Annotation:Sonny's Mazurka: Difference between revisions
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|f_annotation='''SONNY'S MAZURKA'''. AKA - "Sonny Brogan." AKA and see "[[Brogan's]]," "[[Francie Mooney's Mazurka]]," "[[Garrett Barry's Mazurka]]," "[[Hag with the Fiddle (The)]]," "[[Hugh Gillespie's]]," "[[Johnny Doherty's]]," "[[Old Donegal Mazurka]]," "[[Sonny Brogan]]," "[[Vincent Campbell's]]." Irish, Mazurka (3/4 time). D Major. Standard tuning (fiddle). AABB (Johnson, Mallinson): AA'BB' (Brody): AABBC (Miller). "Sonny's Mazurka" is perhaps the most well-known of Irish mazurkas. Although there are a number of names it has has gone by, it is today still most often called after the County Dublin accordion player Sonny (Patrick Joseph) Brogan (1906-1965), originally from Prosperous, County Kildare<ref>"Sonny's Mazurka" was the name for the tune on the influential 1973 recording by the Chieftains. </ref>. Brogan made records in the 1930’s with The Lough Gill Quartet and was a member of Ceoltóirí Chualann under the direction of Seán Ó Riada. The tune can be found on the recording “The Pipering of Willie Clancy” under the title “[[Garrett Barry's Mazurka]],” named after the blind 19th century piper from Inagh, County Clare. There is also a recording of fiddler Michael Gorman playing the tune in the late 1960's, where it appears as the generic "The Polka-Mazurka"<ref>Topic TSCD 525D, Michael Gorman - "The Sligo Champion: The Fiddle Music of County Sligo" (2001). </ref>. | |f_annotation='''SONNY'S MAZURKA'''. AKA - "Sonny Brogan." AKA and see "[[Brogan's]]," "[[Donegal Mazurka (1)]]," "[[Francie Mooney's Mazurka (2)]]," "[[Garrett Barry's Mazurka]]," "[[Hag with the Fiddle (The)]]," "[[Hugh Gillespie's]]," "[[Johnny Doherty's]]," "[[Old Donegal Mazurka]]," "[[Sonny Brogan]]," "[[Vincent Campbell's]]." Irish, Mazurka (3/4 time). D Major. Standard tuning (fiddle). AABB (Johnson, Mallinson): AA'BB' (Brody): AABBC (Miller). "Sonny's Mazurka" is perhaps the most well-known of Irish mazurkas. Although there are a number of names it has has gone by, it is today still most often called after the County Dublin accordion player Sonny (Patrick Joseph) Brogan (1906-1965), originally from Prosperous, County Kildare<ref>"Sonny's Mazurka" was the name for the tune on the influential 1973 recording by the Chieftains. </ref>. Brogan made records in the 1930’s with The Lough Gill Quartet and was a member of Ceoltóirí Chualann under the direction of Seán Ó Riada. The tune can be found on the recording “The Pipering of Willie Clancy” under the title “[[Garrett Barry's Mazurka]],” named after the blind 19th century piper from Inagh, County Clare. There is also a recording of fiddler Michael Gorman playing the tune in the late 1960's, where it appears as the generic "The Polka-Mazurka"<ref>Topic TSCD 525D, Michael Gorman - "The Sligo Champion: The Fiddle Music of County Sligo" (2001). </ref>. | ||
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Johnson (1991) notes it makes a good vehicle for the Scandinavian couples dance called the hambo. | Johnson (1991) notes it makes a good vehicle for the Scandinavian couples dance called the hambo. | ||
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See also note for "[[annotation:Donegal Mazurka (1)]]" for more information. | |||
|f_source_for_notated_version=Delaware Water Gap (Brody) & Chieftains (Miller). | |f_source_for_notated_version=Delaware Water Gap (Brody) & Chieftains (Miller). | ||
|f_printed_sources=Brody ('''Fiddler’s Fakebook'''), 1983; p. 263. Bulmer & Sharpley ('''Music from Ireland, vol. 4'''), 1976, No. 90. Johnson ('''The Kitchen Musician’s Occasional: Waltz, Air and Misc. No. 1'''), 1991; p. 1. Mallinson ('''100 Enduring'''), 1995; No. 92, p. 38. Miller & Perron ('''Irish Traditional Fiddle Music, vol. 1'''), 1977; No. 8 (appears as "Sonny Brogan"). Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 153. Tubridy ('''Irish Traditional Music, vol. 1'''), 1999; p. 3. | |f_printed_sources=Brody ('''Fiddler’s Fakebook'''), 1983; p. 263. Bulmer & Sharpley ('''Music from Ireland, vol. 4'''), 1976, No. 90. Johnson ('''The Kitchen Musician’s Occasional: Waltz, Air and Misc. No. 1'''), 1991; p. 1. Mallinson ('''100 Enduring'''), 1995; No. 92, p. 38. Miller & Perron ('''Irish Traditional Fiddle Music, vol. 1'''), 1977; No. 8 (appears as "Sonny Brogan"). Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 153. Tubridy ('''Irish Traditional Music, vol. 1'''), 1999; p. 3. |
Revision as of 04:26, 24 November 2021
X:1 T:Sonny's Mazurka R:Mazurka Z:htkeays@syr.edu O:Ireland M:3/4 K:D P:D FG|\ A2 AG FA|d2 dA BA|G2 GB AG|FG EF DF| A2 AG FA|d2 dA BA|G2 Gg fe|d4:| de|f2 fa gf|e2 eg fe|d2 df ed|cd Bc Ad| f2 fa gf|e2 eg fe|dc df ec|d4:|]
SONNY'S MAZURKA. AKA - "Sonny Brogan." AKA and see "Brogan's," "Donegal Mazurka (1)," "Francie Mooney's Mazurka (2)," "Garrett Barry's Mazurka," "Hag with the Fiddle (The)," "Hugh Gillespie's," "Johnny Doherty's," "Old Donegal Mazurka," "Sonny Brogan," "Vincent Campbell's." Irish, Mazurka (3/4 time). D Major. Standard tuning (fiddle). AABB (Johnson, Mallinson): AA'BB' (Brody): AABBC (Miller). "Sonny's Mazurka" is perhaps the most well-known of Irish mazurkas. Although there are a number of names it has has gone by, it is today still most often called after the County Dublin accordion player Sonny (Patrick Joseph) Brogan (1906-1965), originally from Prosperous, County Kildare[1]. Brogan made records in the 1930’s with The Lough Gill Quartet and was a member of Ceoltóirí Chualann under the direction of Seán Ó Riada. The tune can be found on the recording “The Pipering of Willie Clancy” under the title “Garrett Barry's Mazurka,” named after the blind 19th century piper from Inagh, County Clare. There is also a recording of fiddler Michael Gorman playing the tune in the late 1960's, where it appears as the generic "The Polka-Mazurka"[2].
Caoimhin Mac Aoidh, quoted in Miller & Perron’s Irish Traditional Fiddle Music (2006), says: “The beat in a mazurka falls on the second and third elements of the bar unlike other forms of Irish music. This can be confirmed by watching the old traditional dancers, as they actually take off on those lead-in notes and batter the second and third beats. In this way, the first two notes (of “Sonny’s Mazurka”) are not introductory but actually part of the melody line.”
Johnson (1991) notes it makes a good vehicle for the Scandinavian couples dance called the hambo.
See also note for "annotation:Donegal Mazurka (1)" for more information.