Annotation:Careless Sally: Difference between revisions
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''Printed sources'': Merryweather & Seattle (The Fiddler of Helperby), 1994; No. 110, p. 61. | ''Printed sources'': Merryweather & Seattle ('''The Fiddler of Helperby'''), 1994; No. 110, p. 61. | ||
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Revision as of 18:32, 4 October 2011
Tune properties and standard notation
CARELESS SALLY. English, Country Dance Tune (4/4 time). G Major. Standard tuning (fiddle). AABB. The melody first appeared in print in Samuel, Ann and Peter Thompson's Thompson's Compleat Collection of 200 Favourite Country Dances vol. 5 (London, 1788). It appears in the music manuscript collections of several amateur musicians on both sides of the Atlantic: Lawrence Leadley (Helperby, Yorkshire, mid-19th cent.), Edward Murphy (Newport, R.I., 1790), John Treat (Durham?, late 18th cent.) and Luther Kingsley (Mansfield, Conn., 1795). Dance figures for "Careless Sally" also appear in period manuscript collections in New England and New York, and in the publications A Select Collection of the Newest and Most Favorite Country Dances (Phinney, Ostego, N.Y., 1808) and A Treatise on Dancing (Saltator, Boston, Mass., 1807).
Cecil Sharp noted a version of the tune as a generic "Hornpipe" from the playing of James Higgins, then resident at Shepton Mallet Workhouse--the tune is often called "Shepton Mallet Hornpipe" today (c.f. playing of Somerset harmonica player Jim Small). Phillip Heath-Coleman [1] also finds versions of the hornpipe in the music manuscript of James Rook, Cumbria, 1840, (particularly the 2nd strain) as "Goathland Saquare Eight" and Henry Stuch's "Cuckoo's Nest".
Source for notated version: the MS collection compiled by fiddler Lawrence Leadley, 1827-1897 (Helperby, Yorkshire) [Merryweather & Seattle].
Printed sources: Merryweather & Seattle (The Fiddler of Helperby), 1994; No. 110, p. 61.
Recorded sources: