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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''LAWN, THE.'''  American, Stop Jig (2/4 time).  F Major. Standard tuning (fiddle). AABB. A 'stop jig' was a kind of duple time, syncopated dance tune akin to a schottishe (or sometimes a reel). It was meant as a vehicle for a solo dance that featured hesitations or stops in the dance movements as the music paused.
|f_annotation='''LAWN, THE.'''  American, Stop Jig (2/4 time).  F Major. Standard tuning (fiddle). AABB. A 'jig' dance (sometimes called a 'straight jig') is a latter 19th century duple-time, syncopated, dance tune meant as a vehicle for solo dancing in which the dancer was free to impress with his or her best combination of steps and movement. The 'stop' of the stop jig was the insertion of rests or tacits in the music, that could either be performed by the dancer as 'hesitations' in the dance or short showcases for a movements (the short musical silence having the effect of directing attention to the dance).
|f_printed_sources=A.S. Bowman ('''J.W. Pepper Collection of Five Hundred Reels, Jigs, etc.'''), Phila., 1908; No. 51, p. 13.
|f_printed_sources=A.S. Bowman ('''J.W. Pepper Collection of Five Hundred Reels, Jigs, etc.'''), Phila., 1908; No. 51, p. 13.
}}
}}

Latest revision as of 21:22, 27 August 2021


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X:1 T:Lawn, The. Stop Jig M:2/4 L:1/8 R:Reel B:A.S. Bowman – “J.W. Pepper Collection of Five Hundred Reels, Jigs, B:etc.” (Phila., 1908, No. 51, p. 13) Z:AK/Fiddler’s Companion K:F C|F3 A/c/|f3 d/e/|(f/d/) z/f/ (c/A/) z/ c/|d/c/A/c/ B/G/D/E/| F3 A/c/|(f/g/)a/g/ f/d/c/A/|Fz z2 |z/ A/G/E/ F:| |:a|c' z z f|a z z g/a/|(b/a/)g/f/ (e/f/)g/f/|ecde| (f/e/)f/g/ (a/g/)f/d/|(c/=B/)c/d/ (c/A/)F/D/|C z z2|z [Be][Af]:|]



LAWN, THE. American, Stop Jig (2/4 time). F Major. Standard tuning (fiddle). AABB. A 'jig' dance (sometimes called a 'straight jig') is a latter 19th century duple-time, syncopated, dance tune meant as a vehicle for solo dancing in which the dancer was free to impress with his or her best combination of steps and movement. The 'stop' of the stop jig was the insertion of rests or tacits in the music, that could either be performed by the dancer as 'hesitations' in the dance or short showcases for a movements (the short musical silence having the effect of directing attention to the dance).


Additional notes



Printed sources : - A.S. Bowman (J.W. Pepper Collection of Five Hundred Reels, Jigs, etc.), Phila., 1908; No. 51, p. 13.






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