Annotation:Tipsy House (The): Difference between revisions
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|f_annotation='''TIPSY HOUSE, THE.''' AKA and see “[[Templehouse Reel (The)]].” Irish, Reel. E Minor. Standard tuning (fiddle). AB. Darley & McCall’s title is perhaps a garbled version of the name of the well-known reel “The Templehouse,” of which this is a version. If this is so, it was probably not their mistake but one that had sunk into tradition, for the title is among those mentioned in Patrick J. McCall’s 1861 poem “The Dance at Marley”: | |f_annotation='''TIPSY HOUSE, THE.''' AKA and see "[[Evergreen Lasses (The)]]," <span>"[[Fowling Piece (The)]]," "[[Pretty Maids of Bulgaden (The)]]," </span>"[[Rising of the Lark (The)]]," “[[Templehouse Reel (The)]].” Irish, Reel. E Minor. Standard tuning (fiddle). AB. Darley & McCall’s title is perhaps a garbled version of the name of the well-known reel “The Templehouse,” of which this is a version. If this is so, it was probably not their mistake but one that had sunk into tradition, for the title is among those mentioned in Patrick J. McCall’s 1861 poem “The Dance at Marley”: | ||
''Murtagh Murphy’s barn was full to the door when the eve grew dull,''<br> | |||
''For Phelim Moore his beautiful new pipes had brought to charm them;''<br> | : | ||
''In the kitchen thronged the girls - cheeks of roses, teeth of pearls -''<br> | ''Murtagh Murphy’s barn was full to the door when the eve grew dull,''<br /> | ||
''Admiring bows and braids and curls, till Phelim’s notes alarm them.''<br> | ''For Phelim Moore his beautiful new pipes had brought to charm them;''<br /> | ||
''Quick each maid her hat and shawl hung on dresser, bed, or wall,''<br> | ''In the kitchen thronged the girls - cheeks of roses, teeth of pearls -''<br /> | ||
''Smoothed down her hair and smiled on all as she the bawnoge entered,''<br> | ''Admiring bows and braids and curls, till Phelim’s notes alarm them.''<br /> | ||
''Where a shass of straw was laid on a ladder raised that made''<br> | ''Quick each maid her hat and shawl hung on dresser, bed, or wall,''<br /> | ||
''A seat for them as still they stayed while dancers by them cantered.''<br> | ''Smoothed down her hair and smiled on all as she the bawnoge entered,''<br /> | ||
<br> | ''Where a shass of straw was laid on a ladder raised that made''<br /> | ||
''Murtagh and his vanithee had their chairs brought in to see''<br> | ''A seat for them as still they stayed while dancers by them cantered.''<br /> | ||
''The heels and toes go fast and free, and fun and love and laughter;''<br> | <br /> | ||
''In their sconces all alight shone the tallow candles bright -''<br> | ''Murtagh and his vanithee had their chairs brought in to see''<br /> | ||
''The flames kept jigging all the night, upleaping to each rafter!''<br> | ''The heels and toes go fast and free, and fun and love and laughter;''<br /> | ||
''The pipes, with noisy drumming sound, the lovers’ whispering sadly drowned,''<br> | ''In their sconces all alight shone the tallow candles bright -''<br /> | ||
''So the couples took their ground - their hearts already dancing!''<br> | ''The flames kept jigging all the night, upleaping to each rafter!''<br /> | ||
''Merrily, with toe and heel, airily in jig and reel,''<br> | ''The pipes, with noisy drumming sound, the lovers’ whispering sadly drowned,''<br /> | ||
''Fast in and out they whirl and wheel, all capering and prancing.''<br> | ''So the couples took their ground - their hearts already dancing!''<br /> | ||
<br> | ''Merrily, with toe and heel, airily in jig and reel,''<br /> | ||
''“Off She Goes,” “The Rocky Road,” “The Tipsy House,” and “Miss McLeod,”''<br> | ''Fast in and out they whirl and wheel, all capering and prancing.''<br /> | ||
''“The Devil’s Dream,” and “Jig Polthogue,” “The Wind that Shakes the Barley,”''<br> | <br /> | ||
''“The First o’May,” “The Garran Bwee,” “Tatther Jack Welsh,” “The River Lee,” -''<br> | ''“Off She Goes,” “The Rocky Road,” “The Tipsy House,” and “Miss McLeod,”''<br /> | ||
''As lapping breakers from the sea the myriad tunes at Marley!''<br> | ''“The Devil’s Dream,” and “Jig Polthogue,” “The Wind that Shakes the Barley,”''<br /> | ||
