Bonaparte's Retreat (1): Difference between revisions

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d2 d/e/f d2AB/c/|d>BAF D2D2|d2 d/e/f dBAd-|dBAF D2D2||
d2 d/e/f d2AB/c/|d>BAF D2D2|d2 d/e/f dBAd-|dBAF D2D2||
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(FE D2) (FE D2)|A,2  G2 (FED2)|E2-F2G2-F2|(E/F/ED2)  (E/F/ED2)|
(FE D2) (FE D2)|A,2  G2 (FED2)|E2-F2G2-F2|(E/F/ED2)  (E/F/ED2)|
A,2G2 (FE D2)|E2-F2 G2-F2|  (E/F/ED2) E2-F2 |D8-|SD4||
A,2G2 (FE D2)|E2-F2 G2-F2|  (E/F/ED2) E2-F2 |D8-|SD4||
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|:ABde dBAB|dedB FG[D2A2]|dAde dBAG |1FDEF D2D2:|2 FDEF D2[A2d2]||
|:ABde dBAB|dedB FG[D2A2]|dAde dBAG |1FDEF D2D2:|2 FDEF D2[A2d2]||
|:defd adfd|edef gfef|defg adfd|edef d2d2:|]
|:defd adfd|edef gfef|defg adfd|edef d2d2:|]
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d4)A2B2|d2{e}dB A2F2|(E/F/E) D2A2B2|d4 {e}d2(f/e/d)|
d4)A2B2|d2{e}dB A2F2|(E/F/E) D2A2B2|d4 {e}d2(f/e/d)|
f4 A2B2|d2dB A2F2|(E/F/E) D2 F2(E/F/E)|[M:2/4]D4||
f4 A2B2|d2dB A2F2|(E/F/E) D2 F2(E/F/E)|[M:2/4]D4||
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|:DF|[M:C|]A2FE FEDF|A2 FE FEDF|E2DF EDEF|G2 FE FEDF|
|:DF|[M:C|]A2FE FEDF|A2 FE FEDF|E2DF EDEF|G2 FE FEDF|
A2FE FEDF|A2 FE FEDF|1[M:3/4]E2G2F2|D4:|2[M:3/4]E2G2F2|[M:5/4]D6A2 BcS:|
A2FE FEDF|A2 FE FEDF|1[M:3/4]E2G2F2|D4:|2[M:3/4]E2G2F2|[M:5/4]D6A2 BcS:|
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(d3e d2)B(c|dB)A(F ED)FD|Bdde dBAB|dBAF (3EFE (DE||
(d3e d2)B(c|dB)A(F ED)FD|Bdde dBAB|dBAF (3EFE (DE||
FDFD) A(DFD)|EDEF GFED|F(DFD) A(DFD)|1(EDE)(F D2)DE:|2(EDE)(F D2)[D2A2]||
FDFD) A(DFD)|EDEF GFED|F(DFD) A(DFD)|1(EDE)(F D2)DE:|2(EDE)(F D2)[D2A2]||
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"+"d2"+"A2"+"D2D2-|DFED F4| "+"d2"+"A2"+"D2 F2-|FD+slide+F-E D4|  
"+"d2"+"A2"+"D2D2-|DFED F4| "+"d2"+"A2"+"D2 F2-|FD+slide+F-E D4|  
"+"d2"+"A2"+"D2 A2-|AdBG A4|"+"d2"+"A2"+"D2 A2|F3D +slide+F-E D2||
"+"d2"+"A2"+"D2 A2-|AdBG A4|"+"d2"+"A2"+"D2 A2|F3D +slide+F-E D2||
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P:Subsitutions
P:Subsitutions
"*"A2B2|c-d-d2 d4|d4- dABc||"**".Fz.Fz .Fz.F.z|.Az.Fz (E/F/E) DF|.Ez.Ez .Ez.Ez |.Gz.Fz (E/F/E)|
"*"A2B2|c-d-d2 d4|d4- dABc||"**".Fz.Fz .Fz.F.z|.Az.Fz (E/F/E) DF|.Ez.Ez .Ez.Ez |.Gz.Fz (E/F/E)|
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M:2/4
M:2/4
B4- | B4 | d2 f>e | d/e/d/B/ AB/c/ | d>B AF | ED F>E | D4- | D4 :||
B4- | B4 | d2 f>e | d/e/d/B/ AB/c/ | d>B AF | ED F>E | D4- | D4 :||
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Revision as of 02:48, 10 November 2021


