris Partington <www.cpartington.plus> K:Fm AF2f2F|A2BcBA|GE2e2E|G2ABAG|AF2f2F| A2B(cB)A|e3g2e|gaba2g|af2a2g| fe=defg|=BG2g2=d|efgc=de|=BG2=d2F| EGcDc=B|1c3C2D|=EGcB>AG:|2c3C3|| g3c2g|aga=d=ef|=e3c2c|GABcBc| =A3F2c|fefc=de|=d3B2f|babfga| g3efg|aABB2A|A3A2g|acagcg| fcf=ecg|acagcg|fcf=ece|fcfgcg| acagcg|fcfgcg|acagcB|AcfGf=e|f6:|

X: 1 T: Czar of Muscovy P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.290-291 "C c 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 %K: Fm F:http://www.john-chambers.us/~jc/music/book/JohnWalsh/alltunes.abc 2021-07-31 012709 UT K:_e_B_d_F_G % but this makes little sense. N: Others have interpreted this tune as in F minor, which makes musical sense. N: Walsh's accidentals are copied here exactly. Sharps are used to cancel flats, unlike modern notation. % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ AF2 f2F | A2B cBA | GE2 e2E | G2A BAG | AF2 f2F | A2(B cB)A | e3 g2e | gab a2g | af2 a2g | fe"^#"d efg | B^G2 g2^d | efg c^de | B^G2 d2F | EGc Dc^B | (c3 C2D | "_1"^EGc B>AG | c3 C2) "_2"|| g3 c2g | aga d^ef | ^e3 c2c |GAB cBc | ^A3 F2c | fef c^de | d3 B2f |bab fga | g3 efg | aAB B2A | A3 A2g |aca gcg | fcf ^ecg | aca gcg | fcf ^ec^e | fcf gcg | aca gc^e | fcf gcg | aca gcB | Acf Gf^e | f3- f3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first and second cu. fall back and turn single, all 4. set again and the two men lead through the two %% women and turn twice, all 4. fall back and set, and turn single; then all 4. fall back again, then the we. %% do the same; the first man and woman take hands and set to the second man and turn single, set again %% and all 3. go the Hey once; then take hands again and set to the 2d. woman. and turn single, set again %% and go the Hey into their own places, and slip down the middle into the second couples places. %% [DMDfD] %%endtext %%sep 1 8 500

X:1 T:Czar of Muscovy B:David Young - The MacFarlane Manuscript (c. 1740, No. 243, pp. 284-285) M:C| L:1/8 K:D A|dd/d/ dd AA/A/ AA|FF/F/ FF D/E/F/G/ A>d|BB/B/ B(e/d/) Tc>B Ad|B/c/d/e/ Tc>d d2:| |:A|d>e d/e/d/e/ fd d(f/e/)|dAAG TFE/F/ DA|dd/d/ dc TB2 zB|ee/e/ ed Tc2 zc| ff/f/ fd g2 zf|e/d/c/B/ A/G/F/E/ D2 zA|cc/c/ ce AA/A/ AA|d/c/B e/d/c f/e/d g/f/e|a/g/f/g/ Te>d d3:|

Czar's March: Annotation

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