Annotation:Rossen's Hollos: Difference between revisions
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|f_annotation='''ROSSEN'S HOLLOS.''' AKA - "Byron's Fancy," "Ross's Hollows." Irish, Reel (cut time). E Dorian. Standard tuning (fiddle). AB. "Rossen's Hollos" is contained in the music manuscript of curate and fiddler [[biography:Rev. Luke Donnellan]] (18780-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>. The title (as "Ross's Hollows") was included in the tune list of piper Philip Goodman (c. 1831-1908), Carrickmacross, Ireland, who is variously described as "the last professional and traditional piper in Farney, Louth", and also recorded as having been from Donaghmoyne, County Monaghan (all of which are places from the same area, and contiguous to the Donnellan's Oriel region). | |f_annotation='''ROSSEN'S HOLLOS.''' AKA - "Byron's Fancy," "Ross's Hollows." Irish, Reel (cut time). E Dorian. Standard tuning (fiddle). AB. "Rossen's Hollos" is contained in the music manuscript of curate and fiddler [[biography:Rev. Luke Donnellan]] (18780-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref> | ||
# <span class="mw-cite-backlink">↑</span> <span class="reference-text">Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </span> | |||
. The title (as "Ross's Hollows") was included in the tune list of piper Philip Goodman (c. 1831-1908), Carrickmacross, Ireland, who is variously described as "the last professional and traditional piper in Farney, Louth", and also recorded as having been from Donaghmoyne, County Monaghan (all of which are places from the same area, and contiguous to the Donnellan's Oriel region). | |||
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | |||
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 116, p. 71. | |f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 116, p. 71. | ||
}} | }} | ||
Revision as of 01:41, 7 June 2022
X:1 T:Rossen's Hollos T:Byron's Fancy M:C| L:1/8 R:Reel B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel B:region, south Ulster) K:Edor BEGE GBdB|ADFD FGAd|BE....
ROSSEN'S HOLLOS. AKA - "Byron's Fancy," "Ross's Hollows." Irish, Reel (cut time). E Dorian. Standard tuning (fiddle). AB. "Rossen's Hollos" is contained in the music manuscript of curate and fiddler biography:Rev. Luke Donnellan (18780-1952), Oriel region, south Ulster[1]
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.
. The title (as "Ross's Hollows") was included in the tune list of piper Philip Goodman (c. 1831-1908), Carrickmacross, Ireland, who is variously described as "the last professional and traditional piper in Farney, Louth", and also recorded as having been from Donaghmoyne, County Monaghan (all of which are places from the same area, and contiguous to the Donnellan's Oriel region).
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.