Bonaparte's Retreat (1)  Click on the tune title to see or modify Bonaparte's Retreat (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bonaparte's Retreat (1)
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 Theme code Index    3352 2242
 Also known as    Napoleon's Retreat
 Composer/Core Source    
 Region    United States
 Genre/Style    Old-Time, Texas/Oklahoma
 Meter/Rhythm    March/Marche, Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    USA(Upland South), USA(Piedmont), USA(Southeast), USA(Deep South), USA(Central), USA(Mid Atlantic), USA(Southwest)
 Structure    AABBCCDD
 Editor/Compiler    Biography:Ira Ford
 Book/Manuscript title    Book:Traditional Music in America
 Tune and/or Page number    p. 129
 Year of publication/Date of MS    1940
 Artist    A.A. Gray
 Title of recording    
 Record label/Catalogue nr.    Okeh 40110 (78 RPM)
 Year recorded    1924
 Media    
 Score   (1)   



Bonaparte's Retreat (1): Annotations

X:1 T:Bonaparte's Retreat [1] M:C L:1/8 Q:"Andante" N:DDAd tuning N:Drone strings throughout. B:Ford - Traditional Music in America (1940) Z:AK/Fiddler's Companion K:D [G,2D2] [G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]:| "accelerando"(3A/B/c/|d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d[D2A2]|(FD) (EF) (GF) (EF)| [G,D][G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]z2|| (3A/B/c/|[G,2D2]d>"poco"f d2 (3A/B/c/|[G,D]>B (AG) (FD) "poco"(3A/B/c/|[G,2D2]|d>f d2A2|(F>D) (EF) (GF) (EF)| [G,2D2][GD]F [D2A2]F2|"Piu moto"(ED) (EF) (GF) (EF)|[G,2D2] {G,D]F [D2A2]F2|(ED) (EF) [G,4D4]|"Coda"[A8e8]|| M:2/4 L:1/8 "Allegro"(g/e/g/e/ bg|g/e/f/g/ a/g/f)|(g/e/g/e/ bg|1 f/e/f/g/ [A2e2]):| |2f/e/f/g/ [Ae](3A/B/c/||"Allegretto"d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d2A2|(FD) (EF) (GF) (EF)|


X:1 T:Bonaparte's Retreat S:Marcus Martin (1881-1974, Macon and Buncombe Counties, western N.C.) M:C| L:1/8 R:Reel Q:Moderately quick, but not too fast N:DDad tuning (fiddle) N:Drone strings throughout N:Martin varies strains by playing an octave above. D:Library of Congress, AFS (1942) F:https://www.slippery-hill.com/recording/bonapartes-retreat-30 Z:Transcribe by Andrew Kuntz K:G D,2|{E}F2{E}F2 AFDF|EDEF GFED|F2F2 AFDF|EDEF D2D2| D,2|{E}F2{E}F2 AFDF|EDEF GFED|F2F2 AFDF|EDEF D2D2|| d2 d/e/f d2AB/c/|d>BAF D2D2|d2 d/e/f dBAd-|dBAF D2D2||


X:1


X:1 T:Bonaparte's Retreat N:From the playing of the north Georgia group The Skillet Lickers, M:C| L:1/8 Q:"Moderately Quick" N:Played in standard fiddle tuning, not the usual DDad used for this piece. N:The grace notes and trills (e.g. 2nd & 3rd measures) are variously timed N:each repeat, and are meant to imitate bagpipes. D:Columbia 15485-D (78 RPM), The Skillet Lickers (1929) D:Document DOCD 8059, "Skillet Lickers: Complete Recorded Works vol. 4" (2000) D:https://www.slippery-hill.com/recording/hell-broke-loose-georgia Z:Transcribed by Andrew Kuntz K:D SA2B-c|d4{c}d4|{c}d4 ((3BcB) (c/B/c/B/)| A-B2c/B/ A2([FA]E)|([FA]ED6-)|D8| D4 A2 B-c|d4 {c}d4|{c}d4 (B<c) (B/c/B)|A8-|A4 A2B-c| d4{c}d4|{c}d4 ((3BcB) (c/B/c/B/)| A-B2c/B/ A2([FA]E)|([FA]ED6) (FE D2) (FE D2)|A,2 G2 (FED2)|E2-F2G2-F2|(E/F/ED2) (E/F/ED2)| A,2G2 (FE D2)|E2-F2 G2-F2| (E/F/ED2) E2-F2 |D8-|SD4||


