Wind that Shakes the Barley (1) (The)

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X:1 T:Wind that Bloeth the Barley [1]. WI.011 M:C| L:1/8 Q:1/2=100 B:Wm Irwin, 1838 MS, AGG's Transcription R:.Reel O:England A:Lake District Z:vmp.Chris Partington.2005 K:D A2AB AFDA|B2BA BcdB|A2AB AFDA|gefd B2d2:| |:f2fd g2ge|f2fd eAce|f2fd g2gb|aged B2d2:|

X:1 T:Wind that Shakes the Barley, The M:C L:1/8 R:Reel B:Joseph Lowe - Lowe's Collection of Reels, Strathspeys and Jigs, B:book 1 (1844–1845, p. 6) Z:AK/Fiddler’s Companion K:D D|(FA)AB (AF)ED|(B2 {c}B)A B2d2|(FA)AB AFED|gfed B2d:| e|f2 fd g2 ge|f2 fd (Bc)de|f2 fd g2 gb|afed B2d2| f2 fd g2 ge|f2 fd Bcde|fafd gbge|gfed B2d||

X:2 T:Wind that shakes the Barley [1], The M:2/4 L:1/8 R:Reel B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 144, p. 66) Z:AK/Fiddler’s Companion K:D AA/B/ (A/F/)E/D/|B{c}B/A/ (Bd)|AA/B/ A/F/E/D/|g/f/e/d/ (Bd):| |:ff/d/ gg/e/|ff/d/ (e/c/)B/A/|ff/d/ gg/e/|a/f/e/d/ (Bd)| ff/d/ gg/e/|ff/d/ (e/c/)B/A/|d/e/f/g/ a/f/b/a/|g/f/e/d/ (Bd):|]

X:3 T:Wind that Shakes the Barley M:2/4 L:1/8 R:Reel B:R.M. Levey – First Collection of the Dance Music of Ireland (1858, No. 49, p. 20) Z:AK/Fiddler’s Companion K:D AA/B/ (A/F/)E/D/|B{c}B/A/ (Bd)|AA/B/ A/F/E/D/|g/f/e/d/ (Bd):| |:ff/d/ gg/e/|ff/d/ (e/c/)B/A/|ff/d/ gg/e/|a/f/e/d/ (Bd)| ff/d/ gg/e/|ff/d/ (e/c/)B/A/| d/e/f/g/ a/f/b/a/|g/f/e/d/ (Bd):|]

X:1 T:Wind that Shakes the Barley, The M:C| L:1/8 R:Reel B:James Goodman music manuscript collection, Book 1, p. 43 (mid-19th century) B:http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=46&z=-1017.5637%2C981.5753%2C11661.6638%2C4466.6667 Z:AK/Fiddler’s Companion K:G A2 AB AFDF|BcBA B2d2|A2 AB AFDf|gfed B2d2:| f2 fd g2 ge|f2 fd B2d2|f2 fd g2 ge|aged B2d2| f2 fd g2 ge|f2 fd e3z|defg abaf|gfed BcdB||

X:4 T:Wind that Shed the Barley, The T:Wind that Shakes the Barley M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (Book 2, c. 1883, No. 163, p. 35) B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=34&z=116.5781%2C196.8073%2C2842.5377%2C1230.1919 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:D Dddc dAFD|GBBA Bcd2|FAAB AFDf|gfed BABc| d2dc dAFD|GBBA Bc d2|AB/c/ dB AFDf|gfed Bcde|| f2fd g2 ge|fg/a/ fc dcBA|f2fd efgb|ag/f/ ed Bcde| ffd g2 ge|fg/a/ fc dcBA|dfeg fagb|ag/f/ ed Bc d2||

X:5 T:The Wind that Shakes the Barley [1] L:1/8 M:C| R:Reel B:Stewart-Robertson – The Athole Collection (1884) Z:François-Emmanuel de Wasseige K:D A|F(AA)B AF(ED)|B2(BA) B2{c}d2|F(AA)B AF(ED)|{f}gfed B2{c}d:| e|f2(fd) {f}g2(ge)|f2(fd) Bcde|f2(fd) {f}g2(gb)|afed B2 {c}d>e| f2(fd) {f}g2(ge)|f2(fd) Bcde|fafd gbge|afed B2{c}d|]

X:6 T:Wind that Shakes the Barley [1], The M:C| L:1/8 R:Reel S:”Michael B. Shanahan” S:P.D. Reidy music manuscript collection, London, 1890’s (No. 25) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. N:Reidy told O’Neill that his source, Shanahan was a “celebrated N:violinist”, the son of a piper born in Kilrush, Co. Clare, with a N:great reputation in Kerry and Limerick in the 1860’s. It is unclear N:where Shanahan was in relation to his acquaintance with Reidy N:(i.e. in London or Ireland). F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:D A2 (AB) FAdc|B2 (BA) BcdB|A=GAB Adfa|gfed Bgfe| dcdc dAFA|BcBA BcdB|A=GAB Adfa|gfed Bcde|| f2 (fd) g2 (ge)|f2 (fd) ecAc|f2 (fd) g2 (ef)|gfed Bcde| (3fga (fd) (3gab (ge)|(3fga (fd) ecAc|defg afbf|gfed Bgfe||

X:7 T:The Wind that Shakes the Barley [1] M:C| L:1/8 R:Reel B:O'Neill's Music of Ireland. 1850 Melodies, 1903, p. 280, no. 1518 Z:François-Emmanuel de Wasseige K:D B|A2AB AFED|B2BA BcdB|A2AB AFED|gfed BcdB| A2AB AFED|B2BA BcdB|A2AB AFED|gfed B2d|| e|f2fd g2ge|f2fd Bcde|f2fd g2fg|afed Bcde| f2fd g2ge|f2fd Bcde|fafd gbge|afed Bcd!D.C.!|]

X:8 T:The Wind that Shakes the Barley [1] M:C| L:1/8 R:Reel B:Br. Breathnach, Ceol Rince na hÉireann, vol. 3, 1985, no. 202 K:D B|A2 (3.F.E.D AD{G}ED|BDAD B2 dB|AD{G}FD A2de|...