Annotation:Tyrolese Waltz: Difference between revisions

Revision as of 04:59, 7 March 2022

TYROLESE WALTZ. AKA - "Tyrolese Song of Liberty." English, American; Waltz (3/4 time). England, Shropshire. F Major (Ashman/Moore): D Major (Kennedy). Standard tuning (fiddle). AABB. The tune appears in Hodsoll’s Collection of Popular Dances No. 24, an undated manuscript of tunes with Napoleonic-era titles and country dance directions. It was printed in several early 19th century collections and tutors, such as Edward Riley's Flute Melodies vol. 2 (New York, 1817), A. Bacon's Bacon's Complete Preceptor for the Clarinet (Philadelphia, c. 1818), J.G. Klemm's New & Complete Preceptor for the Clarinet (Philadelphia, 1825), G.E. Blake's Introduction to the Art of Playing the Bassoon (Philadelphia, 1826), and Firth & Hall's Newly Improved Instructor for the Clarinet (New York, c. 1832), sometimes under the title "Tyrolese Song of Liberty". It was also entered into a few period musicians manuscript collections. William Gardiner, publisher of sacred melodies by Haydn, Mozart and Beethoven early in the 19th century, complained that "the nonconformists...have adapted trivial and unworthy tunes such as 'The Tyrolese Waltz' to sacred texts."

The Tyrol is the alpine area of Austria, a country that was an ally of England against Napoleon, a fact that may account for the appearance of the tune in period country dance collections.

Additional notes
Source for notated version : - a c. 1837-1840 MS by Shropshire musician John Moore [Ashman].

Printed sources : - Ashman (The Ironbridge Hornpipe), 1991; No. 69b, p. 28. Kennedy (Fiddler’s Tune-Book: Slip Jigs and Waltzes), 1999; No. 184, p. 49.

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 {{TuneAnnotation
-|f_annotation='''TYROLESE WALTZ.''' English, Waltz (3/4 time). England, Shropshire. F Major (Ashman/Moore): D Major (Kennedy). Standard tuning (fiddle). AABB. The tune appears in '''Hodsoll’s Collection of Popular Dances No. 24''', an undated manuscript of tunes with Napoleonic-era titles and country dance directions. William Gardiner, publisher of sacred melodies by Haydn, Mozart and Beethoven early in the 19th century, complained that "the nonconformists...have adapted trivial and unworthy tunes such as 'The Tyrolese Waltz' to sacred texts."
+|f_annotation='''TYROLESE WALTZ.''' AKA - "Tyrolese Song of Liberty." English, American; Waltz (3/4 time). England, Shropshire. F Major (Ashman/Moore): D Major (Kennedy). Standard tuning (fiddle). AABB. The tune appears in '''Hodsoll’s Collection of Popular Dances No. 24''', an undated manuscript of tunes with Napoleonic-era titles and country dance directions. It was printed in several early 19th century collections and tutors, such as Edward Riley's '''Flute Melodies vol. 2''' (New York, 1817),  A. Bacon's '''Bacon's Complete Preceptor for the Clarinet''' (Philadelphia, c. 1818), J.G. Klemm's '''New & Complete Preceptor for the Clarinet''' (Philadelphia, 1825), G.E. Blake's '''Introduction to the Art of Playing the Bassoon''' (Philadelphia, 1826), and '''Firth & Hall's Newly Improved Instructor for the Clarinet''' (New York, c. 1832), sometimes under the title "Tyrolese Song of Liberty". It was also entered into a few period musicians manuscript collections.  William Gardiner, publisher of sacred melodies by Haydn, Mozart and Beethoven early in the 19th century, complained that "the nonconformists...have adapted trivial and unworthy tunes such as 'The Tyrolese Waltz' to sacred texts."
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