''Reels of three and reels of four, hornpipes and jigs galore,''<br> | ''“The First o’May,” “The Garran Bwee,” “Tatther Jack Welsh,” “The River Lee,” -''<br /> | ||
''With singles, doubles held the floor in turn, without a bar low;''<br> | ''As lapping breakers from the sea the myriad tunes at Marley!''<br /> | ||
''But when the fun and courting lulled, and the dancing somewhat dulled,''<br> | ''Reels of three and reels of four, hornpipes and jigs galore,''<br /> | ||
''The door unhinged, the boys down pulled for “Follow me up to Carlow.”''<br | ''With singles, doubles held the floor in turn, without a bar low;''<br /> | ||
''But when the fun and courting lulled, and the dancing somewhat dulled,''<br /> | |||
''The door unhinged, the boys down pulled for “Follow me up to Carlow.”''<br /> | |||
|f_source_for_notated_version=flutist and farm laborer John Ferguson (Rathangan, Co. Wexford, Ireland), noted from his performance at one of the Feis Ceoil competitions at the turn of the 20th century [Darley & McCall]. | |f_source_for_notated_version=flutist and farm laborer John Ferguson (Rathangan, Co. Wexford, Ireland), noted from his performance at one of the Feis Ceoil competitions at the turn of the 20th century [Darley & McCall]. | ||
|f_printed_sources=Darley & McCall ('''Feis Ceóil Collection of Irish Airs'''), 1914; No. 70, p. 32. | |f_printed_sources=Darley & McCall ('''Feis Ceóil Collection of Irish Airs'''), 1914; No. 70, p. 32. | ||
|f_recorded_sources=s | |f_recorded_sources=s | ||
|f_see_also_listing=s | |f_see_also_listing=Alan Ng's Irishtune.info [https://www.irishtune.info/tune/1888/] | ||
}} | }} | ||
Revision as of 21:33, 22 January 2022
X:1 T:Tipsy House, The M:C L:1/8 R:Reel S:Darley & McCall – Feis Ceóil Collection (1914). Z:AK/Fiddler’s Companion K:Emin E2 GE BEGE | D2 FD ADFD | E2 GE BEGE | (3BcB AG (3BGE E2 | E2 GE BEGE | D2 FD ADFD | E2 GE BEGE | (3BcB AG (3BGE E2 || ge (3efe ge (3efe | fd (3ded fd (3ded | ge (3efe ge (3efe | (3gfg bg (3afd e2 | ge (3efe ge (3efe | fd (3ded fd (3ded | bgaf (3gfe e2 | (3BcB AG (3BGE E2 ||
TIPSY HOUSE, THE. AKA and see "Evergreen Lasses (The)," "Fowling Piece (The)," "Pretty Maids of Bulgaden (The)," "Rising of the Lark (The)," “Templehouse Reel (The).” Irish, Reel. E Minor. Standard tuning (fiddle). AB. Darley & McCall’s title is perhaps a garbled version of the name of the well-known reel “The Templehouse,” of which this is a version. If this is so, it was probably not their mistake but one that had sunk into tradition, for the title is among those mentioned in Patrick J. McCall’s 1861 poem “The Dance at Marley”:
Murtagh Murphy’s barn was full to the door when the eve grew dull,
For Phelim Moore his beautiful new pipes had brought to charm them;
In the kitchen thronged the girls - cheeks of roses, teeth of pearls -
Admiring bows and braids and curls, till Phelim’s notes alarm them.
Quick each maid her hat and shawl hung on dresser, bed, or wall,
Smoothed down her hair and smiled on all as she the bawnoge entered,
Where a shass of straw was laid on a ladder raised that made
A seat for them as still they stayed while dancers by them cantered.
Murtagh and his vanithee had their chairs brought in to see
The heels and toes go fast and free, and fun and love and laughter;
In their sconces all alight shone the tallow candles bright -
The flames kept jigging all the night, upleaping to each rafter!
The pipes, with noisy drumming sound, the lovers’ whispering sadly drowned,
So the couples took their ground - their hearts already dancing!
Merrily, with toe and heel, airily in jig and reel,
Fast in and out they whirl and wheel, all capering and prancing.
“Off She Goes,” “The Rocky Road,” “The Tipsy House,” and “Miss McLeod,”
“The Devil’s Dream,” and “Jig Polthogue,” “The Wind that Shakes the Barley,”
“The First o’May,” “The Garran Bwee,” “Tatther Jack Welsh,” “The River Lee,” -
As lapping breakers from the sea the myriad tunes at Marley!
Reels of three and reels of four, hornpipes and jigs galore,
With singles, doubles held the floor in turn, without a bar low;
But when the fun and courting lulled, and the dancing somewhat dulled,
The door unhinged, the boys down pulled for “Follow me up to Carlow.”
