Annotation:Jenny Picking Cockles (1): Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Jenny_Picking_Cockeles_(1) > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Jenny_Picking_Cockeles_(1) > | ||
|f_annotation='''JENNY PICKING COCKLES [1]''' (Sineidin ag togad brubanide). AKA and see "[[Heath and Furze]]," "[[Maggie Picking Cockels]]," "[[My Love is in America (3)]]," "[[Old Slipper Shoe (The | |f_annotation='''JENNY PICKING COCKLES [1]''' (Sineidin ag togad brubanide). AKA and see "[[Heath and Furze]]," "[[Maggie Picking Cockels]]," "[[My Love is in America (3)]]," "[[Old Slipper Shoe (The)]]." Irish, Reel (cut time). D Major (O'Neill/1850, Reidy): D Mixolydian (Flaherty, Kennedy, Mitchell, O'Neill/Krassen): D Dorian (Roche): G Major (Tubridy). Standard tuning (fiddle). AB (O'Neill, Roche, Tubridy): AAB (Kennedy): AABB (Flaherty): AA'BB'CC'DD' (Mitchell). See also similarly structured tunes "P.J. Conlon's," "[[Kitty in the Lane (1)]]," "[[Ballinafad Reel (1) (The)]]," "[[Sailor's Jacket (The)]]," "[[Come to Your Tay]]." The tonality of the versions of this popular reel range from major to mixolydian and dorian. Breathnach (1985) says it is closely related to "[[Johnny's Gone to France (1)]]." Caoimhin Mac Aoidh points out this tune is a variation of two parts of "[[Jenny's Welcome to Charlie]]" and has relationships to some strains of "[[College Grove (The)]]." The great compiler Francis O'Neill learned this tune from County Mayo piper James O'Brien, who visited Chicago (where O'Neill worked in the police department) in 1876. O'Neill describes him as "a neat, tasty Irish piper of the Connacht school of close players, and though his Union pipes were small, they were sweet and musical...One of his peculiarities--and an unpleasant one, occasionally--was a habit of stopping the music in order to indulge in conversation. He could not be induced to play a tune in full, when under the influence of stimulants, as his loquacity was uncontrollable, and he never hesitated under such conditions to express a passing sentiment. Amiable and harmless at all times, he died at a comparatively early age in Chicago, a victim to conviviality, his only weakness." However, in '''Music of Ireland''' he credits Chicago piper and police Sergeant James Early as the source for the tune.<br> | ||
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The basic melody is the same as that of the jig "[[Hag with the Money (The)]]" ("[[Cailleach an Airgead]]"). One might well speculate that the original two part song air became a dancing jig, was translated at some point into a two-part reel ("Jenny Picking Cockles") and later elaborated into a multi-part reel ("Jenny's Welcome to Charlie"). | The basic melody is the same as that of the jig "[[Hag with the Money (The)]]" ("[[Cailleach an Airgead]]"). One might well speculate that the original two part song air became a dancing jig, was translated at some point into a two-part reel ("Jenny Picking Cockles") and later elaborated into a multi-part reel ("Jenny's Welcome to Charlie"). |
Revision as of 22:38, 16 November 2021
X:1 T:Jeanie Picking Cockles T:Jenny Picking Cockles [1] M:C L:1/8 R:Reel S:”By Thomas Gallivan, Tralee, Co. Kerry.” S:P.D. Reidy music manuscript collection, London, 1890’s (No. 1) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:D Addc AGEF|GecA dBcB|Addc AGEF|(3GFE (cE) ED D2:| {e}f2 )fd e2 (ec)|dcAB c2 (de)|{e}f2 (fd) edcd|eaag (ed) d2| {e}f2 (fd) (3efg (ed)|cAAB cBcd|(3efg (ed) dcAB|cAGE (ED) D2||
JENNY PICKING COCKLES [1] (Sineidin ag togad brubanide). AKA and see "Heath and Furze," "Maggie Picking Cockels," "My Love is in America (3)," "Old Slipper Shoe (The)." Irish, Reel (cut time). D Major (O'Neill/1850, Reidy): D Mixolydian (Flaherty, Kennedy, Mitchell, O'Neill/Krassen): D Dorian (Roche): G Major (Tubridy). Standard tuning (fiddle). AB (O'Neill, Roche, Tubridy): AAB (Kennedy): AABB (Flaherty): AA'BB'CC'DD' (Mitchell). See also similarly structured tunes "P.J. Conlon's," "Kitty in the Lane (1)," "Ballinafad Reel (1) (The)," "Sailor's Jacket (The)," "Come to Your Tay." The tonality of the versions of this popular reel range from major to mixolydian and dorian. Breathnach (1985) says it is closely related to "Johnny's Gone to France (1)." Caoimhin Mac Aoidh points out this tune is a variation of two parts of "Jenny's Welcome to Charlie" and has relationships to some strains of "College Grove (The)." The great compiler Francis O'Neill learned this tune from County Mayo piper James O'Brien, who visited Chicago (where O'Neill worked in the police department) in 1876. O'Neill describes him as "a neat, tasty Irish piper of the Connacht school of close players, and though his Union pipes were small, they were sweet and musical...One of his peculiarities--and an unpleasant one, occasionally--was a habit of stopping the music in order to indulge in conversation. He could not be induced to play a tune in full, when under the influence of stimulants, as his loquacity was uncontrollable, and he never hesitated under such conditions to express a passing sentiment. Amiable and harmless at all times, he died at a comparatively early age in Chicago, a victim to conviviality, his only weakness." However, in Music of Ireland he credits Chicago piper and police Sergeant James Early as the source for the tune.
The basic melody is the same as that of the jig "Hag with the Money (The)" ("Cailleach an Airgead"). One might well speculate that the original two part song air became a dancing jig, was translated at some point into a two-part reel ("Jenny Picking Cockles") and later elaborated into a multi-part reel ("Jenny's Welcome to Charlie").