Lancers Quadrilles First Figure (The): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Lancers Quadrilles First Figure
|f_tune_title=Lancers Quadrilles First Figure
|f_aka=Duval of Dublin's Second Set, Lanciers (Les), London Lanciers Figure 1
|f_aka=Dorset (La), Duval of Dublin's Second Set, Lanciers (Les), London Lanciers Figure 1
|f_country=England, Scotland, Ireland, United States
|f_country=England, Scotland, Ireland, United States
|f_genre=English, Irish, Scottish
|f_genre=English, Irish, Scottish

Revision as of 23:53, 7 March 2022


Lancers Quadrilles First Figure (The)  Click on the tune title to see or modify Lancers Quadrilles First Figure (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Lancers Quadrilles First Figure (The)
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 Theme code Index    3H2H1H5 4H3H2H5
 Also known as    Dorset (La), Duval of Dublin's Second Set, Lanciers (Les), London Lanciers Figure 1
 Composer/Core Source    
 Region    England, Scotland, Ireland, United States
 Genre/Style    English, Irish, Scottish
 Meter/Rhythm    Jig/Quadrille, Quadrille/Kadrilj
 Key/Tonic of    D
 Accidental    1 flat
 Mode    Aeolian (minor)
 Time signature    2/4, 6/8
 History    IRELAND(Connaught), USA(Central), USA(Mid Atlantic), USA(New England), USA(Great Lakes/Northern Tier), USA(Western/Pacific)
 Structure    ABCD
 Editor/Compiler    Biography:"A Professional Player"
 Book/Manuscript title    Book:Köhlers' Violin Repository Book 1
 Tune and/or Page number    pp. 24-25
 Year of publication/Date of MS    1881
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   




X: 1 T:Lancers Sett of Quadrils No.1. TLY.050 M:6/8 L:1/8 Q:3/8=110 S:Wm.Tildesley,Swinton,Lancs.1860s. R:.Quadrille O:England. A:Lancashire. N:Pause mark over double bar line at end of A music. DC at end of tune. H:1860. Z:vmp.Taz Tarry. K:D min cdc| a2a g2g|f2 c cdc| b2b a2a| g2 z cdc|! a2a g2g| f2 c cdc| d2 g cde| f2 z||! cdc| e2e f2f| ^f2 g cdc| BcB ABA| G2 z cdc|! a2a g2g|f2f fed| c2A B2G| F2z||! ABA| d2d f2f| e2 A ABA| d2d f2f| e2 z ABA|! f2f e2e| d2d _e2e| d2d ^c2c|d2 z||! ABA| ^c2c d2d| ^d2e ABA| GAG FGF| "^cr"E3 ABA|! f2f e2e| d2d _e2e| d2d ^c2c| "^DC"d2z|]


X:1 T:Lancers Quadrilles, The. First Figure M:6/8 L:1/8 B:Isaac Homan manuscript (mid-19th century, Bellport, B:Long Island, NY, Book 2, p. 38) Z:AK/Fiddler’s Companion K:F cdc|a2a g2g|f2c cdc|b2b a2a|g2z cdc| a2a g2g|[A2f2]c cdc|d2g cde|[A2f2]z z2F|| zc|e2e f2f|^f3 gzC|B,CB, A,B,A,|G,2z cdc| a2a g2g|f2f fed|c2A B2E|F2z ABA| d2d f2f|e2A ABA|d2d {d}f2f|e3 ABA| f2f e2e|d2d _e2e|d2d ^c2c|d2z !D.C.!||


X:1 T:Lancers Quadrilles First Figure M:6/8 L:1/8 R:Quadrille Set B: Köhler’s Violin Repository, Book One (1881, pp. 24-25) Z:AK/Fiddler's Companion K:F P:1 cdc|a2a g2g|f3 cdc|b2b a2a|g3 cdc|a2a g2g| f3 cdc|(d2g) cde|f3||CDC|E2E F2F|(^F2G) CDC| B,CB, A,B,A,|G,3 cdc|a2a g2g|f2f fed|(c2A) (B2G)| F3||ABA|d2d f2f|e3 ABA|d2d f2f|e3 ABA|f2f e2e| d2d _e2e|d2d ^c2c|d3||ABA|^c2c d2d|(^d2e) ABA| GAG FGF|E3 ABA|f2f e2e|d2d _e2e|d2d ^c2c|d3!D.C.!||


X:1 T:London Lanciers 1st Figure M:6/8 L:1/8 B:Linscott – Folk Songs of Old New England (1939, p. 91) N:Sent to Linscott by Benjamin Lovett, “with permission of Henry Ford.” Z:AK/Fiddler’s Companion K:D (3A/B/A/|[A2f2][Af][G2e2][Ge]|[F2d2]A (ABA)|[A2g2][Ag] [d2f2][df]|[c2e2]A (ABA)| [A2f2][Af][G2e2][Ge]|[F2d2]A (ABA)|[E2G2B2][Ge] [GA][GB][Gc]|[F2d2]z!fermata!}} (ABA)|[E2c2][Ec][F2d2][Fd]|[F3^d3][Ge]zA|GAG FGF|E2z (ABA)| [A2f2][Af] [^A2e2][Ae]|[B2d2]d dcB|A2[DF] [C2G2][CE]|D2z (FGF)| [F2B2][FB] [B2d2][Bd]|[^A3c3] (FGF)|[B2d2][Bd][^A2c2][Ac]|B2 [FB] [E2=c2][Ec]|[D2B][FB] [E2^A2][EA]|[D3B3]-[D2B2]!D.C.!||