Annotation:Two of a Kind: Difference between revisions
(Created page with "{{TuneAnnotation |f_annotation=S |f_source_for_notated_version=S |f_printed_sources=S |f_recorded_sources=S |f_see_also_listing=S }}") |
No edit summary |
||
| Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation= | |f_annotation='''TWO OF A KIND.''' American, "Stop Jig" (2/4 time). G Major. Standard tuning (fiddle). AABB. "Two of a Kind" is categorized as a "stop jig", a combination of two dance elements of late 19th solo dancing, often for the stage. A "straight jig" is a type of syncopated duple-time reel, akin to a schottische, used as a vehicle for solo dancing (often for the stage). It became a fashion for a time to build in 'stops' in dances where the movements ceased altogether for a short period of time and dancers hesitated or even stood frozen in place, before the music and dance commenced again a beat or two later. | ||
| | |f_printed_sources=A.S. Bowman ('''J.W. Pepper Collection of Five Hundred Reels, Jigs, etc.'''), Phila., 1908; No. 21, p. 7. | ||
| | |f_see_also_listing=See/hear Duke Univ. Professor Thomas F. DeFrantz explain some of the late 19th century dances at youtube.com [https://www.youtube.com/watch?v=A34OD4eA17o&t=17s]<br> | ||
}} | }} | ||
Revision as of 11:38, 25 August 2021
X:1 T:Two of a Kind Stop Jig M:2/4 L:1/8 R:Reel B:A.S. Bowman – “J.W. Pepper Collection of Five Hundred Reels, Jigs, B:etc.” (Phila., 1908, No. 21, p. 7) Z:AK/Fiddler’s Companion K:G D|G4-|G/F/E/F/ GD|G4-|G/A/B/G/ A/B/c/A/|G4-| G/F/E/F/ G/A/B/c/|d z z2|z [Af]>[Bg]:| |:d|g>f e/d/B/c/|d/e/d/B/ d>B|A/BG/ E/FD/|G/A/B/c/ A/d/e/f/| g>f e/d/B/d/|c/E/G/c/ e_e|d z z2|z/G/A/B/ G:|
TWO OF A KIND. American, "Stop Jig" (2/4 time). G Major. Standard tuning (fiddle). AABB. "Two of a Kind" is categorized as a "stop jig", a combination of two dance elements of late 19th solo dancing, often for the stage. A "straight jig" is a type of syncopated duple-time reel, akin to a schottische, used as a vehicle for solo dancing (often for the stage). It became a fashion for a time to build in 'stops' in dances where the movements ceased altogether for a short period of time and dancers hesitated or even stood frozen in place, before the music and dance commenced again a beat or two later.