X:1 T:Bonaparte's Retreat [1] S:Howard L. Maxey (1882-1947, Ferrum, Franklin County, southwest Virginia) M:C| L:1/8 N:Drone liberally throughout. N:GDad tuning (fiddle) F:https://www.slippery-hill.com/recording/bonapartes-retreat-4 D:Library of Congress, AFS 02742 B01, Howard L. Maxey (1939) Z:Transcribed by Andrew Kuntz K:D [D2A2]|:ABde dBAB|dedB FG[D2A2]|d2 de dBAG |FDEF D2D2:|| |:DEFD ADFD|EDEF GFEF|DEFD ADFD|EDEF D2D2:| |:ABde dBAB|dedB FG[D2A2]|dAde dBAG |1FDEF D2D2:|2 FDEF D2[A2d2]|| |:defd adfd|edef gfef|defg adfd|edef d2d2:|]


X:1 T:Bonaparte's Retreat [1] S:Oscar "Os" Scholes (1891-1984, Mountain View, Arkansas) M:C| L:1/8 R:Air/Listening piece N:Scholes adopts the frequent fiddler's practice of starting the tune N:slow, then speeding up each time around. N:DDad tuning (fiddle) D:Os Scholes - The Fiddlers at Stone County, Arkansas, vol. 1 F:https://www.slippery-hill.com/recording/bonapartes-retreat-old-0 Z:Transcribed by Andrew Kuntz K:D F2D2F2D2|A2F2 (E/F/E)D2|E2D2E2F2|G2F2 (E/F/E) D2| F2D2F2D2|A2F2 (E/F/E)D2|F2 (E/F/E) D4|A2D2F2D2| A2F2 (E/F/E)D2|E2D2E2F2|G2F2 E2 D2| A2D2F2D2| A2F2 (E/F/E) D2|F2(E/F/E) D4|[M:2/4]A2B2||[M:C|]d4d2(fe| d4)A2B2|d2{e}dB A2F2|(E/F/E) D2A2B2|d4 {e}d2(f/e/d)| f4 A2B2|d2dB A2F2|(E/F/E) D2 F2(E/F/E)|[M:2/4]D4||


X:1 T:Napoleon's Retreat T:Bonaparte's Retreat [1] N:From the playing of John Morgan Salyer (1882-1952, Salyersville, Magoffin County, eastern Ky.) M:C| L:1/8 R:Reel N:DDad tuning (fiddle) D:Appalachian Center AC003, John Salyer - "Home Recordings 1941-42, vol. 2" (1993) D:Berea Sound Archives https://soundarchives.berea.edu/items/show/4232 Z:Transcribed by Andrew Kuntz K:D A2Bc||Sd2dcd2f2|d4 A2 Bc|d3BA2F2|[M:5/4](E/F/E) D4A2Bc| [M:C|]d2dcd2f2|d4F3E|(3DEF E-D-D3|| f||:a2fe- fedf|a2 fe- fedf|e2df ede-f|g2f-e f-edf| a2fe- fedf|a2 fe- fedf|1[M:3/4]e2g2 f2|e4fg:|2 [M:3/4]e2g2f2|[M:5/4]e6 A2 Bc|| [M:C|]d2dcd2f2|d4 A2 Bc|d3BA2F2|[M:5/4](E/F/E) D4A2Bc| [M:C|]d2dcd2f2|d4F3E|(3DEF E-D-D3|| |:DF|[M:C|]A2FE FEDF|A2 FE FEDF|E2DF EDEF|G2 FE FEDF| A2FE FEDF|A2 FE FEDF|1[M:3/4]E2G2F2|D4:|2[M:3/4]E2G2F2|[M:5/4]D6A2 BcS:|


