Annotation:Weel may the Keel Row: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''WEEL MAY THE KEEL ROW (THAT MY LAD'S IN).''' AKA and see “[[Johnny When You Die (2)]],” "[[Keel Row (The)]]." Scottish, English; Reel and Air. England, Northumberland/Durham. D Major (Cole, Jones): A Major (Howe) . Standard tuning (fiddle). AB (Cole, Howe, Ryan): AAB (Jones). According to William Bradbury Ryan ('''Ryan’s Mammoth Collection''', 1883), this is the “original version” of the “[[Keel Row (The)]],” a tune also included in the collection (p. 47), however "Weel may the Keel Row" has a different second strain. The melody appears in James Johnson's '''McLean Collection''', printed in Edinburgh in 1772, which may be the earliest extent version. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800. Words to the song were first printed by Joseph Ritson (1752–1803) in his '''Northumberland Garland''' (1810); a two-stanza version. Three stanzas (the first two the same as those given by Ritson) were printed by Robert Topliff in his ''' Selection of the most popular melodies of the Tyne and the Wear consisting of 24 original airs peculiar to the counties of Durham and Northumberland''' (c. 1815) and go: | |||
|f_annotation='''WEEL MAY THE KEEL ROW (THAT MY LAD'S IN).''' AKA and see “[[Johnny When You Die (2)]],” "[[Keel Row (The)]]." Scottish, English; Reel and Air. England, Northumberland. D Major (Cole, Jones): A Major (Howe) . Standard tuning (fiddle). AB (Cole, Howe, Ryan): AAB (Jones). According to William Bradbury Ryan ('''Ryan’s Mammoth Collection''', 1883), this is the “original version” of the “[[Keel Row (The)]],” a tune also included in the collection (p. 47), however "Weel may the Keel Row" has a different second strain. The melody appears in James Johnson's '''McLean Collection''', printed in Edinburgh in 1772, which may be the earliest extent version. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800. Words to the song were first printed by Joseph Ritson (1752–1803) in his '''Northumberland Garland''' (1810); a two-stanza version. Three stanzas (the first two the same as those given by Ritson) were printed by Robert Topliff in his ''' Selection of the most popular melodies of the Tyne and the Wear consisting of 24 original airs peculiar to the counties of Durham and Northumberland''' (c. 1815) and go: | |||
''As I cam thro' Sandgate, thro' Sandgate, thro' Sandgate,''<br> | : | ||
''As I cam thro' Sandgate, I heard a lassie sing,''<br> | ''As I cam thro' Sandgate, thro' Sandgate, thro' Sandgate,''<br /> | ||
''Weel may the keel row, the keel row, the keel row,''<br> | ''As I cam thro' Sandgate, I heard a lassie sing,''<br /> | ||
''Weel may the keel row that my laddie's in.''<br> | ''Weel may the keel row, the keel row, the keel row,''<br /> | ||
<br> | ''Weel may the keel row that my laddie's in.''<br /> | ||
''He wears a blue bonnet, blue bonnet, blue bonnet,''<br> | <br /> | ||
''He wears a blue bonnet, a dimple in his chin:''<br> | ''He wears a blue bonnet, blue bonnet, blue bonnet,''<br /> | ||
''And weel may the keel row, the keel row, the keel row,''<br> | ''He wears a blue bonnet, a dimple in his chin:''<br /> | ||
''And weel may the keel row that my laddie's in.''<br> | ''And weel may the keel row, the keel row, the keel row,''<br /> | ||
<br> | ''And weel may the keel row that my laddie's in.''<br /> | ||
''My lad's ower bonnie ower canny ower bonnie,''<br> | <br /> | ||
''My lads ower canny for the coal trade;''<br> | ''My lad's ower bonnie ower canny ower bonnie,''<br /> | ||
''He's fitter for a merchant, a merchant, a merchant,''<br> | ''My lads ower canny for the coal trade;''<br /> | ||
''He's fitter for a merchant than a man of war's blade.''<br | ''He's fitter for a merchant, a merchant, a merchant,''<br /> | ||
''He's fitter for a merchant than a man of war's blade.''<br /> | |||
|f_printed_sources=Anderson ('''Anderson's Budget of Strathspeys, Reels & Country Dances'''), c. 1820; p. 4. | |f_printed_sources=Anderson ('''Anderson's Budget of Strathspeys, Reels & Country Dances'''), c. 1820; p. 4. | ||
Cole ('''1000 Fiddle Tunes'''), 1940; p. 46. | Cole ('''1000 Fiddle Tunes'''), 1940; p. 46. | ||
| Line 25: | Line 23: | ||
Jones [Ed.] ('''Complete Tutor Violin'''), c. 1815; p. 11. | Jones [Ed.] ('''Complete Tutor Violin'''), c. 1815; p. 11. | ||
'''Ryan's Mammoth Collection''', 1883; p. 90. | '''Ryan's Mammoth Collection''', 1883; p. 90. | ||
| | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Weel_may_the_Keel_Row > | ||
}} | }} | ||
---------- | |||
------------- | ------------- | ||
Revision as of 22:56, 20 August 2021
X:1 T:Weel may the Keel row. a Reel. R:reel M:C| L:1/8 B:Complete Tutor Violin (c. 1815) Z:Dr. Evan Jones, 2005 K:D a | fddf g2 (ea) | f2 (ef) e2 (ce) | fd d/d/d g2 (eg) | fdec d2 d :|| g | faad' b2 (gb) | {g}f2 (df) e2 (ce) |faad' b2 (gb) | fdec d2 (dg) | fa-ad' b2 (gb) | f2 (df) e2 (ce) | faad' bd'ab | fdec d2 d |]
WEEL MAY THE KEEL ROW (THAT MY LAD'S IN). AKA and see “Johnny When You Die (2),” "Keel Row (The)." Scottish, English; Reel and Air. England, Northumberland/Durham. D Major (Cole, Jones): A Major (Howe) . Standard tuning (fiddle). AB (Cole, Howe, Ryan): AAB (Jones). According to William Bradbury Ryan (Ryan’s Mammoth Collection, 1883), this is the “original version” of the “Keel Row (The),” a tune also included in the collection (p. 47), however "Weel may the Keel Row" has a different second strain. The melody appears in James Johnson's McLean Collection, printed in Edinburgh in 1772, which may be the earliest extent version. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800. Words to the song were first printed by Joseph Ritson (1752–1803) in his Northumberland Garland (1810); a two-stanza version. Three stanzas (the first two the same as those given by Ritson) were printed by Robert Topliff in his Selection of the most popular melodies of the Tyne and the Wear consisting of 24 original airs peculiar to the counties of Durham and Northumberland (c. 1815) and go:
As I cam thro' Sandgate, thro' Sandgate, thro' Sandgate,
As I cam thro' Sandgate, I heard a lassie sing,
Weel may the keel row, the keel row, the keel row,
Weel may the keel row that my laddie's in.
He wears a blue bonnet, blue bonnet, blue bonnet,
He wears a blue bonnet, a dimple in his chin:
And weel may the keel row, the keel row, the keel row,
And weel may the keel row that my laddie's in.
My lad's ower bonnie ower canny ower bonnie,
My lads ower canny for the coal trade;
He's fitter for a merchant, a merchant, a merchant,
He's fitter for a merchant than a man of war's blade.