X:1 T:Bonaparte's Retreat [1] M:C| L:1/8 R:Reel N:DDad tuning N:Based on W.H. Stepp's (Ky.) version F:https://www.oldtownschool.org/fiddle/fun/bonnepartsretreat_slow7299.mp3 Z:Transcribed by Andrew Kuntz K:D (d3e d2)B(c|dB)A(F ED)FD|Bdde dBAB|dBAF (3EFE Dd-| (d3e d2)B(c|dB)A(F ED)FD|Bdde dBAB|dBAF (3EFE (DE|| FDFD) A(DFD)|EDEF GFED|F(DFD) A(DFD)|1(EDE)(F D2)DE:|2(EDE)(F D2)[D2A2]||


X:1 T:Bonaparte's Retreat S:Oscar Wright (1894-1978?, Princeton, Mercer County, W.Va.) M:C| L:1/8 D: N:DDad tuning (fiddle) N:Play ABCB. F:https://www.slippery-hill.com/recording/bonapartes-retreat-11 Z:Transcribed by Andrew Kuntz K:D A2Bc|d2de dBAB|d3B A2Bc|dedB A2F2|+slide+[A6A6]AB | A2A4Bc|d2 d3e (f/g/e)-|e2d4Bc|d2d3 e fg|a4 a4-| aA-A4 Bc|d2d2(=f^f2e)|dB A2 Bc(de|d)BA(=F ^F)EFE|D6|| DE|F2 DF (E/F/E) DD|A2F2 (E/F/E) D2-|DFED E-F2G|F4 (E/F/E) D-F| E-F-F2-F3E|D2A2 F>E (F>E)| D3F EDEF|(E/F/E) D2- D4|| "+"d2"+"A2"+"D2D2-|DFED F4| "+"d2"+"A2"+"D2 F2-|FD+slide+F-E D4| "+"d2"+"A2"+"D2 A2-|AdBG A4|"+"d2"+"A2"+"D2 A2|F3D +slide+F-E D2||


X:1 T:Bonaparte's Retreat N:From the playing of fiddler Earl Collins (1911-1975, Oklahoma and N:southern California, whose musical family had roots in Missouri). M:C| L:1/8 R:Reel N:DDadtuning (fiddle) Q:"Moderate" D:Library of Congress, AFS 14458, Earl Collins, 1970 (Dave Ricker Collection) D:https://www.slippery-hill.com/recording/bonapartes-retreat-14 Z:Transcribed by Andrew Kuntz K:D "*"A2B2|c-d-d2 de fe| d4-dABc| d2 (B/c/B) A2 F2 (E/F/E|D2) A2B2c2| c-d-d2 de fe| d4-dABc| d4 |=f2-^f2 d4|ABAF EF D2|| |:"**"F4- FEDF|A2F2 (E/F/E) DF|E4- EDEF|G2 F2 (E/F/E) D2| F4- FEDF|A2F2 (E/F/E) DF|E2G2F2E2|1D8:|2D4|| P:Subsitutions "*"A2B2|c-d-d2 d4|d4- dABc||"**".Fz.Fz .Fz.F.z|.Az.Fz (E/F/E) DF|.Ez.Ez .Ez.Ez |.Gz.Fz (E/F/E)|


X:1 T:Bonaparte's Retreat [1] D:Aly Bain/Phil Cunningham, The Ruby Z:Nigel Gatherer M:2/4 L:1/8 K:D F2 F/E/F/G/ | AF ED | E2 E/D/E/F/ | GF ED | F2 F/E/F/G/ | AF ED | EF/G/ FE | D4- | D4 :| d2 f>e | d/e/d/B/ AB/c/ | d>B AF | ED F>E | D4- | D4 :| F2 F/E/F/G/ | AF ED | E2 E/D/E/F/ | GF ED | F2 F/E/F/G/ | AF ED | EF/G/ FE | D4- | D4 :| d2 f>e | d/e/d/B/ AB/c/ | d>B AF|\ M:1/4 ED| M:2/4 B4- | B4 | d2 f>e | d/e/d/B/ AB/c/ | d>B AF | ED F>E | D4- | D4 :||


Bonaparte's Retreat (1): Annotations

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